一个名叫弗朗西斯的好小伙卷入了一系列难以置信的冒险之中：一张两百万美元的彩票、饥肠辘辘的老虎、一瓶氯仿，还有五个难缠的女人。狂热的前女友、不忠的双胞胎、异想天开的妻子、癫狂的邻居等，面对这群奇葩，弗朗西斯必须冲破层层表象才能挣脱麻烦，并且向无情的侦探证明自己的清白。投诉

Miss Paob 的小说《#ไหนเฮียบอกไม่ชอบเด็ก》（《当 Hia 说他不喜欢孩子》）正在由 MFlow Entertainment 进行改编制作，并举办了选角试镜。“Jun”和他的死对头“Sorn”相互看不顺眼，从他们的眼神中就能明显察觉。不过，自那次事件发生后，他们之间的关系有了极大的转变。

Miss Paob的小说《#ไหนเฮียบอกไม่ชอบเด็ก》/《When Hia Says He Doesn't Like Children》正在由 MFlow Entertainment 改编制作，并举行了选角试镜。 ‘Jun’和他的死敌‘Sorn’彼此都不喜欢，从他们的眼神就可以看出。然而，自从那次事件之后，他们之间的关系发生了巨大的变化。

“我执”是认知，经验，好恶，贪念，执念。 　　一切让你与其他人或生物区别开的想法,也是痛苦的根源，轮回的原因。在佛教中，主要的训练就是摆脱“我执”。

赛马俱乐部老板老苏时隔多年再次回到这片草原,此行目的是为俱乐部添置一匹极具天赋的赛马。嘎查长召集了周边许多牧民牵着各自的马来为老苏筛选，景区化商业化的趋势早让这些马失去了原有的野性，老苏把目标放在了刚来时路上一面之缘的伊德尔和黑骏马身上。询问之下，伊德尔正是曾经老对手朝鲁的儿子，老仇人见面，表面嘘寒问暖但两人都对当年的比赛耿耿于怀,朝鲁自然不愿把黑骏马让给老苏。老苏的助手大磊拉着嘎查长干起了黑勾当,面对金钱的诱惑嘎查长利用朝鲁爱喝酒的毛病，做了局,朝鲁醉酒后不出所料将黑骏马输给老苏。隔日，老苏俱乐部一行人来到朝鲁家强行带走黑骏马，醒酒的朝鲁感受到了欺骗,心底恩怨彻底爆发冲向人群中的老苏大打出手，大磊等人控制住朝鲁将赌约按在脸上，言语暴力威胁着，一边强制控制黑骏马。眼看人多势众，朝鲁挣脱束缚，拿出铁锹，走向黑骏马决心将马腿打断，此时一直被嘎查长搂在怀里的伊德尔也不再忍受，大喊黑骏马的名字，黑骏马听到呼喊高高跃起冲向伊德尔，朝鲁一锹下去打偏在了身体上。伊德尔跃步上马在黄昏下跑走。老苏见状也骑马追去，黑骏马越跑越慢，嘴角开始渗血，伊德尔看着即将追上的老苏,决定卸掉缰绳，将黑骏马放归草原。伊德尔唤醒了老苏对这片土地的情感，他撕掉赌约,和伊德尔看着黑骏马在日落下奔跑着，一声马鸣划破天空。

“我执”是认知，经验，好恶，贪念，执念。 　　一切让你与其他人或生物区别开的想法,也是痛苦的根源，轮回的原因。在佛教中，主要的训练就是摆脱“我执”。

を蔵原惟繕が監督し映画化。主演の浅丘ルリ子の100本出演記念映画として製作された。拓治は13歳の時にきよのという少女と出会った。やがて水産学校を卒業した拓治は、山できよのと再会した。きよのは平家集落の娘だったが、因習を破って拓治と結婚した。しかし拓治のもとに召集令状が届き、彼は戦地へと向かった。戦地で右脚を負傷した拓治は佐世保病院に入り、きよのの看病で回復した。拓治は漁師として働き出すが、ある日、きよのの親友である泰子の夫が戦死したと聞かされる。

顾平安来钱塘调查父亲留下的悬案，偶遇正在为缴纳“单身税”发愁的宋诗蕊，二人假扮夫妻开酒楼，在合伙创业的过程里暗生情愫，联手打赢了酒楼商战，还一举挖出了盘踞在钱塘的黑恶势力，帮顾平安父亲的旧案沉冤昭雪。

人生路上，你可否会为谁按下暂停键？这是一趟迫不得已的回乡之旅，北漂的奥利赶回家乡澳门，从小带她长大的奶奶病重，而家人各自忙碌，这让自由职业的奥利成了照顾奶奶的最佳人选。祖孙二人在幸运阁的点滴相处中重拾美好时光，然而事业的停滞让奥利倍感焦虑，似乎奶奶正在成为拖累她的原因……在爱与忍耐等复杂情绪交织下，两代人各自探寻着关于幸福的答案。

Synopsis 　　Bellmaker Seok-seung (Heo Jang-kang), whose most famous handiwork is the legendary bell of Goryeong Temple, is living out his old age at a temple with a young woman named Young-sil (Moon Jeong-suk) as his neighbor. One day, Young-sil hears about Seok-seung's past. 　　The grandson of a famous bellmaker, Seok-seung works as a servant. He promises his lover Ok-bun (Moon Jeong-suk) that he will make a bell with the most beautiful sound in the world, and when Ok-bun suddenly dies, he sets about fulfilling his promise to her. He studies bellmaking for over a decade. Wandering the country following his teacher's death, Seok-seung meets a widow (Moon Jeong-suk) and settles down with her. His grandfather had committed suicide after losing to a rival bellmaker; Seok-seung steals the bell made by the rival artisan along with his grandfather's bell and runs off with them. While he is endeavoring to create the world's finest bell, his wife dies in childbirth. Continuing his pursuit of the perfect bell, Seok-seung finally succeeds in forging the most beautiful-sounding bell in the world by melting his grandfather's bell and the rival artisan's bell together, but he loses his daughter. 　　Meanwhile, as she listens to Seok-seung's tale, Young-sil begins to wonder if he is actually her long-lost father. Growing up as an orphan, she remembers hearing that her father was also a bellmaker. At the time, Japan is fighting in the Second World War and commandeering all the iron in Korea for its military campaign. The bell at Goryeong Temple also comes under threat of seizure. Fearing for its fate, Seok-seung tries to remove the bell and hide it, but falls down a cliff in the attempt and draws his last breath in Young-sil's arms. 　　Notes 　　Alternating between present and past through Seok-seung's and Young-sil's flashbacks, The Bell Tower relies on voice-over narration by each character to tell the story of their lives. This device gives the audience the impression of listening to an old tale. The Bell Tower may well be the first major Korean film to employ a structure that combines voice-over narration with flashback sequences. As revealed in film reviews of the time, The Bell Tower affords glimpses of the considerable effort the filmmakers put into, instilling something "uniquely Korean" in its content and imagery. It is an impressive movie that unostentatiously depicts the premodern artisan's stubborn passion for his work and the realizations and regrets brought about by time. The performances of Heo Jang-kang and Moon Jeong-suk, the latter delivering an impassioned turn in three different roles, also make The Bell Tower a standout. It is the first Korean film to be made for submission to foreign film festivals.