我用手机拍的一头熊的未剪辑影像。我不太确定这是哪种熊

Rull (Wolfgang Schneider) is in his last year at a classical German state school. Believing all authority figures are repugnant, he engages in a series of bizarre behaviors. He literally acts like a bull in a china shop, alienates his friends, loses his girlfriend and infuriates his teachers. When he paints a swastika on a wall of the Parliament building, he really gets in trouble. This film is based on the novel The Unadvised by Thomas Valentin. In the novel, the principle character was a hero, but he turns into an alienating buffoon in the celluloid version. Neither authority figures nor the counterculture is spared in this satire. Music is provided by Andy Warhol and the Velvet Underground.

Rull (Wolfgang Schneider) is in his last year at a classical German state school. Believing all authority figures are repugnant, he engages in a series of bizarre behaviors. He literally acts like a bull in a china shop, alienates his friends, loses his girlfriend and infuriates his teachers. When he paints a swastika on a wall of the Parliament building, he really gets in trouble. This film is based on the novel The Unadvised by Thomas Valentin. In the novel, the principle character was a hero, but he turns into an alienating buffoon in the celluloid version. Neither authority figures nor the counterculture is spared in this satire. Music is provided by Andy Warhol and the Velvet Underground.

曾与爱人有过的幸福，随着恋情的结束烟消云散。他忧伤地锯断滴血的心，痛苦结束了对往事的思念与追忆。在此之后，男人搬出爱人的住处，兀自寻找另一个可赖栖息的场所。新的房子空旷寂静，浴室湿气逼人，男人百无聊赖打发永无止境的时光，直到某天，一封来信闯入了他死水一般的生活。收信人名叫迈克（Michael），Michael是谁？他全无头绪，也不知道该如何将信退回。接下来的日子里，寄给Michael的信和礼物接二连三涌入他的房门，望着那陌生的名字，他仿佛迷失了自己…… 　　本片荣获2009年法国“安锡国际动画影展”毕业学生作品组特殊荣誉奖（Special Distinction）。

曾与爱人有过的幸福，随着恋情的结束烟消云散。他忧伤地锯断滴血的心，痛苦结束了对往事的思念与追忆。在此之后，男人搬出爱人的住处，兀自寻找另一个可赖栖息的场所。新的房子空旷寂静，浴室湿气逼人，男人百无聊赖打发永无止境的时光，直到某天，一封来信闯入了他死水一般的生活。收信人名叫迈克（Michael），Michael是谁？他全无头绪，也不知道该如何将信退回。接下来的日子里，寄给Michael的信和礼物接二连三涌入他的房门，望着那陌生的名字，他仿佛迷失了自己…… 　　本片荣获2009年法国“安锡国际动画影展”毕业学生作品组特殊荣誉奖（Special Distinction）。

一个失恋之人，在寂寞低潮的日子里收到寄给某人的信与包裹，在无法退还的情况下，主角似有心无意的拆阅信件，随着不断累积的数量，渐与那未曾露面出现的那人，发生一段暧昧诡异的另类妄想。

莉莉是一头八岁的野生雌性黑熊，生活在美国明尼苏达州北部的森林中。它自出生以来就被研究学者追踪，它的生活轨迹被记录成了影片，并通过网络分享给了全世界的人们。但它的成名也是有代价的。它成了人们激烈争论的焦点，尽管它有着成千上万的粉丝，有些人却想杀死它。影片讲述了它的生活经历，阐述了她为何能成为一头有人悬赏的熊。

No one wants to listen to a polite, but persistent elderly man, Mr. Johnson, who has a strange theory about the recent "stocking murders" of three young women. His theory? That the third murder was committed by a copycat killer. First the old man, arming himself with a phony name, goes to the police, getting an audience with the very lieutenant who led the investigation, and the lieutenant dismisses his theory, but not before briefly conceding the point that the prime suspect, already in custody, confessed to only two of the three murders (having nothing to lose, it would seem, by confessing to the third). Next, Mr. Johnson, using another alias, seeks and finds a newspaper reporter, who is boozing it up with a floozy - by chance, the very reporter who covered the story, and Mr. Johnson and his ideas are not only dismissed once again, but the condescending bartender practically throws the old man out the door. Finally, at wit's end, Mr. Johnson, no longer hiding behind a false name, consults with a priest and seems to be on the verge of confessing something horrible himself. After all, he seems to know way too much about the life of the last murder victim. Still, the well-meaning priest finds the old man is guilty of nothing more than an unseemly obsession with a tabloid story. The police must know what they're doing, don't they? Feeling utterly ignored, Mr. Johnson goes home to his wife, and even she chides him for "thinking about things too much."

No one wants to listen to a polite, but persistent elderly man, Mr. Johnson, who has a strange theory about the recent "stocking murders" of three young women. His theory? That the third murder was committed by a copycat killer. First the old man, arming himself with a phony name, goes to the police, getting an audience with the very lieutenant who led the investigation, and the lieutenant dismisses his theory, but not before briefly conceding the point that the prime suspect, already in custody, confessed to only two of the three murders (having nothing to lose, it would seem, by confessing to the third). Next, Mr. Johnson, using another alias, seeks and finds a newspaper reporter, who is boozing it up with a floozy - by chance, the very reporter who covered the story, and Mr. Johnson and his ideas are not only dismissed once again, but the condescending bartender practically throws the old man out the door. Finally, at wit's end, Mr. Johnson, no longer hiding behind a false name, consults with a priest and seems to be on the verge of confessing something horrible himself. After all, he seems to know way too much about the life of the last murder victim. Still, the well-meaning priest finds the old man is guilty of nothing more than an unseemly obsession with a tabloid story. The police must know what they're doing, don't they? Feeling utterly ignored, Mr. Johnson goes home to his wife, and even she chides him for "thinking about things too much."