Shadowed by a strict, military father who inflicts severe methods of punishment as a form of discipline, seventeen year old Ariella commits a grave error that her father isn’t willing to punish her for. Seeking a punishment of her own, Ariella embarks on a dark quest where she will discover a secret to her father’s past that will lead them to confront one another.

一个谋杀犯逍遥法外：一位衣冠楚楚的商人囚禁着几名受害者，把他们锁起来，不提供任何食物，并且记录下他们死在自己的排泄物中的过程；同时，在城市的另一端，一位女性在妓院工作。这两条故事线在电影中被一个共同的主题所联系起来：女人们的苦难是男人愉悦的基础。 　　A murderer is at large: a well-dressed businessman who incarcerates his victims, chains and starves them, and documents their death amid their filth with instamatic snaps. Meanwhile, in another part of town, a woman joins a brothel. These two simple strands of plot come together within the film, and are united by a single theme: that women's suffering is basic to man's pleasure.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

一个谋杀犯逍遥法外：一位衣冠楚楚的商人囚禁着几名受害者，把他们锁起来，不提供任何食物，并且记录下他们死在自己的排泄物中的过程；同时，在城市的另一端，一位女性在妓院工作。这两条故事线在电影中被一个共同的主题所联系起来：女人们的苦难是男人愉悦的基础。 　　A murderer is at large: a well-dressed businessman who incarcerates his victims, chains and starves them, and documents their death amid their filth with instamatic snaps. Meanwhile, in another part of town, a woman joins a brothel. These two simple strands of plot come together within the film, and are united by a single theme: that women's suffering is basic to man's pleasure.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

Shadowed by a strict, military father who inflicts severe methods of punishment as a form of discipline, seventeen year old Ariella commits a grave error that her father isn’t willing to punish her for. Seeking a punishment of her own, Ariella embarks on a dark quest where she will discover a secret to her father’s past that will lead them to confront one another.

Entente Cordiale intends to illustrate colonisation as a human phenomenon in an explicit manner as well as in a metaphoric sense without suggesting simplified accusations or political propositions. It will not be a historical film since colonisation as well as slave trade are still happening today - in a modified way, a more industrial, massive and more global fashion than a hundred years ago.

Entente Cordiale intends to illustrate colonisation as a human phenomenon in an explicit manner as well as in a metaphoric sense without suggesting simplified accusations or political propositions. It will not be a historical film since colonisation as well as slave trade are still happening today - in a modified way, a more industrial, massive and more global fashion than a hundred years ago.

“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)

即将面临大考的高中女生，在挣扎于学习态度的同时，发现自己的好友“叛变”了。