十五岁的加博，表面过着平凡简单的青少年生活，背后却隐藏着不可告人的秘密—-他恋上好友的弟弟，而弟弟只有八岁！他在网上论坛寻求建议，试图抑制恋童欲望，因而结识了恋少年经验丰富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方调查，加博终于不得不面对一场自我审问：他到底是受害人，还是施害者？改编自真实事件，来自德国的史蒂夫.巴赫大胆直面禁忌话题，以敏锐成熟的笔触，探问生活与社会规范怎样塑造了今时今日的我们。

Without a doubt not your ordinary coming-of-age film that will leave no one indifferent. 　　Fifteen-year-old Gabo seems like a regular teenager who goes to school, plays video games with his best friend and does other things a normal teenager would do – except he’s not. He has tendencies he knows to be wrong, but cannot control. 　　He befriends Dave, a much older man with his own fantasies. Lines soon start to blur between a trusting friendship and being groomed. Once Dave is arrested on suspicion of statutory rape, Gabo must suddenly decide whether to testify against his mentor with the risk of exposing his own secret. 　　Director Steve Bache’s debut is not your ordinary coming-of-age film, confronting taboo subjects that will shake the viewer to the core, asking questions about what we are born as and what life can turn us into.

Following the mysterious disappearance of the landlord, H begins researching.

Following the mysterious disappearance of the landlord, H begins researching.

房东攻略

王潇洒意外获得异能，成为医馆医生。四位美女病号接踵而至：女警藏弹片、总裁患脑瘤、爱豆遭寄生、法医被下蛊。他以异能治病，却卷入邪门阴谋，鼻血横飞中解锁传承，开启惊险救治与揭秘之旅！王潇洒意外获得异能，成为医馆医生。四位美女病号接踵而至：女警藏弹片、总裁患脑瘤、爱豆遭寄生、法医被下蛊。他以异能治病，却卷入邪门阴谋，鼻血横飞中解锁传承，开启惊险救治与揭秘之旅！

To fully appreciate The More the Merrier, it is important to know that, during WW2, there was an acute housing shortage in Washington DC. This is why elderly Benjamin Dingle (Charles Coburn) is obliged to share a tiny DC apartment with pretty Connie Milligan (Jean Arthur) and handsome Joe Carter (Joel McCrea). After nearly two reels of misunderstandings, the trio becomes accustomed to their curious living arrangement. Joe takes a platonic liking to Connie, but she's engaged to stuffy bureaucrat Charles J. Pendergast (Richard Gaines). Sizing up the situation, foxy Benjamin contrives to bring Connie and Joe together, in spite of themselves. Things get dicey when Joe endeavors to complete a top-secret mission for the Air Force, which leads to all sorts of comic complications and misguided remonstrations. Throughout the film, director George Stevens and the four-man screenwriting staff deliberately tweak the noses of the Hays Office, getting by with any number of censorable offenses by deftly and tastefully sidestepping the obvious. Especially potent is the scene in which Joe tries to seduce Connie by talking about everything except seduction: it's also fun to watch Dingle robustly repeat the word "Damn" over and over, getting away with this breach of censorship because he's quoting Admiral "Damn the Torpedoes" Farragut. An Academy Award went to Charles Coburn, while nominations were bestowed upon Jean Arthur, Joel McCrea, George Stevens, the screenwriters, and the film itself. The More the Merrier was remade in 1966 as Walk Don't Run, with Cary Grant, Jim Hutton and Samantha Eggar.

With their follower count dwindling, travel vloggers Teddy and Claire pivot to creating viral content around their most recent "superhost," Rebecca, who wants more from the duo than a great review.

With their follower count dwindling, travel vloggers Teddy and Claire pivot to creating viral content around their most recent "superhost," Rebecca, who wants more from the duo than a great review.

To fully appreciate The More the Merrier, it is important to know that, during WW2, there was an acute housing shortage in Washington DC. This is why elderly Benjamin Dingle (Charles Coburn) is obliged to share a tiny DC apartment with pretty Connie Milligan (Jean Arthur) and handsome Joe Carter (Joel McCrea). After nearly two reels of misunderstandings, the trio becomes accustomed to their curious living arrangement. Joe takes a platonic liking to Connie, but she's engaged to stuffy bureaucrat Charles J. Pendergast (Richard Gaines). Sizing up the situation, foxy Benjamin contrives to bring Connie and Joe together, in spite of themselves. Things get dicey when Joe endeavors to complete a top-secret mission for the Air Force, which leads to all sorts of comic complications and misguided remonstrations. Throughout the film, director George Stevens and the four-man screenwriting staff deliberately tweak the noses of the Hays Office, getting by with any number of censorable offenses by deftly and tastefully sidestepping the obvious. Especially potent is the scene in which Joe tries to seduce Connie by talking about everything except seduction: it's also fun to watch Dingle robustly repeat the word "Damn" over and over, getting away with this breach of censorship because he's quoting Admiral "Damn the Torpedoes" Farragut. An Academy Award went to Charles Coburn, while nominations were bestowed upon Jean Arthur, Joel McCrea, George Stevens, the screenwriters, and the film itself. The More the Merrier was remade in 1966 as Walk Don't Run, with Cary Grant, Jim Hutton and Samantha Eggar.