The Bolshevik revolution, the cold war, and the collapse of the Soviet Union defined the history of the twentieth century. With such a past, what does it mean to be Russian today? Robin Hessman's lovingly crafted documentary, My Perestroika, adopts the idea of the “everyman story,” suggesting that the unheralded lives of the last generation of Soviets to grow up behind the iron curtain hold the key to understanding the contradictions of modern Russia from the inside out. 　　Crafted during five years of researching and shooting, and based on almost a decade of living in Russia in the 1990s, Hessman's film poetically interweaves an extraordinary trove of home movies, Soviet propaganda films, and intimate access to five schoolmates whose linked, but very different, histories offer a moving portrait of newly middle-class Russians living lives they could never have imagined when they were growing up.

Martin Luther is born into a world dominated by the Catholic Church. For the keenly spiritual Luther, the Church's promise of salvation is irresistible. Caught in a thunderstorm and terrified by the possibility of imminent death, he vows to become a monk. But after entering the monastery, Luther becomes increasingly doubtful that the Church can actually offer him salvation. His views crystallize further when he travels to Rome and finds the capital of Catholicism swamped in corruption. Wracked by despair, Luther finds release in the pages of the Bible, discovering that it is not the Church, but his own individual faith that will guarantee his salvation. With this revelation, he turns on the Church. He attacks its practice of selling Indulgences in his famous 95 Theses, putting himself on an irreversible path to conflict with the most powerful institution of the day. The Catholic Church uses all of its might to try to silence Luther, including accusations of heresy and excommunication. Protected by his local ruler, Frederick the Wise, Luther continues to write radical critiques of the Church. In the process, he develops a new system of faith that places the freedom of the individual believer above the rituals of the Church. Aided by the newly invented printing press, his ideas spread rapidly. He is called before the German imperial parliament in the city of Worms and told he must recant. Risking torture and execution, Luther refuses, proclaiming his inalienable right to believe what he wishes. His stand becomes a legend that inspires revolution across Europe, overturning the thousand-year old hegemony of the Church. But as the reformation expands into a movement for social freedom, Luther finds himself overwhelmed by the pace of change, and is left vainly protesting that his followers should be concerning themselves with God. 　　- Written by Anonymous

Animation: Lei Lei 　　Music: Li Xingyu 　　One day. I found my naked. Where is my chothes? 　　My...My... 　　Well, my clothes 　　Ah, my pants 　　Give them back, give them back 　　Oh, my hat

徐琳婆婆高淑芬需手术，医生正是其子李天豪，可他为陪白月光叶柔，致母亲错失治疗时机离世。徐琳求李天豪见母亲最后一面遭拒，后事全由她独自处理。李天豪竟陪叶柔挖开母亲坟墓，还扬了骨灰。葬礼上，徐琳揭穿二人假面目提出离婚，律师带来高淑芬赠其全部遗产的消息。徐琳反击，要回李天豪给叶柔的财物，举报李天豪，还让叶柔母亲因盗窃入狱。三年后，徐琳与律师石毅相伴，偶遇李天豪，李天豪受刺激病逝。

由于市里修路扰民，高中辩论队队长杨佑和在网络发布文章，公开质疑工程的合理性。谁料想文章走红，市里给到学校压力，要求杨佑和删除文章并道歉。校领导立刻召开杨佑和的批评会，试图用强压使他屈服。然而，由于逻辑清晰，杨佑和并未被压力所击垮，并在会上和校方领导辩论了起来。随着交流不 断深入，双方都开始理解对方的立场，但都不肯做出让步，事情也按照另一个方向发展……

《MINE》是一部悬疑痴情剧，讲述聚集在上流社会的野心勃勃的人们的现实和悲伤爱情故事。将聚焦于那些看起来华丽的人们的不幸生活以及那些被抢走的人们对…

《MINE》是一部悬疑痴情剧，讲述聚集在上流社会的野心勃勃的人们的现实和悲伤爱情故事。将聚焦于那些看起来华丽的人们的不幸生活以及那些被抢走的人们对不安不公平的世界的愤怒，是一部欲望宣泄题材的电视剧。

