法国全明星阵容，讲述了1789年的法国，在一部鼓舞人心的史诗戏剧中，通过那些站起来开创历史的人们的眼睛讲述了法国大革命。

法国全明星阵容，讲述了1789年的法国，在一部鼓舞人心的史诗戏剧中，通过那些站起来开创历史的人们的眼睛讲述了法国大革命。

讲述了人类饮食习惯的改变过程，食物大批量生产所带来的一系列后果，以及肥胖与瘦弱的根源是什么，其中，一定有你想象不到的结论。

讲述了人类饮食习惯的改变过程，食物大批量生产所带来的一系列后果，以及肥胖与瘦弱的根源是什么，其中，一定有你想象不到的结论。

A masterwork of Sri Lankan cinema, this moving saga of family and class conflict was made by Lester James Peries, his country’s foremost filmmaker and a director much admired by India’s Satyajit Ray. 　　Gamperaliya is regarded as a cornerstone of Sri Lankan cinema, launching upon its release in 1964 ‘a revolution, not only in the way films were made, but also in the content,’ according to producer Anton Wickramasinghe. 　　Peries sought an alternative to the Bollywood-influenced melodramas that dominated Sri Lanka’s commercial cinema, writing stories that looked at the staple issues of melodrama in a more nuanced way. 　　The film, adapted from a novel by Martin Wickramasinghe, focuses on Piyal, a teacher and member of the new rising middle class, who falls in love with the daughter of his village’s leading aristocratic clan; the girl’s parents insist upon a marriage to a stuffed shirt of her own class, one that shifting social forces are already rendering obsolete. 　　Gamperaliya is filmed in an elegant and uncoercive narrative style that has been compared to Satyajit Ray’s Apu Trilogy; its aesthetic choices also have a moral dimension: at every level, this is a movie about the importance of setting aside illusion and exaggeration and seeing things as they are.

A masterwork of Sri Lankan cinema, this moving saga of family and class conflict was made by Lester James Peries, his country’s foremost filmmaker and a director much admired by India’s Satyajit Ray. 　　Gamperaliya is regarded as a cornerstone of Sri Lankan cinema, launching upon its release in 1964 ‘a revolution, not only in the way films were made, but also in the content,’ according to producer Anton Wickramasinghe. 　　Peries sought an alternative to the Bollywood-influenced melodramas that dominated Sri Lanka’s commercial cinema, writing stories that looked at the staple issues of melodrama in a more nuanced way. 　　The film, adapted from a novel by Martin Wickramasinghe, focuses on Piyal, a teacher and member of the new rising middle class, who falls in love with the daughter of his village’s leading aristocratic clan; the girl’s parents insist upon a marriage to a stuffed shirt of her own class, one that shifting social forces are already rendering obsolete. 　　Gamperaliya is filmed in an elegant and uncoercive narrative style that has been compared to Satyajit Ray’s Apu Trilogy; its aesthetic choices also have a moral dimension: at every level, this is a movie about the importance of setting aside illusion and exaggeration and seeing things as they are.

2017 marks the centenary year of the establishment of Imperial War Museums. It was founded while the First World War was still raging - and over the past century, IWM has expanded hugely (with five sites including the Churchill War Rooms and HMS Belfast). 　　This programme shares stories of those who have lived, fought and died in conflicts involving Britain and the Commonwealth. 　　Presented by Falklands veteran and charity campaigner Simon Weston CBE, it will look at ten key objects from the IWM's collection. Each of the objects will have a special 'advocate' to explore what it reveals about the story of conflict: 　　Bear Grylls ventures onto HMS Belfast; Al Murray looks at a Spitfire at Duxford; the artists Cornelia Parker and Steve McQueen discuss how they have responded to war and loss in their work; Kate Adie (pictured) tells the remarkable tale of the typewriter in the Churchill War Rooms; Dame Kelly Holmes meets the extraordinary Johnson Beharry VC to hear about his experiences in the Iraq War; and Anita Rani explores the incredible heroism of one soldier in the British-Indian Army.

2017 marks the centenary year of the establishment of Imperial War Museums. It was founded while the First World War was still raging - and over the past century, IWM has expanded hugely (with five sites including the Churchill War Rooms and HMS Belfast). 　　This programme shares stories of those who have lived, fought and died in conflicts involving Britain and the Commonwealth. 　　Presented by Falklands veteran and charity campaigner Simon Weston CBE, it will look at ten key objects from the IWM's collection. Each of the objects will have a special 'advocate' to explore what it reveals about the story of conflict: 　　Bear Grylls ventures onto HMS Belfast; Al Murray looks at a Spitfire at Duxford; the artists Cornelia Parker and Steve McQueen discuss how they have responded to war and loss in their work; Kate Adie (pictured) tells the remarkable tale of the typewriter in the Churchill War Rooms; Dame Kelly Holmes meets the extraordinary Johnson Beharry VC to hear about his experiences in the Iraq War; and Anita Rani explores the incredible heroism of one soldier in the British-Indian Army.