该剧的主人公是一群有理想、有信念、有抱负的建设兵团知青，1979年返城后处境困顿，适遇改革开放的春风吹到他们的城市，于是，他们跟随时代的脚步，开始了他们新的人生旅程。几番沉浮，几经拼搏，最终他们与时俱进，成为世界闻名的中国民营企业家。 在他们艰苦创业的历程中，他们心中始终有一轮太阳照耀；他们那么喜欢《我的太阳》这首歌，是因为这歌抒发了他们热烈而奔放的激情。这激情本来就是太阳点燃的——他们的太阳，是改革开放！他们“心中的太阳”，就是那支持他们一路坚持到底的坚定信念，以及他们与党、与祖国的事业同奋进的不懈追求。

该剧的主人公是一群有理想、有信念、有抱负的建设兵团知青，1979年返城后处境困顿，适遇改革开放的春风吹到他们的城市，于是，他们跟随时代的脚步，开始了他们新的人生旅程。几番沉浮，几经拼搏，最终他们与时俱进，成为世界闻名的中国民营企业家。

一座小城的城乡接合部，一家寺院和一间红色纪念馆混搭而建，一个电影剧组来到这里，准备并开始拍摄一部红色电影……

描述了一个叫孙的债主向阿尔泰讨债的故事。他是能讨债还是会被债务人动摇心？

描述了一个叫孙的债主向阿尔泰讨债的故事。他是能讨债还是会被债务人动摇心？

一对男女他们因为某些事而踏上了一段神经紧绷精神紧张的漫长路程……

内向中学生欧文原只想安稳度日，直到同校酷姐麦蒂向他介绍了神秘的深夜奇幻影集《神力粉红》——一个隐藏在地下的怪奇世界。两人总是偷窝在麦蒂家里，看粉红少女组对抗邪恶怪物。隔着电视的闪烁微光，欧文的内心也逐渐起了变化。而麦蒂突然人间蒸发，影集断尾，欧文的另一个世界，倏地戛然而止⋯⋯

内向中学生欧文原只想安稳度日，直到同校酷姐麦蒂向他介绍了神秘的深夜奇幻影集《神力粉红》——一个隐藏在地下的怪奇世界。两人总是偷窝在麦蒂家里，看粉红少女组对抗邪恶怪物。隔着电视的闪烁微光，欧文的内心也逐渐起了变化。而麦蒂突然人间蒸发，影集断尾，欧文的另一个世界，倏地戛然而止⋯⋯

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. 　　 　　A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. 　　 　　While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. 　　 　　I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.