Opulent cinematic journey through one of the most beautiful countries in the world. From the snowy icy world of the high mountains with theirs mighty glaciers, thunderous waterfalls and raging mountain streams, through the last primeval forests to the warm steppe lake, this documentary follows the trail of water - the element that has shaped the diverse nature of this country like no other. Water is not only the basis of all life, it has also given Austria some of Europe's most spectacular natural wonders. In deep forests ducklings jump from tall trees to learn how to swim, in inaccessible gorges a prototype of trout has survived, and in raging wild rivers, the world's oldest vertebrate has survived for millions of years. All this is captured in intoxicating images that make the nature and wildlife for the audience at home up close to the experience.

The latest VBW in-house production I AM FROM AUSTRIA has evolved to a brilliant public success since the premiere last September at the Raimund Theater. Over 20 hits by Rainhard Fendrich such as "Macho Macho", "Es lebe der Sport", "Strada del Sole" and of course the title song "I Am From Austria" have been spun together by an original plot telling the story of an internationally successful Austrian film star, who returns to Vienna to attend the famous annual Opera Ball. A magnificent set, thrilling choreographies and dazzling costumes take you behind the scenes of a Viennese luxury hotel - chaos, kisses and catastrophes included. Let yourself be inspired by the turbulent story of love, friendship and family and look forward to a spectacular musical evening full of romance, surprises and hilarious situation comedy.

The latest VBW in-house production I AM FROM AUSTRIA has evolved to a brilliant public success since the premiere last September at the Raimund Theater. Over 20 hits by Rainhard Fendrich such as "Macho Macho", "Es lebe der Sport", "Strada del Sole" and of course the title song "I Am From Austria" have been spun together by an original plot telling the story of an internationally successful Austrian film star, who returns to Vienna to attend the famous annual Opera Ball. A magnificent set, thrilling choreographies and dazzling costumes take you behind the scenes of a Viennese luxury hotel - chaos, kisses and catastrophes included. Let yourself be inspired by the turbulent story of love, friendship and family and look forward to a spectacular musical evening full of romance, surprises and hilarious situation comedy.

LEGEND PICTURES

女孩沈蕞从小被母亲灌输了“逆来顺受”的处世观。直到小学的最后一个学期，面对班主任的肢体骚扰和精神控制，以及好朋友的误解和排斥，埋藏在沈蕞内心深处的反抗意识终于在一个午后爆发。

女孩沈蕞从小被母亲灌输了“逆来顺受”的处世观。直到小学的最后一个学期，面对班主任的肢体骚扰和精神控制，以及好朋友的误解和排斥，埋藏在沈蕞内心深处的反抗意识终于在一个午后爆发。

国军某小队占领一高地，因对外通讯中断处于孤立状态。这时，附近某部落的一个老人为小队成员提供了食物和帮助。国军小队利用人海战术击退了包围上来的敌…

意大利名导Giovanni Pastrone与西班牙名导Segundo de Chomón合作的一部巨作。

Horrified by the cruelty of the Turkish society, a beautiful French schoolgirl, sold into white slavery, seizes power within her sultan's kingdom when he is killed. She implements changes to form a more civilized society and leaves her eternal mark before her death. Based on the true story of Aimee Dubucq De Rivery. 　　艾梅.杜贝克.德.薇茜，一个美丽高难度傲的法国姑娘，被作为白人奴隶卖到土耳其。被当时东方最强大的人—土耳其王国稣丹选中，年迈的稣丹无药可救地爱上了这们美丽固执的法国姑娘。艾梅亲眼目睹了土耳其的残暴陋习，被土耳其宫廷的相互倾扎深深震憾。她的纯洁天真一点一点被磨掉，她怀了稣丹的儿子后，老稣丹在一次起义中被杀害，整个国家一片混乱，当新的的稣丹继承王位后，艾梅适时地把握机会，夺得权力，她进行了一系列改革，在历史上留下深远的影响。 　　http://www.tianya.cn/publicforum/Content/filmtv/1/81184.shtml

Filmed in two versions 　　In Europe, quite a few pornographic films from the early 1980s were shot in two versions, hard and soft - partly because the industry wasn't sure where things were heading and partly to keep their feet in two rather separated markets. This film is an example for that. 　　Sadly, it is also an example that shows the fundamental problems of this approach. The soft version suffers from an unprofessional cast that can't act and an over-reliance on sex scenes: it is not wall-to-wall, but comes uncomfortably close, interrupting the narrative and ultimately failing to pick it up again. The hard version enjoys production values modern porn makers can only dream about, but the photography of the coital scenes is unimaginative and rather anonymous, making one wonder how often body doubles were engaged. The smutty dialogue has also badly aged: its novelty value is lost, revealing so much clearer its unsuitability for the historical context in question.