Eersgeborene explores identity and sexuality within the Afrikaans minority culture of post-Apartheid South Africa through a fable about two brothers who descend into matricide and madness on a remote ostrich farm.

Eersgeborene explores identity and sexuality within the Afrikaans minority culture of post-Apartheid South Africa through a fable about two brothers who descend into matricide and madness on a remote ostrich farm.

Late for the last commuter train and reluctant to spend the night outdoors, two young men trick a family into letting them stay in their apartment: one of them insists that he's the illegitimate son of the man who owns the apartment.

‘My mum left me when I was a baby, she never saw a celebration, and she’ll never see one. Oh generation of god.’ In Kinyarwanda ‘Imfura’ means first-born, the noble one, gentleman. Gisa, a young man, travels to his mother’s village. He never got to know her, since she disappeared in the genocide. Gisa wants to comprehend, to remember, so he meets those who remain. Much has changed. Various chants and rituals guide him in his search. The memory is inside him, the midwife says, has always been with him. He is not alone. He is alone however when he is suddenly forced to choose a position in a fight over an inheritance, a shell of a house. The ruins represent the visible remains of the genocide. 　　The film’s hybrid form, its fusion of documentary and staged material, gives it a great sense of immediacy. Imfura is the first Rwandan production to be included in the competition of Berlinale Shorts

一个韩国家庭前往阿根廷寻找更好生活的移民之旅，以及他们在途中寻找方式哀悼失去的一切。韩裔阿根廷少女莉拉仍在寻找自己在这个世界中的位置。与此同时，她的父亲安东尼奥18年前作为一名年轻男子抵达拉丁美洲，寻找新的天地，并决定将一切押注在年轻移民的梦想承诺之上。这是一部跨越代际的史诗，试图回到过去以重塑当下。

一个韩国家庭前往阿根廷寻找更好生活的移民之旅，以及他们在途中寻找方式哀悼失去的一切。韩裔阿根廷少女莉拉仍在寻找自己在这个世界中的位置。与此同时，她的父亲安东尼奥18年前作为一名年轻男子抵达拉丁美洲，寻找新的天地，并决定将一切押注在年轻移民的梦想承诺之上。这是一部跨越代际的史诗，试图回到过去以重塑当下。

‘My mum left me when I was a baby, she never saw a celebration, and she’ll never see one. Oh generation of god.’ In Kinyarwanda ‘Imfura’ means first-born, the noble one, gentleman. Gisa, a young man, travels to his mother’s village. He never got to know her, since she disappeared in the genocide. Gisa wants to comprehend, to remember, so he meets those who remain. Much has changed. Various chants and rituals guide him in his search. The memory is inside him, the midwife says, has always been with him. He is not alone. He is alone however when he is suddenly forced to choose a position in a fight over an inheritance, a shell of a house. The ruins represent the visible remains of the genocide. 　　The film’s hybrid form, its fusion of documentary and staged material, gives it a great sense of immediacy. Imfura is the first Rwandan production to be included in the competition of Berlinale Shorts

Late for the last commuter train and reluctant to spend the night outdoors, two young men trick a family into letting them stay in their apartment: one of them insists that he's the illegitimate son of the man who owns the apartment.

乘风职员宋漾应酬被下药，与总裁金逸风发生关系怀孕，会议上被母揭穿陷危机。金逸风认人后假扮未婚夫提亲，却遇宋漾父母设“贫寒”考验局。青梅竹马姚嘉怡携金家父母搅局，宋漾展绝技，东海首富携百亿嫁妆认亲，揭其顶级豪门继承人身份，最终宋漾与金逸风圆满。

帝辛在龙椅上睁眼时，脑中已塞满后世记载的亡国之局。他抚过青铜酒樽，指尖冰凉 —— 史书说他暴虐亡商，实则是仙神借封神之战削他气运。“想让孤做垫脚石？” 他猛地起身，龙袍猎猎作响，“传孤旨意，聚天下巫祝铸九鼎，召百万将士练屠神阵！” 殿外惊雷乍起，他望着云层深处，眼中燃着逆命之火：“仙神要亡我殷商？孤便踏碎九霄，与尔等清算！”