In the context of a historical 19th-century mining catastrophe, two eleven-year-old French boys of different socio-economic classes form a fast friendship unbeknownst to their families and pursue difficult destinies.

讲述了一个普通农村家庭遭遇自然灾害失去家园，四处流浪、走到进宅村后一家三口被好心的金家和收留，刚开始陈大山被小朋友看不起，自己就暗自下定决心自己一定要出人头地，若干年后果然黄天不负有心人，事业有成然后带来剧组来村里拍摄为村里经济做了很多贡献。

该剧以阜新人民发现煤矿、保卫煤矿为时代背景，讲述了建设新中国第一座现代化采煤工业基地的历史故事。

设置于1950年，基于由Archin Panjabhan一系列自传体短篇小说，开始认定Archin从曼谷朱拉隆功大学的大二开除。他打发到泰国南部，在那里他理应有一份工作等着他。这是在一个偏远的山区丛林甚至不“率在地图上的一个点”，这是小，但所有消费赤泥和看似无穷无尽的，倾盆大雨的地方。

讲述乌克兰矿产区小镇上，一个15岁小矿工的故事。 　　特别注意：这是一部纪录片 　　In the heart of a once thriving Ukrainian coal-mining region the town's desperate residents decided to start m ining illegally; they excavate everywhere: under the basements of demolished buildings, in the leisure parks, as well as in their own vegetable gardens. The story focuses on the Sikanov family, which has three children. 15-year-old Yura is the head of the family working as a miner in the illegal pit. Most Yura wants to run his own cafe somewhere far from home, but the responsibility for the two sisters and looming economic crisis pushes his dreams in the distant future.

It’s summer, Louis and Paul are on holiday in a bourgeois chateau in the depths of the countryside. It is hot, the house is empty, and the lovers are alone. To pass the time, they make love, play tennis, go for walks, sleep, at night and sometimes during the day. But the couple is in crisis. Louis feels rejected, while Paul is becoming increasingly distant. Louis takes refuge in his dreams, which shift between desire and repulsion, longing and destruction, hope and paranoia.

It’s summer, Louis and Paul are on holiday in a bourgeois chateau in the depths of the countryside. It is hot, the house is empty, and the lovers are alone. To pass the time, they make love, play tennis, go for walks, sleep, at night and sometimes during the day. But the couple is in crisis. Louis feels rejected, while Paul is becoming increasingly distant. Louis takes refuge in his dreams, which shift between desire and repulsion, longing and destruction, hope and paranoia.

Crumb director Terry Zwigoff’s first film is a true treat: a documentary about the obscure country blues musician and idiosyncratic visual artist Howard “Louie Bluie” Armstrong, member of the last known black string band in America. As beguiling a raconteur as he is a performer, Louie makes for a wildly entertaining movie subject, and Zwigoff honors him with an unsentimental but endlessly affectionate tribute. Full of infectious music and comedy, Louie Bluie is a humane evocation of the kind of pop-cultural marginalia that Zwigoff would continue to excavate in the coming years.

Crumb director Terry Zwigoff’s first film is a true treat: a documentary about the obscure country blues musician and idiosyncratic visual artist Howard “Louie Bluie” Armstrong, member of the last known black string band in America. As beguiling a raconteur as he is a performer, Louie makes for a wildly entertaining movie subject, and Zwigoff honors him with an unsentimental but endlessly affectionate tribute. Full of infectious music and comedy, Louie Bluie is a humane evocation of the kind of pop-cultural marginalia that Zwigoff would continue to excavate in the coming years.

每个年代的同志，各自在平权道上留下过不同的足迹。世代交替，曾经为同志平权奋身力争过的同志，付出过的努力，又会否给新一代珍惜？森美曾是同志团体 ACT UP 的成员，走过爱滋病肆虐的年代，到今日仍被倖存者的内疚折腾。他不能明白年青一代对性别政治的漠不关心，以及无忧无虑的性爱生活。一次，他在一间酒吧邂逅年轻的白兰顿，二人火速搭上，森美的创作灵感得以重燃，受伤的内心更开始慢慢疗愈。