中央新闻纪录电影制片厂摄制

周蓦是来自单亲家庭的三年级男孩，父亲嗜酒，家境困窘。他虽然成绩优异，但沉默寡言，在班里没有什么朋友。新转学来的男孩张明戈，与周蓦正好相反，他来自物质优渥的家庭，性格爽朗大方，很受同学的追捧。但由于贪玩，所以张明戈成绩一向差劲。在一次重新排位中，两人成为同桌。

中央新闻纪录电影制片厂1961年摄制。编辑李堃，摄影陈锦俶、孟海峰。1961年2月13日，周恩来总理接见了正在我国访问的苏联朋友，并且同他们进行了亲切的谈话。首都各界人民在人民大会堂举行盛大集会，热烈庆祝中苏两国人民的伟大节日——中苏友好同盟互助条约签订十一周年。

中央新闻纪录电影制片厂摄制

中央新闻纪录电影制片厂摄制

Entente Cordiale intends to illustrate colonisation as a human phenomenon in an explicit manner as well as in a metaphoric sense without suggesting simplified accusations or political propositions. It will not be a historical film since colonisation as well as slave trade are still happening today - in a modified way, a more industrial, massive and more global fashion than a hundred years ago.

朝鲜战争期间，我志愿军侦察兵在完成“抓舌头”任务的归途中，碰到一群美国兵正在鞭打被捕的朝鲜妇女，侦察兵们把她们救了回来。其中，一个叫金顺玉的怀孕朝鲜妇女，被美军打成重伤，已经濒临死亡。为了抢救她，志愿军女医生李芝华和护士小兰冒着危险，越过炮火封锁线，来到前沿。经志愿军战士为她献血和医生的抢救，金顺玉转危为安，孩子也生了下来。金顺玉为了感谢志愿军，给孩子起名“友谊”。

即将面临大考的高中女生，在挣扎于学习态度的同时，发现自己的好友“叛变”了。

Mr. Gupta passes away after an accident while on duty, leaving behind his ailing wife and school-going son, Ramnath. Both await for some compensation, and when they are informed that the company does not accept liability for Gupta's death, his wife falls down the stairs. and passes out. When Ramnath goes to fetch a doctor, he is knocked down and run over by a speeding car, losing the use of his left leg. When he returns from hospital, he finds that his mom has passed away, and his landlord has evicted him. Penniless and hungry, he roams the streets of Bombay and befriends a blind young man, Mohan, and both use their talents - playing and harmonica and singing respectively to earn some money. Mohan is on the look-out for his sister, Meena, who works as a Nurse in one of the hospitals and hopes to be reunited with her. Both friends befriend a ailing young girl, Manjula, and hope to get some money from her so that Ramnath can attend school.

Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows : The merchant Yquem buys his dear wife a beautiful jewel with matching earnings in a place where the city's underworld trades in fake and stolen jewelry. By chance, Yquem spots a man with whom his wife had an affair in the past. Yquem follows him to a hotel where he will write him a letter imitating his wife's hand writing. The letter invites the man to a public place where Yquem can spy on them and try to discover whether there is still something between them. This early Fritz Lang film, "Vier Um Die Frau" (Four Around a Woman) was found by chance some years ago at the "Cinemateca De Sâo Paulo", a great present for the German aristocracy and even for the longhaired moviegoers, because it prefigures much of "Dr. Mabuse", (corruption in the upper class-a very habitual practice-unscrupulous upstarts, blackmail, low class criminals, social tension.) and in the opinion of this German aristocrat, provides one of the most outstanding titles of Lang's first period. This film has excellent editing that gives vigour, speed and emotion to a story of an underworld rife with treachery and betrayal as well as a complex tale of unrequited love. The film builds to a crescendo of narrative strength that reminds one of episodes of "Die Spinnen" made by Herr Lang a year before. The acting is exceptional and the performers resist the temptation to overacting that might be expected in such melodrama. As the heroine, Carola Toelle is especially good and admirably conveys the doubts, secret desires and frustration that her character suffers. An excellent counterpoint is provided the character of her friend and confidant, a perfect vamp, who provides bad advice and is without scruples, quick to use flirting to build up her social position... Rudolf Klein-Rogge has to be mentioned, as his performance makes one recall the exceptional character Dr Mabuse, that he will immortalise two years later. The excellent main actors are given equally good support in the minor roles. It is worth mentioning as well the great photography of Otto Kanturek and the film production by Ernst Meiwers and Hans Jacoby. The importance of "Decla-Bioscop"'can be seen in the first rate production values that are so abundant in the film (great manors, hotel lobbies, the stock exchange, etc) and on the other hand the realistic depiction of less auspicious surroundings: ragged and wretched slums streets filled with the kind of characters you might expect in such places. A minor point but also a real curiosity is the inclusion of a poster for another "Decla Bioscop" production that can be glimpsed in a theater lobby.