国绣大师苏晚棠，在离婚当天遭遇人生重创。她的精湛刺绣作品被丈夫与同行白薇联手侵占，养母病重又遭医药费胁迫，陷入事业与生活的双重绝境。面对背叛与困境，苏晚棠没有屈服。她在颁奖礼现场勇敢对峙，凭借一手绝妙的“回燕针”技艺，一步步收集证据，坚持自证清白，最终夺回了作品署名。这场危机也意外解开了她的身世谜团，让她与亲生外婆秦凤仪相认。苏晚棠不仅传承了国绣技艺，更发起“国绣青年计划”，守护创作者权益，让传统刺绣在新时代焕发新生，书写了一段关于艺术、亲情与自我救赎的传奇篇章。

十八岁的沈知夏身患重疾，生命进入最后阶段。她唯一的心愿，是再见母亲苏岚一面。因多年心结与信息阻隔，苏岚始终没能及时得知女儿的真实病情。知夏在生命尽头选择捐献遗体，希望帮助更多患者。医学研讨会上，身为血癌专家的苏岚意外发现，眼前的捐献者竟是自己的女儿。随着遗物、监控和证人的讲述，往事逐渐还原，苏岚终于明白知夏曾承受的孤独与委屈。

事业有成的许清禾相亲时，认出小馆老板程远山是十二年前资助自己求学的恩人。二人发现当年资助尾款与书信遭前合伙人韩立诚扣押。他们坚守本心，凭借信义与一众旧伙伴揭穿阴谋，厘清旧账。恩情并未裹挟感情，二人挣脱过往枷锁，在互相尊重中走向相爱相守。

A rare, hysterical gem from early Soviet cinema. CHEMI BEBIA (MY GRANDMOTHER) is a Georgian avant-garde slapstick silent comedy that was banned in the Soviet Union for almost 50 years. And it's pretty easy to see why. Whereas later Georgian filmmakers became rather adept at slipping political criticism under the noses of the Soviet censors, this film ends with a completely unambiguous rallying call for the death of bureaucrats. Lots of the creative techniques one associates with early Soviet cinema are on display here, but they are filtered through a sieve of early American slapstick and used mostly (and most successfully) for comedy. Imagine Harold Lloyd starring in Terry Gilliam's BRAZIL and you'll start to get an idea of what MY GRANDMOTHER is like. It's hilarious, and historically it's interesting to watch in that it's just as politically obvious as any other early Soviet film, but in an entirely different way. Imaginative, innovative, amazing! This is a wonderful film that works on so many levels. As a farce, it's up there with Charlie Chaplin or Monsieur Hulot. It's really funny. The score is absolutely brilliant. The acting is top-notch. As a satire on corruption and bureaucracy, it hits the nail on the head. The elements of surrealism work tremendously well in acting, sets and scenes: just extreme enough to make the point well without losing touch with the underlying reality. Through all this, key themes are maintained. The director also plays effortlessly with gender, age and hierarchical roles, switching and undermining them relentlessly. Innovative film techniques, too, are used exceptionally well: puppetry, collage, distortion plus many more. One could doubtless see this film a dozen times and still find something new.

苏棠拥有着令人艳羡的婚姻，直到一通电话撕碎了所有的假象——丈夫霍知言常年与“好兄弟”沈飞暗渡陈仓，霍家父母亦联手隐瞒。她没有声张，只静静布下一盘棋。祭祖大典当日，香火缭绕间，她终于等到真相揭晓的那一刻。

豪门太太谭倩陪儿子留学归来，意外发现丈夫雷励出轨年轻女秘书。她冷静收集证据，给过丈夫机会，对方却假意悔改、藕断丝连。谭倩彻底心寒，果断提出离婚，凭借精明手段争取到巨额财产。离婚后她事业腾飞，影帝倾心，前夫却追悔莫及。失去婚姻的她，反而活成了人人羡慕的样子？

豪门太太谭倩陪儿子留学归来，意外发现丈夫雷励出轨年轻女秘书。她冷静收集证据，给过丈夫机会，对方却假意悔改、藕断丝连。谭倩彻底心寒，果断提出离婚，凭借精明手段争取到巨额财产。离婚后她事业腾飞，影帝倾心，前夫却追悔莫及。失去婚姻的她，反而活成了人人羡慕的样子？

一场雨夜车祸夺走秦岚的丈夫，也夺走她的双眼。八年黑暗，她只记得凶手离去前那三声敲击与一声轻"嗯"。这天女儿带男友江风上门提亲，趴了九年的导盲犬灰灰突然暴起狂吼。江风扶桌时无意叩桌三下、满意时喉间"嗯"了一声——那两个动静，与雨夜凶手一模一样！可她看不见脸，没有证据，女儿更被对方PUA得深信不疑。

首富之子关越隐瞒身份，为报恩与叶曼青结婚三年，甘当家庭主夫，却被妻子和岳母百般羞辱，妻子更与学长厉深暗中出轨。关越发现救命恩人另有其人——三年前救他的是善良女孩陈星星。他决意离婚，亮出真实身份，撤走暗中给妻子公司的一切资源，导致前妻公司破产、情人入狱。最终关越找回真正的恩人陈星星，两人相爱团圆。

沈砚打三份工供妻子周曼青读书，确诊肾炎当天却被提离婚，还要被夺走房子和救命钱。绝望之际，他救下裴氏集团总裁裴凝，意外发现自己竟是她失散二十五年的亲弟弟、裴家唯一的大少爷。从被辞退的保安到集团总裁，沈砚完成逆袭。前妻周曼青得知身份后跪求复婚，被他当众揭穿真相、决绝拒绝。而初中同桌白知意暗恋他十年，在他最落魄时重逢，最终两人走到一起，事业爱情双丰收。