北京同一首歌投资管理有限公司和东南卫视联合打造的大型青春访谈节目《致青春》。

自喻为“玉面小飞龙”的郑微，怀着对邻家哥哥林静的爱意考入大学。当她联系林静的时候，却发现林静不告而别，匆匆出国留学。生性豁达的她与同宿舍女生之间结下了深厚的友谊，并开始享受着大学时代的快乐生活，直到她意外爱上了学长陈孝正。而刻板敏感自尊的陈孝正却在毕业之际又选择了出国留学。几年后，林静和陈孝正先后归来再次走进郑微的生活，而美丽动人的好友阮莞意外离世，促使 郑微重新思考自己的人生道路。在经历了与陈孝正跌宕起伏的爱和林静的细心呵护之后，郑微明白了什么才是平凡的幸福，并最终选择了更加成熟阳光的生活。

《致我们终将逝去的青春》是根据辛夷坞同名小说改编，由华视娱乐投资集团股份有限公司、慈文传媒东阳紫风影视制作有限公司等联合出品的电视剧，由杨文军执导，陈瑶、杨玏、张丹峰、马可、蔡文静、董春辉、夏天、徐悦、苗驰、郭鹏等联袂主演。

取材于元杂剧《赵氏孤儿》。 　　这个故事发生在两千四百多年前春秋时代的晋国。那一年,年轻而阴鸷冷酷的晋公亲政,为了从功勋彪炳而又刚愎专横的摄政老臣、中军元帅赵盾手中夺回权柄,他利用中大夫屠岸贾的政治野心,导演了一出血腥的政治阴谋。屠岸贾得到晋公的默许,于是断粮草、拒援军、遣刺客、训恶犬,一次次用尽机心,企图置赵盾于死地。而朝野上下的有识之士为了保住晋国的中流砥柱赵氏家族一个个前赴后继、赴汤蹈火、舍生忘死,义无反顾。刺客鉏麋激于大义触槐自尽,贫民周坚舍身代替赵盾之子被杀,终于,赵氏一族三百余人被满门抄斩,血流成河,只剩下赵盾的孙子,一个尚在母腹中的孤儿…… 　　《古国悲风》被美国加州大学作为教材。

取材于元杂剧《赵氏孤儿》。 　　这个故事发生在两千四百多年前春秋时代的晋国。那一年,年轻而阴鸷冷酷的晋公亲政,为了从功勋彪炳而又刚愎专横的摄政老臣、中军元帅赵盾手中夺回权柄,他利用中大夫屠岸贾的政治野心,导演了一出血腥的政治阴谋。屠岸贾得到晋公的默许,于是断粮草、拒援军、遣刺客、训恶犬,一次次用尽机心,企图置赵盾于死地。而朝野上下的有识之士为了保住晋国的中流砥柱赵氏家族一个个前赴后继、赴汤蹈火、舍生忘死,义无反顾。刺客鉏麋激于大义触槐自尽,贫民周坚舍身代替赵盾之子被杀,终于,赵氏一族三百余人被满门抄斩,血流成河,只剩下赵盾的孙子,一个尚在母腹中的孤儿…… 　　《古国悲风》被美国加州大学作为教材。

Ariel Kuaray Ortega 回到家乡探望祖父，希望认真了解一次 Canuto 的完整故事。Canuto 是村里一个变成了美洲豹的村民，最后悲惨地离世。导演决定将他神秘的故事拍成电影，并找来村民扮演了所有的角色。 　　《卡努托的变身》是一个影像合集，包含了制作花絮、关于姆比亚-瓜拉尼土著社区的纪录片，以及关于“赫波塔”（人与动物之间变身的概念）的神话故事。随着拍摄的推进，摄影团队的角色与镜头里的角色之间的界限逐渐变得模糊了起来。

Ariel Kuaray Ortega 回到家乡探望祖父，希望认真了解一次 Canuto 的完整故事。Canuto 是村里一个变成了美洲豹的村民，最后悲惨地离世。导演决定将他神秘的故事拍成电影，并找来村民扮演了所有的角色。 　　《卡努托的变身》是一个影像合集，包含了制作花絮、关于姆比亚-瓜拉尼土著社区的纪录片，以及关于“赫波塔”（人与动物之间变身的概念）的神话故事。随着拍摄的推进，摄影团队的角色与镜头里的角色之间的界限逐渐变得模糊了起来。

Ariel Kuaray Ortega 回到家乡探望祖父，希望认真了解一次 Canuto 的完整故事。Canuto 是村里一个变成了美洲豹的村民，最后悲惨地离世。导演决定将他神秘的故事拍成电影，并找来村民扮演了所有的角色。 　　《卡努托的变身》是一个影像合集，包含了制作花絮、关于姆比亚-瓜拉尼土著社区的纪录片，以及关于“赫波塔”（人与动物之间变身的概念）的神话故事。随着拍摄的推进，摄影团队的角色与镜头里的角色之间的界限逐渐变得模糊了起来。

The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisputable, only her husband's destructive envy surpasses it. And whilst she uses her talent and authorship to give a voice to the suppressed women of the time, providing them with courage to leave behind husbands and the patriarchal structures of society, Andreassen's only talent is to sell sexist tabloids to the people. Tove looks straight through her husband's inferiority complex, and yet she puts up with his humiliating behavior and his violence. He is the one who controls her drug abuse and repeated admissions to the psychiatric ward - the only place in which she truly finds peace to write. On this very day they're expecting a lunch guest, like hyenas awaiting their prey. Their power struggle needs an audience, a weak play mate they can throw around as they see fit. Who is more suited than the young, promising author Klaus R., a man who celebrates the modern woman's rebellion and the new opportunities afforded to her? Klaus R. believes they'll be talking about literature in an era that belongs to women - what he doesn't know is that a blood bath awaits him. Or does he?

The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisputable, only her husband's destructive envy surpasses it. And whilst she uses her talent and authorship to give a voice to the suppressed women of the time, providing them with courage to leave behind husbands and the patriarchal structures of society, Andreassen's only talent is to sell sexist tabloids to the people. Tove looks straight through her husband's inferiority complex, and yet she puts up with his humiliating behavior and his violence. He is the one who controls her drug abuse and repeated admissions to the psychiatric ward - the only place in which she truly finds peace to write. On this very day they're expecting a lunch guest, like hyenas awaiting their prey. Their power struggle needs an audience, a weak play mate they can throw around as they see fit. Who is more suited than the young, promising author Klaus R., a man who celebrates the modern woman's rebellion and the new opportunities afforded to her? Klaus R. believes they'll be talking about literature in an era that belongs to women - what he doesn't know is that a blood bath awaits him. Or does he?