n the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's and 1960's typified with the rise of the dramatically innovative Marvel Comics edited by Stan Lee. Still more important is the rise of the the gleefully uninhibited underground comics created by eccentric talents like Robert Crumb and Dan O'Neill. These leads to profiles of creaters like Harvey Pekar who take the medium into new directions of expression. In the late 1970s and '80s we see the rise of alternative comics with such bold talents like Jaime Hernández for "Love and Rockets, Sue Coe for How to Commit Suicide in South Africa and especially for Art Spiegelman for his searing Pulitizer Prize winning Holocaust account, Maus. Finally, we learn of the medium's superhero mythos' revitalizing moment with the creation of Frank Miller's ferocious min-series "Batman: The Dark Knight Returns". Taken together, the film makes its arguement that the medium is far more than the stereotype of juvenile trash but rather it is an artform with a wild history and an exciting future.

嘟噜瓜、波利果和朵朵拉他们是奇域世界里三个乐于助人的好伙伴。他们都喜爱画画，在贝贝多神奇画笔的引导下，奇域果们通过简笔画来寻找和认识各式各样的事物与丰富的知识，并解决了奇域世界里的各种难题。

嘟噜瓜、波利果和朵朵拉他们是奇域世界里三个乐于助人的好伙伴。他们都喜爱画画，在贝贝多神奇画笔的引导下，奇域果们通过简笔画来寻找和认识各式各样的事物与丰富的知识，并解决了奇域世界里的各种难题。

神奇小队之我爱画画

在很远很远的地方，有一个被青山绿水环抱的生态胜地——桃源岛，那里四季如春、鸟语花香、人和动物和谐相处。善良、温柔、可爱有爱心的六岁小女孩乐乐和活泼好动、热情勇敢的六岁小男孩奇奇和他们知识渊博、无所不知的好朋友未来机器人神奇画笔组成了神奇小队。每当岛民和岛外的小动物需要帮忙的时候，桃源岛基地的神奇小队就会在第一时间出动救援。

立志成为漫画家的高中生林明子，经同学介绍来到一个奇怪的美术教室。这个教室没有招牌也没有宣传，甚至在电话本上都查不到，只是一处坐落在海边的小木屋。木屋主人是个手拿竹刀、身穿运动服的美术老师，名叫日高健三。他严厉无比，每次学生们画画懈怠的时候，他只有一句话：“去画吧！”

立志成为漫画家的高中生林明子，经同学介绍来到一个奇怪的美术教室。这个教室没有招牌也没有宣传，甚至在电话本上都查不到，只是一处坐落在海边的小木屋。木屋主人是个手拿竹刀、身穿运动服的美术老师，名叫日高健三。他严厉无比，每次学生们画画懈怠的时候，他只有一句话：“去画吧！”

Animation: Lei Lei 　　Music: Li Xingyu 　　One day. I found my naked. Where is my chothes? 　　My...My... 　　Well, my clothes 　　Ah, my pants 　　Give them back, give them back 　　Oh, my hat

徐琳婆婆高淑芬需手术，医生正是其子李天豪，可他为陪白月光叶柔，致母亲错失治疗时机离世。徐琳求李天豪见母亲最后一面遭拒，后事全由她独自处理。李天豪竟陪叶柔挖开母亲坟墓，还扬了骨灰。葬礼上，徐琳揭穿二人假面目提出离婚，律师带来高淑芬赠其全部遗产的消息。徐琳反击，要回李天豪给叶柔的财物，举报李天豪，还让叶柔母亲因盗窃入狱。三年后，徐琳与律师石毅相伴，偶遇李天豪，李天豪受刺激病逝。

由于市里修路扰民，高中辩论队队长杨佑和在网络发布文章，公开质疑工程的合理性。谁料想文章走红，市里给到学校压力，要求杨佑和删除文章并道歉。校领导立刻召开杨佑和的批评会，试图用强压使他屈服。然而，由于逻辑清晰，杨佑和并未被压力所击垮，并在会上和校方领导辩论了起来。随着交流不 断深入，双方都开始理解对方的立场，但都不肯做出让步，事情也按照另一个方向发展……