The Rise of Valhalla is a zombie film which takes place in the last days of the Third Reich. 　　The SS has opened the door to Valhalla by order of Himmler, with the help of supernatural forces and black magic. Even before the advancing resistance fighters can understand what happened, they face the danger of another world: ZOMBIE Vikings 　　It happened then or so. This story is largely based on true events. 　　Germany April 1945 Near the Hessian border 　　The Third U.S. Army is only 20km away and is involved in fierce fighting with associations of the German "Waffen-SS". In the forests reigns the German resistance. 　　A small group of German resistance fighters follows the trail of a Waffen-SS Soldier through the woods to the Hessian border since days. After days without food the trail leads the soldiers to the foot of the hill called "Hüssenberg". 　　But instead of finding the persecutee the soldiers discover a place of horror. In the middle of the mountain there is a small German base. Certainly there is ...

The Rise of Valhalla is a zombie film which takes place in the last days of the Third Reich. 　　The SS has opened the door to Valhalla by order of Himmler, with the help of supernatural forces and black magic. Even before the advancing resistance fighters can understand what happened, they face the danger of another world: ZOMBIE Vikings 　　It happened then or so. This story is largely based on true events. 　　Germany April 1945 Near the Hessian border 　　The Third U.S. Army is only 20km away and is involved in fierce fighting with associations of the German "Waffen-SS". In the forests reigns the German resistance. 　　A small group of German resistance fighters follows the trail of a Waffen-SS Soldier through the woods to the Hessian border since days. After days without food the trail leads the soldiers to the foot of the hill called "Hüssenberg". 　　But instead of finding the persecutee the soldiers discover a place of horror. In the middle of the mountain there is a small German base. Certainly there is ...

上一季悟空在引路人的指引下渡过遗忘之桥，即将转世重生，另一边的西行小队面对蜂拥而至的小妖，白狼释放出龙魂与兽魂守护着身后的小羽，他凭借强大的力量暂时抵御了小妖的进攻。

上一季悟空在引路人的指引下渡过遗忘之桥，即将转世重生，另一边的西行小队面对蜂拥而至的小妖，白狼释放出龙魂与兽魂守护着身后的小羽，他凭借强大的力量暂时抵御了小妖的进攻。

《奇妙物语之重生电梯》讲述转校生李童（曹佑宁饰）因帮助被欺负的同学刘星夜（郑家伦饰）而遭到校霸薛小猫（王宥钧饰）记恨，和刘星夜一起成为被校…

Set in a war-torn land where tribal factions live in fear of annihilation, the film tells the story of a deadly warrior leading a destructive war campaign. When he is betrayed by his own and left for dead, he is healed by a mysterious princess and taken in by a hidden tribe that believes he was chosen to wage a final battle.

男主角阿宝经历重生后的故事。阿宝前世导致家庭破碎，女儿失踪，妻子自尽。重生后，他决心改过自新、利用前世记忆赚钱建厂，弥补家人，特别是对妻子汪明珠和女儿晓晓非常疼爱。

男主角阿宝经历重生后的故事。阿宝前世导致家庭破碎，女儿失踪，妻子自尽。重生后，他决心改过自新、利用前世记忆赚钱建厂，弥补家人，特别是对妻子汪明珠和女儿晓晓非常疼爱。

林肯总统签署的最后一项法案授权将联合太平洋铁路穿过荒原推向加利福尼亚。但金融投机家阿萨-巴罗斯（Asa Barrows）希望通过阻挠这条铁路获利。首席故障排除专家杰夫-巴特勒（Jeff Butler）手忙脚乱地与巴罗斯的代理人、赌徒希德-坎普（Sid Campeau）斗智斗勇；坎普的合伙人迪克-艾伦（Dick Allen）是杰夫的战友，也是工程师女儿莫莉-莫纳汉（Molly Monahan）的情敌追求者。谁能在不惜一切代价推动铁路贯通的努力中幸存下来？

In the first scene, two men stand outside of a car, waiting for the air conditioner to cool down the vehicle. As one puts on some house music using the car’s CD player, their silence is broken into a state of indescribable feelings. In the second scene, shot on Super 8 film, a person tries to recount a story as he spins a pen around in his hands. As he narrates the story which he cannot fully remember, he ponders this unusual amnesia. In the third scene, also filmed on Super 8, focuses on two pairs of hands cutting each other’s nails, the caring yet sensitive gesture were echoed by the intertitles. The fourth scene features a woman standing in a forest putting tiger balm on her body. And in the last scene, two people are playing cat's cradles, while two voices exchanges stories of inexplicable gestural encounters with other queer bodies. 　　Improvised with a non-white cast, and prominently featuring queer and Asian bodies, these fragmented memories, uneasy gossip, and moments of silence, center on one key question: When the idea of an individual subject cannot take form, how might we reconsider being visible, audible, or legible?