本剧讲述了来自武术之家的女馆长武娇娇因意外，独自经营父母留下的武馆并照顾失踪的姐姐留下的孩子，虽然生活贫瘠，但抚养孩子时带来的欢乐，抵消了辛劳和疲惫。男主人公祁墨虽来自富豪之家，却从未享受过家庭的温暖，为了争取家庭的认可，偶然绑定到了武娇娇的武馆之中，发生了一段啼笑皆非，又温暖治愈的故事。

本剧讲述了来自武术之家的女馆长武娇娇因意外，独自经营父母留下的武馆并照顾失踪的姐姐留下的孩子，虽然生活贫瘠，但抚养孩子时带来的欢乐，抵消了辛劳和疲惫；男主人公祁墨虽来自富豪之家，却从未享受过家庭的温暖，为了争取家庭的认可，偶然绑定到了武娇娇的武馆之中，发生了一段啼笑皆非，又温暖治愈的故事。

这是一个三姐妹的故事，她们的父亲刚刚因为癌症去世，这让三人对生活有了新的认识，意识到每个人的生命都有一个截止日期。大姐已经快要错过生育的最佳时间，她和丈夫为了造人而进行了无数尝试，但医院的检查结果却让她一次次地失望；二姐想要追梦演艺圈，但她年龄越来越大，再过一年她就要年满三十，到时候就没有一家经纪公司会考虑录用她；而最小的妹妹查出癌症，她的人生还有许许多多没有体验，她希望在那之前能够获得一次真爱。在一个有爱的家庭中，每个人都想要在截止日之前活出精彩，她们相互鼓励，分享笑容和泪水。

这是一个三姐妹的故事，她们的父亲刚刚因为癌症去世，这让三人对生活有了新的认识，意识到每个人的生命都有一个截止日期。大姐已经快要错过生育的最佳时间，她和丈夫为了“造人”而进行了无数尝试，但医院的检查结果却让她一次次地失望；二姐想要追梦演艺圈，但她年龄越来越大，再过一年她就要年满三十，到时候就没有一家经纪公司会考虑录用她，；而最小的妹妹查出癌症，她的人生还有许许多多没有体验，她希望在那之前能够获得一次真爱。在一个有爱的家庭中，每个人都想要在“截止日”之前活出精彩，她们相互鼓励，分享笑容和泪水。

王家两姐妹自小性格迥异，姐姐王焱患先天性贫血症，妹妹王灵均任性顽劣。王灵均不顾家人反对来到深圳，打破了同在深圳的王焱的看似平静的生活。失业的王灵均住进了王焱家里，二人的相处从最初的鸡飞狗跳逐渐变得和谐温馨起来，姐妹俩也慢慢收获了属于各自的感情。王焱旧病复发，曾一心想摆脱姐姐的王灵均选择守护在她身边。在经历了工作和生活风波后，王焱卸下了心理包袱，王灵均也放下了芥蒂，姐妹俩一起开启了新的生活。

可可和爷爷坐火车到了上海之后，爷爷向可可回忆起了过去的事情：抗日战争时期东洋人打到了上海，孩子剧团会在上海开始什么样的生活呢？

可可和爷爷坐火车到了上海之后，第二天小报就报道东洋人打到上海来了，孩子剧团会在上海开始什么样的生活呢？为了保护爷爷和家人们又会怎样去对抗东洋人呢？

Through a grey blanket of clouds, we barely discern the contours of Mount Fuji, a volcano with many faces. 4,500 exceptional and diverse photographs from the past 150 years form the basis for ASCENT. Made entirely with stills, it is a filmic experiment balancing between documentary and fiction, photography and film, where an English woman and her deceased Japanese partner, Hiroshi, lead the way. As Mount Fuji is climbed across geographical, temporal and cultural divides, the narrative unfolds, exploring unexpected paths.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

The female office worker who works for the company where the Saiki lily (Sakurai Ami) with a trauma deals with the interior decoration of the love hotel in the past with mother. The lily had an introverted character and usually received sexual harassment to a senior.