导演和一群大学生一同从西安去往江苏常州的一个拖拉机制造工厂打寒假工，他们都怀揣抱负和理想，靠自己撑起自己的一片天，工厂里形形色色的工友年龄不等，甚至有辍学的未成年人，工厂里的生活枯燥乏味又疲惫，《明天更漫长》记录他们的欢乐与哀愁。

导演和一群大学生一同从西安去往江苏常州的一个拖拉机制造工厂打寒假工，他们都怀揣抱负和理想，靠自己撑起自己的一片天，工厂里形形色色的工友年龄不等，甚至有辍学的未成年人，工厂里的生活枯燥乏味又疲惫，《明天更漫长》记录他们的欢乐与哀愁。

Working with non-actors and a script sourced from excerpted plays, memoirs, and letters penned by political prisoners, Galician filmmaker Eloy Enciso explores the mood and texture of life in Franco-era Spain in the materialist tradition of Straub-Huillet and Pedro Costa. 　　Taking its title from the expression longa noite de pedra ("long night of stone"), which was coined by the poet Celso E. Ferreiro to describe the lengthy period of dictatorship after the Spanish Civil War, the third feature by Galician filmmaker Eloy Enciso explores the postguerra mood and the texture of life in Franco-era Spain by way of unconventional portraiture, the power of words, and stunning atmospheric immersion. Working with non-actors and a script sourced from excerpts of plays, memoirs, and letters from political prisoners, Enciso portrays a variety of characters — both victors and vanquished — as they negotiate a newly reordered society. 　　At the film's shifting centre is Anxo (Misha Bies Golas), who returns home to his unnamed village in the years following the war, his interactions with individuals wielding varying levels of power serving to cast the cruelty of the modern world into stark relief. As he moves through the town, and eventually into the surrounding arboreal landscape, the already muted mood turns towards the mournful as the film approaches its quietly grand finale. 　　Following in the materialist tradition of Straub-Huillet and Pedro Costa, Enciso continues to explore themes that preoccupied him in his earlier work: the human presence in the landscape (specifically, the forest as a container of popular history), the cultural and geographic specificity of Galicia, the search for musicality in language, and the intertwining of history, fact, and fiction. 　　Proceeding dreamily through its elliptical, day-to-night structure, Longa noite is a nocturne of ferocity and resistance, a strange and stirring indictment of fascism that employs beautifully cryptic methods to combat oblivion.

Working with non-actors and a script sourced from excerpted plays, memoirs, and letters penned by political prisoners, Galician filmmaker Eloy Enciso explores the mood and texture of life in Franco-era Spain in the materialist tradition of Straub-Huillet and Pedro Costa. 　　Taking its title from the expression longa noite de pedra ("long night of stone"), which was coined by the poet Celso E. Ferreiro to describe the lengthy period of dictatorship after the Spanish Civil War, the third feature by Galician filmmaker Eloy Enciso explores the postguerra mood and the texture of life in Franco-era Spain by way of unconventional portraiture, the power of words, and stunning atmospheric immersion. Working with non-actors and a script sourced from excerpts of plays, memoirs, and letters from political prisoners, Enciso portrays a variety of characters — both victors and vanquished — as they negotiate a newly reordered society. 　　At the film's shifting centre is Anxo (Misha Bies Golas), who returns home to his unnamed village in the years following the war, his interactions with individuals wielding varying levels of power serving to cast the cruelty of the modern world into stark relief. As he moves through the town, and eventually into the surrounding arboreal landscape, the already muted mood turns towards the mournful as the film approaches its quietly grand finale. 　　Following in the materialist tradition of Straub-Huillet and Pedro Costa, Enciso continues to explore themes that preoccupied him in his earlier work: the human presence in the landscape (specifically, the forest as a container of popular history), the cultural and geographic specificity of Galicia, the search for musicality in language, and the intertwining of history, fact, and fiction. 　　Proceeding dreamily through its elliptical, day-to-night structure, Longa noite is a nocturne of ferocity and resistance, a strange and stirring indictment of fascism that employs beautifully cryptic methods to combat oblivion.

A beautiful woman turns to prostitution. She must surrender her income to the leader of a human trafficking ring, but her daughter’s illness and a drug addiction prevents her from delivering her usual share. 　　An unexpected event will give her the opportunity to stop obeying and take justice into her own hands.

A beautiful woman turns to prostitution. She must surrender her income to the leader of a human trafficking ring, but her daughter’s illness and a drug addiction prevents her from delivering her usual share. 　　An unexpected event will give her the opportunity to stop obeying and take justice into her own hands.

影片讲述了一个对爱情绝望的“早更女”戚嘉（周迅饰）将遭遇终极痴情“暖男”袁晓鸥（佟大为饰），欢喜冤家聚头，上演一出啼笑皆非又温暖动人的爱情喜剧。

戚嘉（周迅 饰）同男友交往多年，两人感情一直十分要好，然而，令戚嘉没有想到的是，本以为能够与其顺利步入婚礼殿堂的男友，竟然在毕业的那一天残酷的拒绝了她，从此以后，戚嘉的噩梦开始了。失败的爱情经历让戚嘉陷入痛苦中无法自拔，心慌气短、精神衰弱、脾气暴躁，这一连串更年期的症状，接连出现在了年轻的戚嘉身上。 　　背负着沉重的枷锁，戚嘉决定封闭自己的内心，拒绝所有人于千里之外，就在这时，一个名叫袁晓鸥（佟大为 饰）的男人出现在了她的身边。袁晓鸥用自己无微不至的温柔和体贴逐渐化解了戚嘉内心的坚冰，在袁晓鸥的帮助下，戚嘉逐渐找回了幸福和快乐的感觉。

戚嘉向相恋十年的男友求婚惨遭拒绝，从此心慌气短、神经衰弱、脾气暴躁，被诊断为“早更”。戚嘉忌医讳药、抑郁自闭，早更症状日益严重，生活工作陷入困境。暖男袁晓鸥全面实施“早更康复计划”，戚嘉逐步好转，并尝试开始新的事业及恋情，却无一成功。渐渐两人萌生爱意却障碍重重。袁大姐坚决不同意三代单传的弟弟娶早更女，广场舞界死对头戚嘉妈更是不愿女儿面对奇葩大姑姐。当袁晓鸥排除姐姐干扰，霸道女总裁尹姜却频频示爱，让戚嘉误会颇深，有意放弃。最终，晓鸥颇费心思的求婚令戚嘉重拾爱的信念，因为爱情而生的“更年期综合症”也因为爱情不治而愈。

戚嘉向相恋十年的男友求婚惨遭拒绝，从此心慌气短、神经衰弱、脾气暴躁，被诊断为“早更”。戚嘉忌医讳药、抑郁自闭，早更症状日益严重，生活工作陷入困境。暖男袁晓鸥全面实施“早更康复计划”，戚嘉逐步好转，并尝试开始新的事业及恋情，却无一成功。渐渐两人萌生爱意却障碍重重。袁大姐坚决不同意三代单传的弟弟娶早更女，广场舞界死对头戚嘉妈更是不愿女儿面对奇葩大姑姐。当袁晓鸥排除姐姐干扰，霸道女总裁尹姜却频频示爱，让戚嘉误会颇深，有意放弃。最终，晓鸥颇费心思的求婚令戚嘉重拾爱的信念，因为爱情而生的“更年期综合症”也因为爱情不治而愈。