戒律森严的寄宿学校里，蜜拉品学兼优，相较于其他正值青春期的同侪开始在意服装打扮、对异性产生好奇，她在老师眼里不仅衣着得体、裙长及膝，还是学弟妹的模范榜样。父亲长期离家工作，母亲将心力全投注在她身上，蜜拉背负着所有人的期待，每天恪守着「完美女孩」的框架，直到转学来的神秘天文社男孩闯入生活，情思涌动的她一步步探向被禁止的恋爱之中。

２０２０年７月１日。高校２年生の水帆は、最悪な１７歳の誕生日を迎えていた。 　　憧れの先輩に近づくチャンスはなくなるし、親には誕生日をすっかり忘れられているし……。 　　しかも未知の感染症の流行で、部活の大会や修学旅行も中止になって、「私には“キラキラした青春”なんてない」――そう思っていた。 　　しかしそんな矢先、幼なじみの輝月（きづき）が、突然、“彼氏候補宣言”をしてきて――。 　　家族のように育った４人の幼なじみの男の子と、主人公の水帆との恋愛模様を描いた学園青春ストーリー。

２０２０年７月１日。高校２年生の水帆は、最悪な１７歳の誕生日を迎えていた。 　　憧れの先輩に近づくチャンスはなくなるし、親には誕生日をすっかり忘れられているし……。 　　しかも未知の感染症の流行で、部活の大会や修学旅行も中止になって、「私には“キラキラした青春”なんてない」――そう思っていた。 　　しかしそんな矢先、幼なじみの輝月（きづき）が、突然、“彼氏候補宣言”をしてきて――。 　　家族のように育った４人の幼なじみの男の子と、主人公の水帆との恋愛模様を描いた学園青春ストーリー。

The films trace different forces across the world that have led to now, not just in the West, but in China and Russia as well. It covers a wide range – including the strange roots of modern conspiracy theories, the history of China, opium and opiods, the history of Artificial Intelligence, melancholy over the loss of empire and, love and power. And explores whether modern culture, despite its radicalism, is really just part of the new system of power.

The films trace different forces across the world that have led to now, not just in the West, but in China and Russia as well. It covers a wide range – including the strange roots of modern conspiracy theories, the history of China, opium and opiods, the history of Artificial Intelligence, melancholy over the loss of empire and, love and power. And explores whether modern culture, despite its radicalism, is really just part of the new system of power.

负母心

这是一件装修风格偏冷的房间，似乎与主人山姆的性格遥相呼应。此刻他正在整理行李箱，赶赴一场必须面对的告别。在整理行李这项事务上，山姆从小得到了父亲的真传。毛巾一类的卷成卷，衣服整齐叠好，袜子团成团塞到角落中，皮带则像一条蛇绕在行李箱的边缘。小时候，父亲手把手教他。等到父亲老了，山姆长大了，则变成儿子为父亲收拾行李箱。父子间依靠这项技能连接彼此，纵使鲜少交流，心与心之间却没有距离。 　　一切收拾完毕，山姆走出家门，坐上汽车，启程。

这是一件装修风格偏冷的房间，似乎与主人山姆的性格遥相呼应。此刻他正在整理行李箱，赶赴一场必须面对的告别。在整理行李这项事务上，山姆从小得到了父亲的真传。毛巾一类的卷成卷，衣服整齐叠好，袜子团成团塞到角落中，皮带则像一条蛇绕在行李箱的边缘。小时候，父亲手把手教他。等到父亲老了，山姆长大了，则变成儿子为父亲收拾行李箱。父子间依靠这项技能连接彼此，纵使鲜少交流，心与心之间却没有距离。 　　一切收拾完毕，山姆走出家门，坐上汽车，启程。

This is the story of people who have gone past us. There is a place to go: 190 miles S.E. of LA and 129 feet below sea level where they have no running water, no electricity. This is the story of Ken and Lily, of Carol and Wayne, of Mike, Cindy, and Sterling. The film covers four years of their lives. They live below sea level, the place where all the debris, physical and mental, of our times comes to rest and is preserved in the dry desert air. No one can drop lower than this ground and only on this ground, it seems, can people finally see the future. The place looks like the apocalypse and feels like home. 　　烂番茄小组： 　　http://www.douban.com/group/rottentomatoes/

This is the story of people who have gone past us. There is a place to go: 190 miles S.E. of LA and 129 feet below sea level where they have no running water, no electricity. This is the story of Ken and Lily, of Carol and Wayne, of Mike, Cindy, and Sterling. The film covers four years of their lives. They live below sea level, the place where all the debris, physical and mental, of our times comes to rest and is preserved in the dry desert air. No one can drop lower than this ground and only on this ground, it seems, can people finally see the future. The place looks like the apocalypse and feels like home. 　　烂番茄小组： 　　http://www.douban.com/group/rottentomatoes/