重生末日，绑定系统，只要跟美女组成末日小队就能获得各种异能！于是，一个统帅着一百位高颜美女的队伍，在末日中横空出世，横行霸道，肆无忌惮！然而长得太帅怎么办，连女丧尸看到都想亲亲抱抱生宝宝。长得帅无法为所欲为，但是有钱真的能为所欲为。

This feature-length film, made in 1964, is set on the Austro-Hungarian front during World War One. A lieutenant who participates in the hanging of a Czech deserter is so tormented by remorse that he ends up deserting too, but he gets caught, and is sentenced to death himself.

罪を犯しているにも関わらず、法では裁かれない者を自ら裁き、刑を執行する人物＝『私刑人』の出現に、世間は騒然。麻酔銃を使って対象を狙撃する『私刑人』による刑執行に怯え、自ら真実を吐露する者、謝罪する者が続出する中、次なる標的となっていたのは、厚生労働大臣の龍岡泰邦（竹中直人）だった。 　　とあるパーティーの後、ついに龍岡に銃口が！　しかし間一髪、警護に付いていた警視庁警備部警護課の松永祐一郎（遠藤憲一）が盾になり、事なきを得る。 　　そしてその日から、『私刑人』はぱたりと姿を消した…。 　　3年後――。 　　松永は、再生不良性貧血の治療を続ける妹・琴乃（酒井美紀）とその娘・しずく（竹野谷咲）の面倒を見ながら交番勤務の警察官を続けていた。 　　そんな折、準強制性交等罪で逮捕されながら不起訴になった大学生・金山言訓（横山涼）が何者かに麻酔銃で狙撃される！ 　　現場を目撃していた『週刊エラー』の記者・吉尾恵美（内山理名）は、姿を消していた『私刑人』が活動を再開したことに驚がく。さらに「過重労働により過労死を招いた居酒屋チェーン」「パワハラで告発された大学空手部の部長」らが相次いで謝罪会見を行い、世間は『私刑人』の出現に再び騒然となる。 　　『私刑人』の標的となった金山の叔父は、民自党の議員・湖中重義（井田國彦）。3年前、同じく標的となって狙撃を受けた龍岡幹事長の派閥に属する大物だった。警察の威信にかけ、なんとしてでも『私刑人』を逮捕するべく、警視庁は庁内に『私刑人対策室』を設置。室長に就任した相馬晃弘（浅野和之）は松永を呼び戻し、『私刑人』を特定するべく捜査を開始する。 　　今や“次期総理大臣”を期待されるほどの立場になっていた龍岡。だが3年前の『私刑人』による狙撃は、ある事情から警察によってもみ消され、そのことがきっかけで、当時松永の相棒だった江崎哲平（北村有起哉）は、組織に不信感を抱いて警察を去り、タクシー運転手として再出発していた。 　　瀕死の重傷を負ったにも関わらずその事実を隠され、今再び龍岡の警護に付こうとする松永に『週刊エラー』の恵美は「私利私欲にまみれたクズのために、どうしてまた命を賭けるのか」と問いかける。実は恵美も、松永が銃弾を受けた記事を官邸からの圧力によって差し止められていたのだ。 　　『私刑人』の存在を善悪では割り切れなくなってくる恵美。しかし龍岡の身代わりとなって秘書の山葉文雄（濱津隆之）が凶弾に倒れたことで、世論は“『私刑人』憎し”へと傾いていく。 　　やがて捜査一課は『私刑人』としてある人物を逮捕。しかし納得ができない松永らが捜査を続けるうち、意外な事実が明らかになる…！

这是一部关于泰国的刽子手Chavoret Jaruboon 的传记片，讲述其从年轻玩音乐开始到进入监狱系统并逐渐成为死刑执行人的过程。 　　影片描述了一个与死亡打交道的刽子手的一生，他的心路历程，他的生命观，以及对自己的身份及生死轮回的思考。因泰国是一个佛教色彩浓重的国家，使这些哲思又上了一个层次，也使影片内容颇具东方神秘色彩。

与动画大师史云梅耶来自同一国度的捷克女导演克里斯蒂娜·杜夫科娃，以这部精彩纷呈的定格动画入围安纳西国际动画电影节“反打镜头（Contrechamp）”竞赛单元。本片改编自法国作家米卡埃尔·奥利维耶的小说，主人公12岁的本在离异家庭中长大，母亲经营一家宠物医院。热爱音乐的本还对烹饪颇有天赋，但由于过度肥胖，他不仅被校医警告，甚至还遭遇了校园霸凌。为了赢得同学克拉拉的喜爱，本决定减肥。缤纷的美食、灵动的小动物、精彩的乐队彩排……影片以丰富的细节将本的悸动、担忧、恐惧具象化，精准刻画了一个青春期少年的内心世界，完美呈现了他重新找回生活热情的心路历程，令观众感同身受。

