TRANSMITZVAH is a love story between siblings. They exhibit their wounds, exchange the pieces of each other’s puzzle, and complete (or start) the process of reaffirming their own identity. Rubén –the Singmans’ youngest son– challenges tradition by deciding to have a Bat Mitzvah instead of a Bar Mitzvah. Twenty years later, Rubén –now MUMY SINGER– returns to their hometown as a famous Yiddish singing star. After a sad event in the family, MUMY loses her voice and, with the help of her brother EDUARDO, tries to complete the path to adult life. A comedy with a jolly, playful, and musical dialogue about MUMY SINGER, and her trip to the past to make herself up, avoiding shortcuts and labels. The journey to who we really are can’t be avoided and must necessarily be taken.

Bangarraju and Satyabhama come down to settle the life of their grandson Chinna Bangarraju and to save the treasure of temple.

A young test subject named Chell awakes from a stasis in the Aperture Science Research Facility by a mysterious voice. Asked to perform certain "tests", Chell makes her way through various rooms and test chambers using the Aperture Science Handheld Portal Device, or the "Portal Gun". The tests challenge her wit and her skill and she is able to overcome various obstacles. In one test, she is asked to use a cube known as the Companion Cube to solve the tests. During the test, Chell grew attached to it but was asked to burn it in the end in order to progress. This proved to be a tough feat for Chell. Later, she learns she is being tested by a demonic robot with evil intentions who killed everyone in the facility using a deadly neurotoxin. After nearly being baked into a cake, Chell manages to escape and she works her way through various office rooms to find her mysterious perpetrator, GLaDOS (Genetic Life and Disk Operating System). After a violent battle in which Chell burns the morality cores put on GLaDOS, the super computer is defeated and Chell goes unconscious due to a violent explosion. Years pass, and Chell wakes up again and is greeted by Wheatley, who is a morality core. He isn't exactly the smartest of all the cores. He goes with her as they plan to escape the facility, which has fallen into complete disrepair. However, during their journey, Wheatley wakes GLaDOS who devises revenge. She makes Chell test once again with the "Portal Gun" and she destroys Wheatley, or so she thought. Wheatley came back to save the day and rescued Chell from the test chambers as they fled out of her reach in the older areas of Aperture. After devising a plan to foil her plans, Wheatley and Chell confront GLaDOS and eventually win by taking her out of control of the facility and putting Wheatley in charge. Little did she know, he was just as corrupt as she was and he sends Chell and GLaDOS in the form of a potato battery into the depths of Aperture down an elevator shaft. Down there, Chell learns about Old Aperture in the 1960's, 70's, and 80's up until Cave Johnson's, the owner, death. GLaDOS also learns as her previous life as Caroline, or Cave's wife. They work their way back up to the top levels and fight Wheatley and ultimately regain control of the facility. Pleased with Chell, GLaDOS decides to let her go free and sends her up to a corn field in the middle of nowhere where she is reunited with the Companion Cube.

《传送门》沿着西班牙加的斯省的瓜达莱特河展开，呈现了一部隐藏着其他景观的景观目录。这是一部跨维度门户（和明信片）的集合，实拍与动画相融合，创造出一个充满不可能的动植物群的世界。

A young test subject named Chell awakes from a stasis in the Aperture Science Research Facility by a mysterious voice. Asked to perform certain "tests", Chell makes her way through various rooms and test chambers using the Aperture Science Handheld Portal Device, or the "Portal Gun". The tests challenge her wit and her skill and she is able to overcome various obstacles. In one test, she is asked to use a cube known as the Companion Cube to solve the tests. During the test, Chell grew attached to it but was asked to burn it in the end in order to progress. This proved to be a tough feat for Chell. Later, she learns she is being tested by a demonic robot with evil intentions who killed everyone in the facility using a deadly neurotoxin. After nearly being baked into a cake, Chell manages to escape and she works her way through various office rooms to find her mysterious perpetrator, GLaDOS (Genetic Life and Disk Operating System). After a violent battle in which Chell burns the morality cores put on GLaDOS, the super computer is defeated and Chell goes unconscious due to a violent explosion. Years pass, and Chell wakes up again and is greeted by Wheatley, who is a morality core. He isn't exactly the smartest of all the cores. He goes with her as they plan to escape the facility, which has fallen into complete disrepair. However, during their journey, Wheatley wakes GLaDOS who devises revenge. She makes Chell test once again with the "Portal Gun" and she destroys Wheatley, or so she thought. Wheatley came back to save the day and rescued Chell from the test chambers as they fled out of her reach in the older areas of Aperture. After devising a plan to foil her plans, Wheatley and Chell confront GLaDOS and eventually win by taking her out of control of the facility and putting Wheatley in charge. Little did she know, he was just as corrupt as she was and he sends Chell and GLaDOS in the form of a potato battery into the depths of Aperture down an elevator shaft. Down there, Chell learns about Old Aperture in the 1960's, 70's, and 80's up until Cave Johnson's, the owner, death. GLaDOS also learns as her previous life as Caroline, or Cave's wife. They work their way back up to the top levels and fight Wheatley and ultimately regain control of the facility. Pleased with Chell, GLaDOS decides to let her go free and sends her up to a corn field in the middle of nowhere where she is reunited with the Companion Cube.