《我的英语思春期100小时》是去年以新概念教育艺能节引起了很多的反响《我的英语思春期》的第二季。 　　从“100小时”就能知道的是，这季出演全员约2周期间一天最少7小时以上学习英语，公开了嘉宾们集中学习后变化的样子。 　　承接第一季人气英语讲师李始源（音译）以专家身份登场，计划传授特级诀窍。金媛熙、李在龙、金钟旼、Risabae、NCT 渽民确认出演。节目将于12月20日晚上8点（韩国时间）首播，每周周四晚8点放送。

北京电影制片厂1953年摄制。编辑：姜云川、叶华；摄影：王德成等10人。影片系统地论述了中国共产党的土地政策，揭露了地主阶级残酷的封建剥削罪恶，阐明了土地改革的必要性。影片纪录了翻身农民做了土地的主人、国家的主人，感谢中国共产党，带着兴奋喜悦的心情加紧生产，开始新的生活的情景。本片在当时曾起过较大影响，也是中国共产党领导中国革命取得政权后，进行具有伟大历史意义的革命变革的影像纪录文献。

在一个离中缅边境不远叫作禅达的地方，一群来自五湖四海、不同出身不同身份甚至是不同政见的溃兵和百姓，因为种种命运际遇的原因而相会于此：北平人孟烦了 （ 张译 饰）、军医郝兽医 （ 罗京民 饰）、湖南兵不辣 （ 王大治 饰）、上海军官阿译 （ 王往 饰）、东北佬迷龙 （ 张国强 饰）、豆饼、要麻、蛇屁股、康丫、川妹子陈小醉。战争的苦难和身体的伤病让他们过着绝望的日子，他们互相厌憎又相依为命，不饿死不病死成为他们每天生存的最高目标。为了在严酷的战争环境下生存下来，别无选择的他们不得不摒弃前仇、恩怨、偏见、狭隘而团结一致组成一支小队伍，在现实的困境中他们认识到了民族存亡的大义，于是义无返顾共同投入到打击日本侵略者、保卫家园、捍卫尊严、为抗战胜利不惜付出生命代价的正义斗争中，用血肉之躯书写一曲曲铁血卫国的悲壮战歌。一场战役过后小队伍死伤惨重，硝烟弥漫中突然闯进一人，这个用诡计杀死了在仓库外封杀的五个日本兵的诡异男人自称是川军团团长龙文章 （ 段奕宏 饰），回到禅达，龙文章被宪兵逮捕，原来他不是什么团长，只是一个在团副死后摘了团副军衔给自己挂上的中尉。其他人被关在收容站，就在众人揣测身世极端坎坷的龙文章已经被枪毙之际，传来新师长虞啸卿 （ 邢佳栋 饰）正式任命龙文章为团长的消息，在和日军凭怒江对峙的时刻，绝地求生的他们邂逅了一个有红色倾向的学生，龙文章和他相见恨晚，在理想与灵魂的辩论中面红耳赤，最后龙文章意味深长地说：我们太老，他们太年轻。不久，龙文章拉出一支十三人突击队从红色学生说过的一处没被日军监控的湾流通过怒江去铜钹救回孟烦了的双亲。日占区的疮痍让众人觉得满心罪过，而龙文章把他所谓的搭救变成了一场渡江侦察，期间邂逅了一支共产党游击队，曾经和龙文章辩论的红色学生已经是共产党员，突击队成功撤回东岸，共产党游击队为了不让日军发现那条过江通道而全军覆没。虞啸卿正在准备一场大规模的渡江攻势，打算拿下已成心腹之患的南天门，一年多来日军已经把整座山改造成了庞大的堡垒，而以炮灰团从江那边得来的经验，这样的攻势一定是必败。龙文章力止，虞啸卿给他半个月时间去寻找放弃攻击的证据。龙文章和孟烦了被迫出没西岸，在日军眼皮底下绘制南天门工事图。在龙文章收集不可攻击的证据时，同样找到了攻下南天门的方法，但他无法说出“那个极其惨烈的方法”，因为他爱惜这个被戏称为炮灰团的每个人的性命，他心里清楚，那个极其惨烈的方法将意味着什么。这是一场战争，一场从此将炮灰团深深烙在历史长轴上的惊天地、泣鬼神的死亡之战。