This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

将军府嫡女姜舒窈苦追太子十载，痴心错付终遭背叛。她与同被太子舍弃的谢惊寒缔结盟约，以一场惊天大婚上演复仇大戏，狠狠回击前任。谁知戏假情真，朝夕相处间情愫渐生，更意外揭开当年冰湖舍身救她的并非太子，而是默默守护了她十年的谢惊寒。

女高中生橘濑户香(土屋太凤饰)受哥哥遥(片寄凉太饰)的溺爱，遥因知道和妹妹没有血缘关系而内心动摇，之后决定把秘密深藏内心，守护在妹妹身边。然而橘濑户香与初恋情人芹川高岭(千叶雄大饰)的重逢，二人感情急速升温。

平凡的高中二年级女生橘濑户花（土屋太凤 饰）有一个非常疼爱她的哥哥橘遥（片寄凉太 饰）。濑户花一直以来都暗恋着剑道部的铃木君（神尾枫珠 饰），终于，她选择不再将这份纯真的感情埋藏在心底。然而，濑户花的告白却换来了对方的拒绝，这让濑户花百思不得其解。在后者的不断追问下，铃木君终于道出了实情，这背后的罪魁祸首竟然是遥。 　　某日，濑户花的初恋对象芹川高岭（千叶雄大 饰）突然出现在了她的身边，与此同时，温柔的前辈美丘千秋（草川拓弥 饰）和帅气的英语老师矢高北斗（井上裕介饰）都向濑户花展现出了好感。濑户花并不知道的是哥哥对自己的强烈占有欲，以及他们并没有血缘关系的这一事实。

What happens when two gay men in a disintegrating relationship leave the big city to spend some time alone, together in nature? Is it possible for nature to reveal the truth, their true essence and help them to change? Can these two wounded men; traumatised, hurt, lost and desperate on a remote beach find a way back to innocence? Is there a way back to reality, back to love? Their relationship was formed against fear and loneliness. They fell in love, but they can't handle love. They've both made mistakes, poisoning their relationship through secrets and lies. They suffer when together, but they can't be apart. Life in the big city hasn't been letting them breathe, think or feel - creating constant and never-ending problems. Are they both ready for the next step?