《传送门》沿着西班牙加的斯省的瓜达莱特河展开，呈现了一部隐藏着其他景观的景观目录。这是一部跨维度门户（和明信片）的集合，实拍与动画相融合，创造出一个充满不可能的动植物群的世界。

In the very near future, teleportation is commonplace and is used for intercity travel, having completely supplanted commercial aviation. Karan Varma, an IT employee, is returning to Pune from a business trip in Delhi. He gets into the departure booth in Delhi but never reaches Pune. His pregnant wife, Riya, must now fight the system to get him back. From dealing with lawyers to receiving threats and being publicly shamed by the media, she goes through an excruciating struggle but to no avail. In the end, she is presented with an offer: she can either receive an imperfect, 83% accurate clone of her husband or a large sum of money that will ensure a safe future for her child. 　　“The idea of this film came about when I was watching a video about teleportation on Youtube. It wasn’t too big a leap to imagine a future where such a technology becomes commonplace and then something goes wrong with it. But the motivation to place it within the structure of a satire stemmed from the way our interactions with technology have created a new kind of bureaucratic hell for us in the present. We have given up all of our data to tech giants and they know more about us than we even know about ourselves. It is only a matter of time before our bodies become nothing more than data as well. We live in a completely unbalanced system where the consumer is at the mercy of the corporation and has lost all of his agency. This film is a comment on our current relation with technology viewed through the lens of a sci-fi premise.”

在艺恩汇第二期电影创投沙龙上，还展示了四个电影项目，导演辛成江的《传送点》，讲述了寻宝游戏中虚拟世界与真实世界的故事，世界观颇为宏大。

A young test subject named Chell awakes from a stasis in the Aperture Science Research Facility by a mysterious voice. Asked to perform certain "tests", Chell makes her way through various rooms and test chambers using the Aperture Science Handheld Portal Device, or the "Portal Gun". The tests challenge her wit and her skill and she is able to overcome various obstacles. In one test, she is asked to use a cube known as the Companion Cube to solve the tests. During the test, Chell grew attached to it but was asked to burn it in the end in order to progress. This proved to be a tough feat for Chell. Later, she learns she is being tested by a demonic robot with evil intentions who killed everyone in the facility using a deadly neurotoxin. After nearly being baked into a cake, Chell manages to escape and she works her way through various office rooms to find her mysterious perpetrator, GLaDOS (Genetic Life and Disk Operating System). After a violent battle in which Chell burns the morality cores put on GLaDOS, the super computer is defeated and Chell goes unconscious due to a violent explosion. Years pass, and Chell wakes up again and is greeted by Wheatley, who is a morality core. He isn't exactly the smartest of all the cores. He goes with her as they plan to escape the facility, which has fallen into complete disrepair. However, during their journey, Wheatley wakes GLaDOS who devises revenge. She makes Chell test once again with the "Portal Gun" and she destroys Wheatley, or so she thought. Wheatley came back to save the day and rescued Chell from the test chambers as they fled out of her reach in the older areas of Aperture. After devising a plan to foil her plans, Wheatley and Chell confront GLaDOS and eventually win by taking her out of control of the facility and putting Wheatley in charge. Little did she know, he was just as corrupt as she was and he sends Chell and GLaDOS in the form of a potato battery into the depths of Aperture down an elevator shaft. Down there, Chell learns about Old Aperture in the 1960's, 70's, and 80's up until Cave Johnson's, the owner, death. GLaDOS also learns as her previous life as Caroline, or Cave's wife. They work their way back up to the top levels and fight Wheatley and ultimately regain control of the facility. Pleased with Chell, GLaDOS decides to let her go free and sends her up to a corn field in the middle of nowhere where she is reunited with the Companion Cube.

『まんが日本昔ばなし』（まんがにっぽんむかしばなし）とは愛企画センター、グループ・タック制作、MBS毎日放送制作枠にてTBS系列で放送された日本のアニメ作品及びテレビアニメである。 　　（第1期、1975年1月 - 1975年3月） 　　1975年に開始。作詞家の川内康範が監修に携わり、川内の娘で童話作家である川内彩友美が企画。毎回日本各地に伝わる昔話が映像化され、市原悦子と常田富士男の両名が一人で何役もの声を使い分ける独特の語りによって紹介する。スタッフに一流のベテランアニメーターやイラストレーターを多数起用するなど、映像にこだわりのある作品だった。番組内で使われた音楽にも川内の甥である北原じゅんの純邦楽からロック、フォーク、ラテン、クラシックなどを織り込んだ多彩かつ無国籍な音楽が使用され、作品の質の高さに一役買った。 　　毎日放送（MBS）制作で最初はNET（現・テレビ朝日）系列で放映されたが開始から3ヶ月でいったん放映は終了し、9ヶ月のブランクを挟んでTBS系へ移動して再開された。これは、当初の放映分がもともと番組改編の都合で空いてしまった枠の穴埋めとして本来は海外在住の日本人向けとして制作されていたものを放映したためである。その後、反響の高さから改めてレギュラー番組化されるに至った。この間にMBSと朝日放送（ABC）がネットチェンジしていたために全国レベルではNET系からTBS系へ移籍する形になった。再開後の時間帯は後に続く『クイズダービー』、『8時だョ!全員集合』、『Gメン'75』などとともに1970年代、1980年代のTBS系の土曜夜を高視聴率で支えた。