A bite-sized star punch exercise in direct animation with colored acetate.

A bite-sized star punch exercise in direct animation with colored acetate.

以“中国故事，国际表达”为出发点，旨在“立足中国大地，讲好中华文明故事”，全片围绕由安徽省文物考古研究所和故宫博物院考古研究所联合组成的明中都考古队展开叙事，穿越历史重重迷雾，探索这座恢宏都城营建背后的秘密，通过比较凤阳、南京、北京的皇家建筑特征，讲述中国古代都城建筑背后不为人知的故事。

以“中国故事，国际表达”为出发点，旨在“立足中国大地，讲好中华文明故事”，全片围绕由安徽省文物考古研究所和故宫博物院考古研究所联合组成的明中都考古队展开叙事，穿越历史重重迷雾，探索这座恢宏都城营建背后的秘密，通过比较凤阳、南京、北京的皇家建筑特征，讲述中国古代都城建筑背后不为人知的故事。

No mere viral cat video can compare with the feline-centric poignancy of Lasse Linder's astonishingly intimate study of one man's ardent longing to expand his multi-species household.

该剧是通过写“离别”，呈现出既是离别又可以理解为是爱的夹杂着酸甜苦辣的离别故事。

Conceived by Bertolt Brecht at the political and artistic watershed of the waning Weimar Republic, Kuhle Wampe is remarkable for its enduring sense of immediacy and accessibility. 　　At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossessed. Exquisitely photographed by Gunther Krampf, this 'semi documentary' combines inspired montage sequences with intimate realist and comic senses of Anni's family life. The film's dynamic score is by its composer Hanns Eisler. 　　The only communist film to come out of Weimar Germany, Kuhle Wampe was swiftly banned on Hitler's rise to power in 1933. 　　The film is followed by a video essay by freelance writer, former film critic and teacher Andrew Hoellering, the son of Kuhle Wampe producer Georg Hoellering. German dialogue.

Conceived by Bertolt Brecht at the political and artistic watershed of the waning Weimar Republic, Kuhle Wampe is remarkable for its enduring sense of immediacy and accessibility. 　　At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossessed. Exquisitely photographed by Gunther Krampf, this 'semi documentary' combines inspired montage sequences with intimate realist and comic senses of Anni's family life. The film's dynamic score is by its composer Hanns Eisler. 　　The only communist film to come out of Weimar Germany, Kuhle Wampe was swiftly banned on Hitler's rise to power in 1933. 　　The film is followed by a video essay by freelance writer, former film critic and teacher Andrew Hoellering, the son of Kuhle Wampe producer Georg Hoellering. German dialogue.

《手中的风筝线》的创作灵感来自导演的童年记忆，故事以接到促使父母复婚任务的小学生周小同的视角展开，试图将家庭碎片完整拼凑，同时完成了他自己的属于一个少年的叛逆与成长。

《手中的风筝线》的创作灵感来自导演的童年记忆，故事以接到促使父母复婚任务的小学生周小同的视角展开，试图将家庭碎片完整拼凑，同时完成了他自己的属于一个少年的叛逆与成长。