"幼年时期，女主亲眼看见整个村庄因为强制征地陷入一片火海，母亲为救自己丧命尸骨无存，并偶然得知一切只是因为女二的一句玩笑话。于是立下誓言，一定要揭发女二一家人的真面目，让母亲和乡亲们在天有灵安息。 为了活下去，女主拿着母亲临死前塞给她的钱，来到隔壁村老刘家换取了一个被收养的机会。因为不想被当童养媳，所以故意扮丑，成年后进城打工时选择来到了女二家里的公司，打听到了男主家族是唯一可以压制女二家族的存在，一直在寻找机会搭上男主。趁着男主商谈合作，女主故意设计自己...

这部由环球公司（Universal）拍摄、Ronald D. Moore、Gail Berman 及 Lloyd Braun 制片的太空科幻作品，将描述地球人的首艘星际飞船－－"旅行车" 号。船上12名宇航员（算上船载计算机为13人）将展开为期十年的宇宙探索旅行，目的地是一个遥远的恒星系。为了帮助船员们克服长途旅行的无聊感，让他们精力集中，美国航空航天局在船上安装了一台先进的虚拟现实装置。这台有趣的设备允许船员们以任何虚拟身份进入任何虚拟世界进行冒险。这项计划一开始完美无缺，直到系统中突然出现了一个神秘的 "缺陷"。 　　"故事的主题是：你弄不清什么是幻想，什么是现实，为了活命，你只能逃跑。但我们究竟为了什么而活呢？" 环球公司媒体创作室的主席 Katherine Pope 如是说。

宋淇患有先天性心脏病，每天喜欢在他家乡高雄旗津的海边看着海，踏着浪，编织着少女的梦。一日，无意间认识了从台北来度假的青年赵大融，而相约翌日搭便车到台北探望宋淇的父亲及姐姐。宋淇因遗留皮包在大融的车上，而使他们再度相逢，宋淇因心脏病突发昏倒在街上，幸大融即时送往医院急救，二人便开始了交往。当二人向赵父提出结婚时，赵父唯一的条件就是希望未来的媳妇为传的赵家生多几个儿子。宋淇因自知有心脏病不可能承受，终于黯然离别返回老家。却发觉自己已经怀了大融的骨肉，宋母担心她的安危要她打胎。 宋淇苦苦哀求，就算是死，都要生下她与唯一深爱的男人的爱情结晶。 大融知道后立即赶来悉心照顾， 二人虽有离合悲欢，幸有情人终成眷属……

宋淇患有先天性心脏病，每天喜欢在他家乡高雄旗津的海边看着海，踏着浪，编织着少女的梦。一日，无意间认识了从台北来度假的青年赵大融，而相约翌日搭便车到台北探望宋淇的父亲及姐姐。宋淇因遗留皮包在大融的车上，而使他们再度相逢，宋淇因心脏病突发昏倒在街上，幸大融即时送往医院急救，二人便开始了交往。当二人向赵父提出结婚时，赵父唯一的条件就是希望未来的媳妇为传的赵家生多几个儿子。宋淇因自知有心脏病不可能承受，终于黯然离别返回老家。却发觉自己已经怀了大融的骨肉，宋母担心她的安危要她打胎。 宋淇苦苦哀求，就算是死，都要生下她与唯一深爱的男人的爱情结晶。 大融知道后立即赶来悉心照顾， 二人虽有离合悲欢，幸有情人终成眷属……

修仙世界，田步庭因各种舔狗行为，被家族惩治，被亲人唾弃。只因他偶然间绑定舔狗系统，只要给女修送礼就能得到奖励。田步庭虽不想做舔狗，可无奈系统给的实在是太多了。为此他不惜被万人鄙视，也要绑定激活系统。从此，没人记得舔狗田步庭，只有传说中的九州第一深情。十年修仙无人知，一朝舔狗天下闻。且看他如何，以舔成圣！

故事发生在一座小镇的医院内。一名警官将一位伤员送进医院后，一群身份不明的神秘人包围了医院。宗教？黑帮？恐怖组织？在知晓这群人的身份之前，一场大屠杀已经展开。

憧憬成为帅气的大魔法使的赛特，为了打倒来自天空的怪物涅墨西斯，每天都在努力的进行魔法特训，但赛特的训练一直不顺利，总是引起纠纷给村子里的人添麻烦。某一日，巨型涅墨西斯袭击了村子，为了拯救世界彻底消除涅墨西斯，赛特下定决心去寻找传说中涅墨西斯巢穴地，在旅途中赛特不断的遇到新的伙伴与新的强敌不断的成长。

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. 　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. 　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.