折振南梦中遭受古代女子林娘子的袭扰，要他挖好兄弟吕俊煌的墙角。折振南誓死不从。后得知：吕俊煌受千年虐恋轮回之苦，只有自己阻止其虐恋，直至其找到真爱，才能帮俊煌逆天改命，便答应了林娘子。林娘子传授折振南《拆家宝典》及读心术。 折振南先后撬走了俊煌5位女友，吕俊煌痛不欲生，兄弟反目。折振南内心充满煎熬。 吕俊煌再次恋爱。这次，折振南使出各种手段，都难以奏效——原来，吕俊煌找到了真爱。真爱，是无法被拆散的。 折振南成功帮吕俊煌逆天改命，并重回一千年前，手刃仇人。为吕俊煌的前世洗刷冤情。

黎初和傅斯宴是万年死对头，两人酒后意外发生关系， 林舒发现儿子吻痕，向黎茹茵炫耀，黎茹茵发现女儿同款吻痕，两人赌气约餐厅见面。黎茹茵让黎初带男友赴约，结果黎初和傅斯宴一同出现。

黎初和傅斯宴是万年死对头，两人酒后意外发生关系， 林舒发现儿子吻痕，向黎茹茵炫耀，黎茹茵发现女儿同款吻痕，两人赌气约餐厅见面。黎茹茵让黎初带男友赴约，结果黎初和傅斯宴一同出现。

25世纪末，广袤无垠的深邃宇宙，神经科学研究科考船毕达哥拉斯号漫无目的地漂浮将近千年。在漫长的宇宙旅程中，以开尔文博士为首的科考队员和船员相继谢世，飞船的电量仅剩15%。空荡荡的船舱内，回荡着一个颇有些苍凉孤独的声音。声音来自飞船的智能机器人控制系统亨利，他依然保持着和卡尔文对话的习惯，亨利对自身发生的一些不可控的变化感到疑惑，似乎自己在岁月的磨砺下悄然完成了自我进化。也许亨利自身也无法想象，拥有独立思考的能力和独一无二的灵魂是何等重大的事件。在意识到这一点后，他尝试着为自己创造身体，切实感受生命的脉动……

Animation: Lei Lei 　　Music: Li Xingyu 　　One day. I found my naked. Where is my chothes? 　　My...My... 　　Well, my clothes 　　Ah, my pants 　　Give them back, give them back 　　Oh, my hat

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

17世纪的芬兰遍地饥民，穷小子乌塔莫偶然获得一枚土豆，从此开启了他的创业之路。这是活跃于电视圈的芬兰导演乔纳·特纳的最新喜剧片。他非常擅长抓住类型片的娱乐精髓，将集资、品牌、众筹等现代商业和市场营销的套路，以戏谑的方式融入17世纪初欧洲资本主义刚刚萌芽阶段的故事背景。