ポルトガル人アーティストのアンドレ・プリンシペ（André Principe）とマルコ・マルティンス（Marco Martins）のドキュメント映画「TRACES OF A DIARY – 日記をたどる」の３日間限りの特別上映会を開催、ポルトガルよりアンドレ・プリンシペが来日いたします。 　　本作は、森山大道、荒木経惟、中平卓馬、ヒロミックス、梶井松陰、吉行耕平といった6名の日本人写真家の日常を約1年半かけて追って制作された記録映像作品です。 　　会場では映画上映の他、本作の撮影時にアンドレ・プリンシペによって撮りためたものから作られた写真集「TOKYO DIARIES」(Pierre von Kleist editions) や、その他出演作家の関連書籍の販売を行います。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

War, fate, and a broken Walkman transcend time and space in this sci-fi love story.

「不知火海」「水俣　患者さんとその世界」など、長年に渡って水俣病問題を追い続けてきた土本典昭監督の軌跡を辿るドキュメンタリー。1965年以来、17本にも及ぶ水俣関連作品を手掛けた土本監督。水俣病の公式確認から50年を迎えた2006年、久々に訪れた水俣の海や自宅で自身の作品を振り返り、水俣への思いを語る。メガホンを取るのは「ぼくらはもう帰れない」がベルリン映画祭で上映され注目を集めた藤原敏史。

Animation: Lei Lei 　　Music: Li Xingyu 　　One day. I found my naked. Where is my chothes? 　　My...My... 　　Well, my clothes 　　Ah, my pants 　　Give them back, give them back 　　Oh, my hat

三船敏郎演的老人喜一听到美国与苏联进行氢弹试验，辐射尘落到日本的消息，决心建造一座地下住宅，最后被关进精神病院，幻觉自己来到另一星球被氢弹烧成灰烬。

老人喜一听到美国与苏联进行氢弹试验，辐射尘落到日本的消息，决心建造一座地下住宅，最后被关进精神病院，幻觉自己来到另一 星球被氢弹烧成灰烬。

Appunti su un fatto di cronaca (Notes on a news story) is a short documentary by director Luchino Visconti, released in 1953. Visconti had already found success with his two first neorealist feature films - Ossessione in 1943 and La Terra Trema in 1947. The film opens with text overlaid against the backdrop of a city. The text tells us about the murder of a 12-year-old girl, Annarella Bracci, in the Borgata Primavalle neighborhood of Rome in March 1950. We see a young girl standing against a building, as well as artistic angles of other buildings in the neighborhood. 　　The narration begins as well with a wider landscape shot of the neighborhood. We see boys playing cards. A wide shot of a beach. The camera hovers for some time on a wide shot of the beach and then turns to a close-up of two young men playing a tennis-like game. We return once again to the girl, and it seems the narrator is indicating that this girl is the girl featured in the news story at the beginning of the film. We then cut to the site of the girl's murder, where we see a memorial and flowers set up. 　　Some have called Appunti su un fatto di cronaca a pure attempt at neorealism, in that there is virtually no mediation between the camera's lens and the neighborhood people as Visconti captures them. There is some poetic sense of course with the style of the visuals, the camera angles, as well as the music that creeps in toward the beginning and the end of the film. Likewise, the narrator takes some license with flourishes that are quite poetic - "We resign ourselves to a handful of wildflowers and a painful catch in the voice".

该作品讲述了天命不凡，与生俱来拥有无穷力量的少女世珍,她受到人们的伤害从而开始拒绝命运，之后她与狩猎少年们变成搭档，大家一起解决神、鬼、妖怪等相关的各种奇异事件的故事。