讲述了花千金和她的阳台租客——辛凡这对欢喜冤家嬉笑打闹，共同奋斗的故事。两人的感情在鸡飞狗跳的日常中日渐升级，好友肃度和蜜玥，也渐渐露出暧昧的苗头，“霸总”和小甜妹的爱情，浮出水面…与此同时，四小只也面临越来越多的糟心事，他们在生活的一地鸡毛中，继续上演着关于爱与成长的故事。

讲述了花千金和她的阳台租客——辛凡这对欢喜冤家嬉笑打闹，共同奋斗的故事。两人的感情在鸡飞狗跳的日常中日渐升级，好友肃度和蜜玥，也渐渐露出暧昧的苗头，“霸总”和小甜妹的爱情，浮出水面…与此同时，四小只也面临越来越多的糟心事，他们在生活的一地鸡毛中，继续上演着关于爱与成长的故事。

讲述了花千金和她的阳台租客——辛凡这对欢喜冤家嬉笑打闹，共同奋斗的故事。两人的感情在鸡飞狗跳的日常中日渐升级，好友肃度和蜜玥，也渐渐露出暧昧的苗头，“霸总”和小甜妹的爱情，浮出水面…与此同时，四小只也面临越来越多的糟心事，他们在生活的一地鸡毛中，继续上演着关于爱与成长的故事。

In a neighbourhood rife with racial tension, a local girl falls for a recent arrival.

In a neighbourhood rife with racial tension, a local girl falls for a recent arrival.

Jeton, a 10-year-old boy is sitting on the edge of a balcony on the 4th floor. Neighbors and passers-by, terrified by this situation, call the police and firefighters for help.

Jeton, a 10-year-old boy is sitting on the edge of a balcony on the 4th floor. Neighbors and passers-by, terrified by this situation, call the police and firefighters for help.

崇山峻岭、巍峨山颠，耸立着一座恢宏壮丽的中世纪城堡。在这个晴朗的日子里，让人哭笑不得的故事相继上演。镜头一：一名憨厚老实又稍稍有些笨拙的工匠，正坐在城堡的窗口修葺窗户，他已经砸伤了自己的两个手指，一不小心又砸到另外一只手指。他本能地缩回手，却不慎掉了下去。工匠奋力抓住阳台边沿，但是另一双手将他推了下去。工匠福大命大，暂时逃生，可是悲惨的命运即将到来；镜头二：身披铠甲的国王走进房间，发现有一双手在阳台，他认定是小偷偷他的财宝，于是乎……镜头三：一名小偷钻进国王的房间，准备行窃，这是一切悲剧的开端，也是一切悲剧的结尾。 　　北京电影学院2011届毕业作品。

崇山峻岭、巍峨山颠，耸立着一座恢宏壮丽的中世纪城堡。在这个晴朗的日子里，让人哭笑不得的故事相继上演。镜头一：一名憨厚老实又稍稍有些笨拙的工匠，正坐在城堡的窗口修葺窗户，他已经砸伤了自己的两个手指，一不小心又砸到另外一只手指。他本能地缩回手，却不慎掉了下去。工匠奋力抓住阳台边沿，但是另一双手将他推了下去。工匠福大命大，暂时逃生，可是悲惨的命运即将到来；镜头二：身披铠甲的国王走进房间，发现有一双手在阳台，他认定是小偷偷他的财宝，于是乎……镜头三：一名小偷钻进国王的房间，准备行窃，这是一切悲剧的开端，也是一切悲剧的结尾。 　　北京电影学院2011届毕业作品。

《阳光灿烂的日子》哈萨克斯坦新浪潮篇？ 　　While he is operating on a patient for a brain tumour, a surgeon notices a „20“ tattooed on the patient’s hand. He recognizes his patient as his childhood neighbour, and this reminds him of their life in Alma-Ata in the fifties, as they lived in the same building at number 20. Then they grew in a period of ending Stalinism, among adults who were both coward and brave. He starts dreaming of the balcony, which was their refuge… 　　Kalykbek Salykov was born in 1952 in Almaty, Kazakhstan. He studied at the Kazakh Institute of Theatre and Cinema from 1976 till 1980, while he was working for the television. After the graduation, he worked in Chimkent Theatre, where he directed 7 plays. Since 1981 he worked for Kazakhfilm. In 1984, after short cinema courses organized by Kazakhfilm, he made his first short film, Tor. He shot in 1985 another short, Golden Mekre, and in 1991 his second feature film after The Balcony (1988), Lovers of December. He tragically died in a car accident in 1995.