很久以前，有人勇敢地进入了寒冷得辣椒都不会变红的山中，开拓了一个村庄，这就是古屋敷村。在明治时代中叶，他们早早开始了养蚕，并使之兴隆。山上，白云缭绕中矗立着一个接一个的炭窑。可是，原来十八户的人家，现在只剩下了八户。烧炭人也只剩下了一个。年轻人都到城里工作去了，白天，这里只剩下了老年人。这部电影是从1980年古屋敷村所遭受的寒流和稻子开始的。

很久以前，有人勇敢地进入了寒冷得辣椒都不会变红的山中，开拓了一个村庄，这就是古屋敷村。在明治时代中叶，他们早早开始了养蚕，并使之兴隆。山上，白云缭绕中矗立着一个接一个的炭窑。可是，原来十八户的人家，现在只剩下了八户。烧炭人也只剩下了一个。年轻人都到城里工作去了，白天，这里只剩下了老年人。这部电影是从1980年古屋敷村所遭受的寒流和稻子开始的。

大坂府泉南地区，明治末年开始发展成石棉重镇，战后更是石棉工厂林立。2005 年「久保田震撼」令日本民众意识到石棉问题严峻，不只石棉工人罹患致命肺病比率超高，连员工家属及工厂周边居民亦深受其害。政府早知石棉危险，却以经济发展为先，对致病风险视若无睹。泉南受害民众决定控告政 府，原一男以三个半小时篇幅，把个桉数字还原为一个个有血有肉的人，都有喜怒哀乐，有人以抱病之躯坚持诉讼，有人等不到裁决已病逝。民众代表柚冈一祯没有《祭军魂》的奥崎谦三那麽激进，但同样是愤怒的行动派，上书首相府，誓要有关官员对石棉祸害承担责任。

大坂府泉南地区，明治末年开始发展成石棉重镇，战后更是石棉工厂林立。2005 年「久保田震撼」令日本民众意识到石棉问题严峻，不只石棉工人罹患致命肺病比率超高，连员工家属及工厂周边居民亦深受其害。政府早知石棉危险，却以经济发展为先，对致病风险视若无睹。泉南受害民众决定控告政 府，原一男以三个半小时篇幅，把个桉数字还原为一个个有血有肉的人，都有喜怒哀乐，有人以抱病之躯坚持诉讼，有人等不到裁决已病逝。民众代表柚冈一祯没有《祭军魂》的奥崎谦三那麽激进，但同样是愤怒的行动派，上书首相府，誓要有关官员对石棉祸害承担责任。

在平行世界的日本，铁道国有化根深蒂固。就读于桐生铁道高中的高山直人（福山润 配音）梦想进入国铁担任火车司机，从此过上安安稳稳的生活。为此他进入学生铁道OJT参加培训，并在此结识了性格过激的暴力女樱井葵（沼仓爱美 配音）和头脑简单四肢发达的岩泉翔（日野聪 配音）等人。好不容易通过了OJT的测试，结果直人他们却被分配到了东京中央铁路公安室第四警戒班。原来国铁长期赤字，许多地方线路长期废弃。为此有很多组织以极端的手段要求国家将铁路实现民营化，于是铁道公安队应运而生。直人他们成为铁路上不可或缺的重要存在…… 　　本片根据丰田巧的轻小说改编。

在平行世界的日本，铁道国有化根深蒂固。就读于桐生铁道高中的高山直人（福山润 配音）梦想进入国铁担任火车司机，从此过上安安稳稳的生活。为此他进入学生铁道OJT参加培训，并在此结识了性格过激的暴力女樱井葵（沼仓爱美 配音）和头脑简单四肢发达的岩泉翔（日野聪 配音）等人。好不容易通过了OJT的测试，结果直人他们却被分配到了东京中央铁路公安室第四警戒班。原来国铁长期赤字，许多地方线路长期废弃。为此有很多组织以极端的手段要求国家将铁路实现民营化，于是铁道公安队应运而生。直人他们成为铁路上不可或缺的重要存在…… 　　本片根据丰田巧的轻小说改编。

以国铁没有民营化的另一个日本为舞台，描写梦幻的铁道天国娱乐故事！梦想着就职于超巨大优良企业“国铁”，而获得安定未来的平凡高中生高山直人。终于成为国铁实习生后却发现，自己所在的是以讨厌男人的樱井为首，满是奇怪家伙的“铁道公安队”，而且每天对企图铁路民营化的过激派“RJ”的阴谋诡计应接不暇。高山直人便与同为研修生的同伴岩泉翔、樱井爱生、小海春鹿合力解决各种各样的事件。

http://www.newsongfilmproject.org/ 　　The Power of Their Song is a 90-minute documentary film (currently in production) about beloved, Latin American folk-based musicians, most notably Victor Jara, who sang moving songs of freedom during times of dictatorship. 　　Their powerful songs, composed largely during the 1960's and 1970's, blend beautiful, and at times haunting, melodies with passionate and poetic lyrics expressing the hopes and fears of a generation of Latin Americans. 　　Known as Nueva Cancion, or New Song, this tradition of rural, folkloric music has continued to evolve, absorbing many different regional influences and taking on new creative forms. Well-known musicians from around the world have covered some songs in the tradition. 　　Using interviews to be filmed across South and Central America, the film will document the remaining major artists of this period, including: Roy Brown of Puerto Rico, Daniel Viglietti of Uruguay, Silvio Rodriguez of Cuba, Leon Gieco and Mercedes Sosa of Argentina, Chico Buarque of Brazil, Gabino Palomares of Mexico, as well as musicians from Venezuela, Nicaragua and other Latin American countries.

http://www.newsongfilmproject.org/ 　　The Power of Their Song is a 90-minute documentary film (currently in production) about beloved, Latin American folk-based musicians, most notably Victor Jara, who sang moving songs of freedom during times of dictatorship. 　　Their powerful songs, composed largely during the 1960's and 1970's, blend beautiful, and at times haunting, melodies with passionate and poetic lyrics expressing the hopes and fears of a generation of Latin Americans. 　　Known as Nueva Cancion, or New Song, this tradition of rural, folkloric music has continued to evolve, absorbing many different regional influences and taking on new creative forms. Well-known musicians from around the world have covered some songs in the tradition. 　　Using interviews to be filmed across South and Central America, the film will document the remaining major artists of this period, including: Roy Brown of Puerto Rico, Daniel Viglietti of Uruguay, Silvio Rodriguez of Cuba, Leon Gieco and Mercedes Sosa of Argentina, Chico Buarque of Brazil, Gabino Palomares of Mexico, as well as musicians from Venezuela, Nicaragua and other Latin American countries.

Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional brazilian music of that time.