沈知离为复活师傅凭古方寻找药引，而苏沉澈到访却让沈知离陷入时间循环，沈知离发现苏沉澈身死时光就会倒流，为顺利找到药引二人一同上路，默契和误会接踵而来，还有神秘人暗中指引，两人能否破解时空之谜找到药引？

爱奇艺自制古装网剧《公子倾城》概念海报释出！古灵精怪的江湖侠女遇上孤傲绝尘的无感庄主，阴差阳错下感知互换。奇妙姻缘“甜”注定，反转爆笑乐不停。…

电影讲述在辗转于菲律宾非法体育场的拳击选手马可（姜泰柱 饰）面前，出现了身份不明的男子“贵公子”（金宣虎 饰）和具有不同目的的势力，并展开疯狂追击的故事。

电影讲述在辗转于菲律宾非法体育场的拳击选手马可（姜泰柱 饰）面前，出现了身份不明的男子“贵公子”（金宣虎 饰）和具有不同目的的势力，并展开疯狂追击的故事。

邱公子（王敏德饰）、RAYMOND（古天乐饰）、杨公子（雷宇扬饰）、王公子（张耀扬饰）四人是汽车大盗，其中杨公子好色，王公子好赌，RAYMOND善于格斗，而邱公子头脑精明，经验丰富。他们身怀绝技，专偷名车，而且善于利用高科技手段应付各种防盗设备，令香港警方束手无策。 　　其实RAYMOND是警方派来的卧底，而且还是负责此案的谷警司（秦沛饰）的儿子，为了取得邱公子的信任，他甚至把谷警司的新宝马车也偷了回来，终于打入了这个偷车团伙的内部。他正在搜索证据，希望把他们一网打尽。

爱奇艺自制古装网剧《公子倾城》概念海报释出！古灵精怪的江湖侠女遇上孤傲绝尘的无感庄主，阴差阳错下感知互换。奇妙姻缘“甜”注定，反转爆笑乐不停。改编自维和粽子同名小说，敬请期待！

邱公子（王敏德饰）、RAYMOND（古天乐饰）、杨公子（雷宇扬饰）、王公子（张耀扬饰）四人是汽车大盗，其中杨公子好色，王公子好赌，RAYMOND善于格斗，而邱公子头脑精明，经验丰富。他们身怀绝技，专偷名车，而且善于利用高科技手段应付各种防盗设备，令香港警方束手无策。 　　其实RAYMOND是警方派来的卧底，而且还是负责此案的谷警司（秦沛饰）的儿子，为了取得邱公子的信任，他甚至把谷警司的新宝马车也偷了回来，终于打入了这个偷车团伙的内部。他正在搜索证据，希望把他们一网打尽。

回春谷神医沈知离为了复活师父出谷寻找药引，却意外和十二夜公子苏沉澈绑定生死进入时间循环。沈知离把苏沉澈带在身边，他们一起探明月宫，赴武林大会，闯南疆，经历了一系列生死冒险。沈知离成功集齐药引，却发现背后另有阴谋，她与苏沉澈联手打破时间循环魔咒，成功阻止反派计划。 　　根据维和粽子人气作品《公子无耻》改编。

