秋香被赌鬼爹用两袋糙米和五毛钱换给邻村爱国家，给傻弟弟爱华当媳妇。醒来面对四壁土墙，她心凉半截，傻丈夫却举着草编蚂蚱冲她咧嘴笑，眼神干净如山泉。秋香划下“楚河汉界”使起缓兵之计，月黑风高两次逃跑，却都被爱华拼死护回——他赶跑二流子，在玉米地里找到崴脚的她后哇哇大哭，翻出家里唯一下蛋的母鸡炖汤，捧着碗吹了又吹递过来：“喝，不疼。”那碗滚烫的鸡汤焐化了秋香心里最后的冰。她抹抹嘴笑了：“傻子，以后咱好好过日子。”从此，田埂上多了两个笨拙温暖的身影，炊烟升起处，日子热气腾腾。

A ghost loses its memory after being struck by lightning. It meets Arthur, who tries to help it.

A gardener tends a small garden in a field overgrown with weeds. What begins as an innocent encounter turns into a fight for survival and an attempt to preserve the existing world at any cost.

A gardener tends a small garden in a field overgrown with weeds. What begins as an innocent encounter turns into a fight for survival and an attempt to preserve the existing world at any cost.

改编自璞玉与月亮所著小说《致我那菜市场的白月光》。 　　职高“小豹子”任冬雪因为在菜市场与学霸白月光程厦的一场相遇，人生轨迹彻底改变。她追随程厦南下打工，成人自考，进工地，闯非洲，一路升级打怪成为了建筑公司任总，完成了人生逆袭，而她也反过来成为了照亮程厦的白月光，帮助程厦走出了人生困境。

改编自璞玉与月亮所著小说《致我那菜市场的白月光》。 　　职高“小豹子”任冬雪因为在菜市场与学霸白月光程厦的一场相遇，人生轨迹彻底改变。她追随程厦南下打工，成人自考，进工地，闯非洲，一路升级打怪成为了建筑公司任总，完成了人生逆袭，而她也反过来成为了照亮程厦的白月光，帮助程厦走出了人生困境。

A film about empathy, and the struggle and distance someone may have to travel--against all odds--to find a better life. 　　短片是来自迪士尼40位艺术家合作的动画：《杂草的梦想》。 　　这支简单却深刻的动画短片由参与了《超能陆战队》《疯狂动物城》等作品的迪士尼艺术家执导。 　　在导演凯文·哈德森（Kevin Hudson）和制片人布拉德·西蒙森（Brad Simonsen）的带领下，近40名迪士尼艺术家共同合作完成了这一部动画短片《Weeds》。 　　据导演凯文·哈德森说，这部动画的灵感来源于他在自家房前拔出草坪上的杂草。当越过车道看到邻居的院子，发现那里从来没有浇过水，草坪已经枯萎了，只有零星的几支濒死的蒲公英紧贴在人行道的边缘。 　　当时他就想： 　　难怪我的院子里总是出现蒲公英呢，因为如果我是她院子里的蒲公英，也想要长在我的院子里啊！” 　　因而他对这些小植物有了一种移情的感觉，意识到自己可以用这个比喻来描述陷入糟糕生活环境中（战争、贫穷、饥饿、缺乏机会和希望）的人们的困境，并说出一些同情的话。所以才有了这部短片。

A film about empathy, and the struggle and distance someone may have to travel--against all odds--to find a better life. 　　短片是来自迪士尼40位艺术家合作的动画：《杂草的梦想》。 　　这支简单却深刻的动画短片由参与了《超能陆战队》《疯狂动物城》等作品的迪士尼艺术家执导。 　　在导演凯文·哈德森（Kevin Hudson）和制片人布拉德·西蒙森（Brad Simonsen）的带领下，近40名迪士尼艺术家共同合作完成了这一部动画短片《Weeds》。 　　据导演凯文·哈德森说，这部动画的灵感来源于他在自家房前拔出草坪上的杂草。当越过车道看到邻居的院子，发现那里从来没有浇过水，草坪已经枯萎了，只有零星的几支濒死的蒲公英紧贴在人行道的边缘。 　　当时他就想： 　　难怪我的院子里总是出现蒲公英呢，因为如果我是她院子里的蒲公英，也想要长在我的院子里啊！” 　　因而他对这些小植物有了一种移情的感觉，意识到自己可以用这个比喻来描述陷入糟糕生活环境中（战争、贫穷、饥饿、缺乏机会和希望）的人们的困境，并说出一些同情的话。所以才有了这部短片。

Chris Collins celebrates the humble and sometimes hated plants we call weeds. He discovers that there is no such thing as a weed, botanically speaking, and that in fact what we call a weed has changed again and again over the last three hundred years. Chris uncovers the story of our changing relationship with weeds - in reality, the story of the battle between wilderness and civilisation. He finds out how weeds have been seen as beautiful and useful in the past, and sees how their secrets are being unlocked today in order to transform our crops. Finally, Chris asks whether, in our quest to eliminate Japanese Knotweed or Rhododendron Ponticum, we are really engaged in an arms race we can never win. We remove weeds from our fields and gardens at our peril. （http://docuwiki.net/index.php?title=The_Wonder_of_Weeds）

Chris Collins celebrates the humble and sometimes hated plants we call weeds. He discovers that there is no such thing as a weed, botanically speaking, and that in fact what we call a weed has changed again and again over the last three hundred years. Chris uncovers the story of our changing relationship with weeds - in reality, the story of the battle between wilderness and civilisation. He finds out how weeds have been seen as beautiful and useful in the past, and sees how their secrets are being unlocked today in order to transform our crops. Finally, Chris asks whether, in our quest to eliminate Japanese Knotweed or Rhododendron Ponticum, we are really engaged in an arms race we can never win. We remove weeds from our fields and gardens at our peril. （http://docuwiki.net/index.php?title=The_Wonder_of_Weeds）