影片介绍了一群年青人，他们靠出卖自己的肉体为生 而城里一个叫帕维的验尸官靠写色 情文学过活，同样为了生计，他选择了制作GAY片。于是，他从中央车站、游泳池、DISCO里将帅气的男孩们带回自己的住处，在酒精与药品的麻醉下，一出出的声色画卷由此展开。 　　为了满足购买GAY片的德国客户需要，男孩们被禁止采用任何保护手段，为了钱，他们也只有默认了，可是，在出卖感情和肉身、进行色 情表演的同时，他们又对爱滋病充满了恐惧 　　影片用记实的手法，走近这群男孩。看着镜头前漠然的眼神、没有灵魂的身躯，让观众感觉到一种残酷的真实。

想象一个贪得无厌的恶魔,以血为食,在疼痛,达到媾和折磨的生活……与死者。信徒和怀疑,在这个世界上没有什么或下一个对手无情的邪恶的巫术。从小背负着咬的愧疚感,愤世嫉俗的艾登追逐旅行到海地精神病院寻找他失踪的弟弟。

死了养父母的卷卷，被大伯卖入督军府，为重病的独子司锦宸冲喜。本以为是进了火坑，却不想她刚握住司锦宸的手，生命垂危少爷居然奇迹般地好转了。督军府的锦鲤童养媳，旺家旺夫旺亲人，和督军府一起度过了难关。

九天大帝叶风统治苍皇天界十万年，在与太古烛龙的一场大战中被打得神形俱灭，唯有一缕神魂转生到林风身体中。赘婿林风被人陷害，重生后从炼气期开始一路修炼逆袭，与太古烛龙合体同生共死，修炼鸿蒙法决，开启了巅峰之路。最后解决了宿命之仇，并且抱得美人归。

居住在水天镇的三为中学生，都有着各自无法抹杀却又不想回忆起的过去，不知是否因为相同的原因，他们的灵魂会发生体外脱离，并以这种形式穿梭于现世与“幽世”之间。这个现实世界本没有神灵，随着“幽世”中不断发生异常，而开始吞噬现实世界。三位少年在“幽世”冒险的时候，逐渐了解到“幽世”与什么地方相连——献给持有少年心的成人们，一部永远的心灵少年谭。

在一片神秘的土地上，有另一个世界，那里的人类在神灵和暗灵的交战中勉强生存。一次，身为人类的瓦育被师傅指派讨伐暗灵，瓦育跟随暗灵来到仙灵村——与世无争的神灵们久居于此。在此，他遇到仙女桑当，二人日久生情，生下半人半神的布莱，没想到却引起了一场大战。瓦育和桑当在此战中失去了生命，临死前，桑当将自己的儿子布莱托付给娜迦王，布莱从此成为了娜迦王的徒弟，勤奋习武学习娜迦神剑。布莱长大后成为一个武力高强、身怀正义的剑客。与此同时，人类潘瓦王觊觎金矿，决定开采矿山，没想到他的贪婪却唤起了蜈蚣精，带给了人类巨大的灾难。好在布莱及时出现，和另一位正义之士巴拉蒂一起战胜了蜈蚣精，为人类世界带来了和平。在矿山洞穴深处，布莱找到了佩特拉娜迦三大宝物之一的“土灵珠”，此战告捷之后，布莱整装待发，踏上了寻找另外两个宝物“冥尘”和“天奥镜”之路。

Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. 　　Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians? 　　When a true fascination for history meets the sounds of the rababa, the saz, the oud and tin cans, a cultural diversity emerges that subverts the distinction between "Arab" and "Jewish". There are no national borders here, only different kitchens where people make music together – with their guests, while cooking, while someone makes the coffee. Until the music becomes so infectious you can’t help but dance along. berlinale 2016

Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. 　　Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians? 　　When a true fascination for history meets the sounds of the rababa, the saz, the oud and tin cans, a cultural diversity emerges that subverts the distinction between "Arab" and "Jewish". There are no national borders here, only different kitchens where people make music together – with their guests, while cooking, while someone makes the coffee. Until the music becomes so infectious you can’t help but dance along. berlinale 2016

一位林区农民和他的女儿，用自行车从医院运回被野象袭击致死的妻子尸体。导演比斯瓦吉特·博拉关心社会和环境议题，曾拍出在制片过程中实现零排碳的“碳平衡”电影。在这部新作中他聚焦家乡阿萨姆邦，展示了阿萨姆林区老百姓为洪灾、交通不便、野象侵扰所苦的真实日常。故事情节质朴、苦涩但不悲情，还充满各种黑色幽默。影片荣获2020年加尔各答国际电影节印度电影竞赛单元最佳导演奖。