形色色的离奇案件，将一位渴望真像的“女法医”带进一个个扑朔迷离而又诱人的迷宫，一旦走进这座由206块骨骼、600多块肌肉、形态各异的五脏六腑、千奇百怪的组织细胞、密如电网的血管与神经所组成的迷宫，“女法医”就会紧张激动得浑身发抖，迷宫中处处都是希望，但每一步又都可能是陷阱......对生者来说，死亡永远是一个艰深的谜语，一本难以破译的密码。因为死者无法面对活着的人们讲述自己惨痛的死亡经历，因此死者和生者被一条看不见的但又真实存在着的鸿沟隔开了。这个世界上，只有法医才可能填平这条鸿沟。法医的天职就是用科学的手段，靠扎扎实实的本事，让死人开口说话，帮助他们将死亡的真相告诉活着的人们，做死亡的转述者。“女法医”立足尸体，重视现场，参考案情，彼此印证。心细如发，抽丝剥茧探寻案件真相，且不让须眉，排除万难，力争缉拿真凶到底!在亡灵对话中感悟人生，在破译死亡密码中破解生命的密码。

形色色的离奇案件，将一位渴望真像的“女法医”带进一个个扑朔迷离而又诱人的迷宫，一旦走进这座由206块骨骼、600多块肌肉、形态各异的五脏六腑、千奇百怪的组织细胞、密如电网的血管与神经所组成的迷宫，“女法医”就会紧张激动得浑身发抖，迷宫中处处都是希望，但每一步又都可能是陷阱......对生者来说，死亡永远是一个艰深的谜语，一本难以破译的密码。因为死者无法面对活着的人们讲述自己惨痛的死亡经历，因此死者和生者被一条看不见的但又真实存在着的鸿沟隔开了。这个世界上，只有法医才可能填平这条鸿沟。法医的天职就是用科学的手段，靠扎扎实实的本事，让死人开口说话，帮助他们将死亡的真相告诉活着的人们，做死亡的转述者。“女法医”立足尸体，重视现场，参考案情，彼此印证。心细如发，抽丝剥茧探寻案件真相，且不让须眉，排除万难，力争缉拿真凶到底!在亡灵对话中感悟人生，在破译死亡密码中破解生命的密码。

Alexander Rodnyansky is a self-confessed “man of many lives” but now, three years after being forced to flee his home in Moscow for being a vocal critic against the war in Ukraine, the Kyiv-born producer is returning to his documentary roots. The Leviathan and Loveless producer and former founder of Ukraine’s first indie TV network 1+1, has nearly wrapped filming a new documentary, Notes of a True Criminal, which he produced and directed. 　　“It’s called that because I’m a criminal now,” quips Rodnyansky, referring to the eight-and-a-half year sentencing in absentia he received from a Moscow court last year for spreading anti-war sentiments. 　　The project, he says, will combine elements of doc movies he shot at the end of the Cold War coupled with more recent footage from the war in Ukraine and WWII footage obtained by his family.

聪明且精明的侦探安娜伊斯·马洛里（由切尔西·普雷斯顿-克雷福德饰演）回到了她的家乡——新西兰南岛的皇后镇，却遇到了一系列截然不同的离奇谋杀案。在破解这些案件的同时，她还要面对来自过去的幽灵与阴影。

艺伎，字面上的含意为"以艺术为生"。每个艺伎都要经过严格的训练，学习茶道、书法、乐器、舞蹈、礼节等等。男人们用餐时，她们跪在旁边斟酒上菜，微笑着和他们聊天。待到酒过三旬后，艺伎开始表演以活跃气氛，不论是弹奏乐器或是演唱情歌。最令人称赞的是艺伎的谈话艺术，无论是国际新闻，还是花边消息，她们都了若指掌。 但是艺伎这一古老的文化行业，是否能够在现今充满竞争、科技日新月异的现代日本社会保存下来？十九世纪20年代是艺伎行业的全盛期，有将近80,000名的艺伎，而今却剩下不到1,000名。 　　艺伎的世界始终保持着一种神秘感。她们浓妆的脸上几乎看不出喜怒哀乐，她们是日本文化与艺术的缩影，这也是她们为之骄傲的。艺伎一生就是为了服侍日本上流社会中的达官显贵、富商阔佬，人们只能在那些豪华的茶店酒楼和隐密的日本料亭中看到她们的身影。所以基于上述的种种原因，艺伎一直被笼罩在一层神秘的面纱之下…… 　　 　　Dismissed by Western society as little more than high-priced call girls, the Japanese women known as Geisha are part of a centuries-old tradition that made them a vital part of that country's society. See how they were trained from childhood in music, the arts, conversation and "massaging the male ego," and visit with modern-day Geisha, in this revealing program.

讲述马泰尔饰演的男孩Paul跟父亲住在纽约乡下，过着与世隔绝的生活，因为患有稀有的天生多毛症，身上很多地方会长出长长的毛发，Paul很难交到朋友。而13岁生日那天，他收到一份神秘礼物，因此逃出了家门，想去寻找自己从不知道是谁的母亲。

This iconic, Emmy-nominated series is a Tinseltown institution in its own right for its compelling stories from the world of entertainment

Roza (Lucyna Winnicka) marries a promising young architect, Juliusz (Roland Glowacki); for a few months, they have a blissful life together. Then World War II breaks out and within weeks Juliusz is deported to a concentration camp. Months, and then years go by, until Roza abandons any hope that her husband might return. She meets and falls in love with another man, and tries to put her life back together, but one day, unexpectedly, Juliusz does return - a shattered, mere ghost of his former self, physically crippled and tormented by memories of the camps. First out of duty, then out of pity, Roza starts to care for him, but her feelings slowly are transformed into a kind of revulsion. Kawalerowicz here takes up a theme that would be frequently addressed by later Polish films: the lingering psychological and emotional scars wrought by the war, a kind of weight from the past impeding the creation of any kind of future.

讲述马泰尔饰演的男孩Paul跟父亲住在纽约乡下，过着与世隔绝的生活，因为患有稀有的天生多毛症，身上很多地方会长出长长的毛发，Paul很难交到朋友。而13岁生日那天，他收到一份神秘礼物，因此逃出了家门，想去寻找自己从不知道是谁的母亲。

河里，一具女尸如同油画《奥菲利亚》中的模样漂浮在水中，死者为话剧女演员李菁菁（孟子叶饰），经法医韩枚（赵崔玮饰）鉴定，死者身体被掏空，溺水而死。如此凶残的行凶手法，引起了所有人的关注。凶手先后锁定在和女演员生前有染的话剧团导演和剧务，然而双方都有不在场证据，令案件一时陷入了僵局。此时，女法医给出了一个惊人的答案，令所有人无法相信，死者的哥哥悲痛欲绝，誓言要展开报复。而此时真正的凶手却在酝酿着一场更大的阴谋。