History Of Postwar Japan As Told By A Bar Hostess 　　105min

History Of Postwar Japan As Told By A Bar Hostess 　　105min

Director Marita Giovanni's film is based on a play by Lauran Hoffman. Hoffman's material may get tied up in psychobabble but she has an ear for entertaining dialogue and mercilessly avoids the archness usually associated with lesbian drama. Set around an LA Girl bar it focuses on Loretta (Nancy Allison Wolfe), a beautiful red-haired cartoonist, and her romance with actress Rachel (Liza D'Agostino). 　　 　　Wolfe's performance is droll and moving, and she manages to throw off the bad ideas Giovanni and Hoffman aim at her. She also deliberately approximates the glamour of Rita Hayworth from Gilda. Her apartment features the famous poster of Hayworth smoking, as well as a huge closeup of Lotte Lenya's eyes. The character of Rachel is less interesting though D'Agostino holds her own with Wolfe in their fight scenes. I also like Loretta's ditzy friend Veronica (Justine Slater), a straight woman `enchanted' by the idea of a lesbian affair. Those wanting to see a graphic sex scene will not be disappointed but it felt to me Giovanni cut away at a climactic (no pun intended) moment. 　　 　　The awful soundtrack suggests the film's low budget, as does the underpopulated bar, though this underpopulation serves Hoffman's incestuous roundelay theme. Note a cameo by Chastity Bono at Scorpio night.

Director Marita Giovanni's film is based on a play by Lauran Hoffman. Hoffman's material may get tied up in psychobabble but she has an ear for entertaining dialogue and mercilessly avoids the archness usually associated with lesbian drama. Set around an LA Girl bar it focuses on Loretta (Nancy Allison Wolfe), a beautiful red-haired cartoonist, and her romance with actress Rachel (Liza D'Agostino). 　　 　　Wolfe's performance is droll and moving, and she manages to throw off the bad ideas Giovanni and Hoffman aim at her. She also deliberately approximates the glamour of Rita Hayworth from Gilda. Her apartment features the famous poster of Hayworth smoking, as well as a huge closeup of Lotte Lenya's eyes. The character of Rachel is less interesting though D'Agostino holds her own with Wolfe in their fight scenes. I also like Loretta's ditzy friend Veronica (Justine Slater), a straight woman `enchanted' by the idea of a lesbian affair. Those wanting to see a graphic sex scene will not be disappointed but it felt to me Giovanni cut away at a climactic (no pun intended) moment. 　　 　　The awful soundtrack suggests the film's low budget, as does the underpopulated bar, though this underpopulation serves Hoffman's incestuous roundelay theme. Note a cameo by Chastity Bono at Scorpio night.

【故事梗概】《我的女人》翻拍自上世纪80年代的热播剧《终点》，讲述了一个梦想成为像希腊船王奥纳西斯那样的船舶业巨头的男人，他对事业的满腹野心、向背叛自己的女人报仇以及出现的新爱情等，一系列盘根错节的故事 。贤民的父亲是船长，在一次出海中因意外事故去世，之后贤民发誓要成为造船业的第一。他和世娜是青梅竹马的恋人，毕业后一同进东振集团工作，东振集团的继承人泰成爱上了世娜，在爱情和欲望之中，世娜选择了后者……

【故事梗概】《我的女人》翻拍自上世纪80年代的热播剧《终点》，讲述了一个梦想成为像希腊船王奥纳西斯那样的船舶业巨头的男人，他对事业的满腹野心、向背叛自己的女人报仇以及出现的新爱情等，一系列盘根错节的故事 。贤民的父亲是船长，在一次出海中因意外事故去世，之后贤民发誓要成为造船业的第一。他和世娜是青梅竹马的恋人，毕业后一同进东振集团工作，东振集团的继承人泰成爱上了世娜，在爱情和欲望之中，世娜选择了后者……

At wedding's day's eve the Andrea things many different lives he could have lived. All of them, in many different ways, brings him to his loved Laura

At wedding's day's eve the Andrea things many different lives he could have lived. All of them, in many different ways, brings him to his loved Laura

贤民的父亲是船长，在一次出海中因意外事故去世，之后贤民发誓要成为造船业的第一。　　他和世罗是青梅竹马的恋人，毕业后一同进东振集团工作，东振…