The movies Claude Chabrol made in the first ten years of his career are vastly underrated nowadays with the film under review being, arguably, the most obscure of the lot; admittedly, LES GODELUREAUX – an unwieldy single-word title if ever there was one (literally meaning "the popinjays") – could not have endeared it much to audiences. Consequently, it seems rather hard now to believe that Chabrol's more renowned colleague at the "Cahiers Du Cinema", Jean-Luc Godard, once named it among "The Top Six French Films made since the Liberation"(!) alongside Robert Bresson's PICKPOCKET, Jean Cocteau's LE TESTAMENT D'ORPHEE' and Jean Renoir's LE TESTAMENT DU DOCTEUR CORDELIER (all 1959)!! 　　Thematically, the film is basically Bresson/Cocteau's masterful LES DAMES DU BOIS DE BOULOGNE (1945) reworked for the "New Wave" set – though the revenge this time around is triggered by a petty incident between strangers, making the whole scheme an even more cynical one. Apart from the director himself, the film also finds some choice performers at somewhere near their best, notably the two leads: Jean-Claude Brialy (genuinely Mephistophelean, he displays a remarkable flair for melodrama throughout) and an entrancing Bernadette Lafont (peerlessly epitomizing earthy sensuality) – though some, like the reviewer of the "Films De France" website, actually felt their characters to be caricatures! Equally imperative to the success of the film is Jean Rabier's glossy black-and-white camera-work, a typically fine score by Pierre Jansen and also a clever use of overlapping sound (actually one of the revolutionary cinematic techniques characteristic of the French "Nouvelle Vague" movement). 　　The plot – oozing with the hedonistic/nihilistic outlook of Chabrol's regular scribe Paul Gegauff – sees the seemingly bisexual bourgeois fop Brialy sending out coquettish seductress Lafont to attract the attention of a young man (well-played by virtual unknown and future director Charles Belmont) who had spited him at the very start of the film. Subsequently, the newly-minted trio becomes virtually inseparable ensuring an invasion of the latter's domestic life (which embarrasses him no end, since he is still in the custody of a strict and wealthy uncle) – as much as they force him into their own private chaos (which involves not only an omnipresent homosexual valet by Brialy's side but a nerdy soon-to-be-wed cousin whom Lafont has no qualms about seducing in front of her current boyfriend, Belmont)! 　　Although at one point a ménage-a'-trois between the three leads is implied, some of their shenanigans are fairly harmless – such as disrupting an art exhibition with the dissemination of sneezing powder, or an upper-class soiree' by incorporating into the program both a sultry dance (performed by none other than a dark-haired Stephane Audran!) and an eccentric ditty sung by a pathetic ex-vaudevillian lady. However, the bacchanal in the style of Ancient Rome, togas and all – held at Belmont's house, having charged Lafont with its upkeep while he is away on business (in the same vein, Luis Bunuel's contemporaneous VIRIDIANA [1961], would feature a famously blasphemous parody of Da Vinci's "The Last Supper") – has more severe repercussions; this sequence is cleverly, and amusingly, cross-cut by Chabrol with the most formal of restaurant dinners being consumed by the oblivious Belmont and his uncle! 　　Eventually, the schemer feels vindicated and confesses to having taken the young man 'for a ride' and that Lafont (whom the boy had genuinely fallen for and was even planning to marry) had been his tormentor's mistress all along. However, in keeping with the film's darkly humorous tone (boasting a couple of bona-fide howlers along the way), the coda shows that, though obviously broken-hearted at first, Belmont has picked himself up by the time we next see him a year later and is consoling himself with a plain-looking girl; in fact, running by chance into Lafont on a pier, it is rather the latter who is unable to mature – being seemingly involved in yet another romantic scam (with a high-ranking Naval officer, no less)…

神界梵虚天遭逢大乱，神界之主北天帝君受万道围攻，战败陨落，无数人追捧的术炼至宝--可以沟通上古之地的轮盘，也因此跌入人间。正逢男主林笑，与人约架被打成重伤陷入昏迷，阴差阳错获得了轮盘，北天帝君预感到乱世将倾，无奈之下选中了林笑，将自己的全部记忆送给林笑，让林笑以旁观者的身份，被迫体会了这位神界帝君跌宕起伏的一生。 林笑身处的东方大陆，武道衰落，术炼师寥寥无几，林笑在梦中跟随北天帝君见闻修炼的一些武道功法和术炼之术基本都已经失传。尤其是林笑所处的东方大陆的夏国，大家陷入权利的争夺，互相算计，互相暗害。四方侯府便是玄京城阴谋算计里首当其冲的那一个，林笑母亲苏怡然在生产之时遭人暗害，难产导致林笑先天根骨不全，在武道上注定没有成就，受尽嘲讽奚落，以致放弃了自己的修炼目标，胡作非为。 纨绔少爷一梦睡醒，手握逆转乾坤之力，自然就要有仇报仇，没仇的多找些麻烦。从梦中世界回到现实世界的林笑，渐渐成为了整个玄京城的噩梦。 林笑在暗流涌动的京城局势中步步为营，对抗隐藏在暗处的各方势力，保护正处于风雨飘摇中的四方侯府和整个大夏王朝。在这个过程中，林笑游离在神界帝君和侯府少爷的身份里，迎接着一场场危机，不断发现着这个世界被人遗忘的真相。幸运的是，本心善良的林笑结识了乱世中真正优秀和值得信赖的伙伴，最终成功找到了自我。林笑最终完成了从玄京首废到领航者的转变，打开了神界通道，带领伙伴们艰难的挽救了这片大陆，这个少年，也终于成长为这个世界的受人尊敬的顶级武道者和术炼师。