与动画大师史云梅耶来自同一国度的捷克女导演克里斯蒂娜·杜夫科娃，以这部精彩纷呈的定格动画入围安纳西国际动画电影节“反打镜头（Contrechamp）”竞赛单元。本片改编自法国作家米卡埃尔·奥利维耶的小说，主人公12岁的本在离异家庭中长大，母亲经营一家宠物医院。热爱音乐的本还对烹饪颇有天赋，但由于过度肥胖，他不仅被校医警告，甚至还遭遇了校园霸凌。为了赢得同学克拉拉的喜爱，本决定减肥。缤纷的美食、灵动的小动物、精彩的乐队彩排……影片以丰富的细节将本的悸动、担忧、恐惧具象化，精准刻画了一个青春期少年的内心世界，完美呈现了他重新找回生活热情的心路历程，令观众感同身受。

故事的主人公原本是亚利桑那橄榄球队的明星，后来转队去了盐湖城。结果现在他不得不面对一个尴尬的局面：他原先所在的橄榄球队，与他现在所在的新队，竟然在全国锦标赛中狭路相逢。与原队友们之间的深厚情谊，让他对这场比赛左右为难，更何况他老爸还是原队的教练……

Seven people waiting for their death. A group of assasins - three men and two women - and Gypsy thief spend their time in prison to be tucked up. Within psychological realism, which encompassed the period’s predilection for existential mimicry, Martin Holly created an outstanding film, an adaptation of a story by the Russian author Leonid Andreev. Holly’s The Ballad of Seven Hanged Men (Balada o siedmich obesenych, 1968) reconstructed the fates of seven young anarchists sentenced to death for an attempted assassination. Shortly before their execution, the viewer sees seven different responses to the anxiety that each of the characters experiences. The characters, which are so very different, yet so convincing, change the viewer’s experience every second. 　　These distinctive television movies were shot on film with the participation of several film directors (Martin Holly, Stanislav Barabas, Peter Solan, Juraj Herz, Jozef Zachar) and directors of photography (Stanislav Szomolanyi, Igor Luther, Dodo Simoncic, Vincent Rosinec). Characterised by inventive camera work and stylish musical scores, they include Balada o siedmich obesenych (‘The Ballad of Seven Hanged Men’) by Martin Holly, Sladke hry minuleho leta (‘Sweet Amusements of Last Summer’) by Juraj Herz, Krotka (‘The Meek One’) by Stanislav Barabas, Dama (The Dame), a narrative creative interpretation by Ivan Balada based on the literary work of Svantner, Hornak’s adaptation of Vincent Sikula’s S Rozarkou (‘With Rozarka’), Peter Solan’s Slavny pes (‘The Famous Dog’) based on the short story by Jan Weiss, and Tapak’s Zivy bic (‘The Living Scourge’) based on the novel by Milo Urban and others. Several of these films won prizes at international television festivals. Despite the official closure of Television Film Works in 1971, the dramaturgical and creative potential unleashed there later became the foundation for the development of dramatic television work and its creative culminations in the 1970s and 1980s. (<Slovak film New Wave>) 　　http://www.kviff.com/en/history-years/2006/program/?s=219

Seven people waiting for their death. A group of assasins - three men and two women - and Gypsy thief spend their time in prison to be tucked up. Within psychological realism, which encompassed the period’s predilection for existential mimicry, Martin Holly created an outstanding film, an adaptation of a story by the Russian author Leonid Andreev. Holly’s The Ballad of Seven Hanged Men (Balada o siedmich obesenych, 1968) reconstructed the fates of seven young anarchists sentenced to death for an attempted assassination. Shortly before their execution, the viewer sees seven different responses to the anxiety that each of the characters experiences. The characters, which are so very different, yet so convincing, change the viewer’s experience every second. 　　These distinctive television movies were shot on film with the participation of several film directors (Martin Holly, Stanislav Barabas, Peter Solan, Juraj Herz, Jozef Zachar) and directors of photography (Stanislav Szomolanyi, Igor Luther, Dodo Simoncic, Vincent Rosinec). Characterised by inventive camera work and stylish musical scores, they include Balada o siedmich obesenych (‘The Ballad of Seven Hanged Men’) by Martin Holly, Sladke hry minuleho leta (‘Sweet Amusements of Last Summer’) by Juraj Herz, Krotka (‘The Meek One’) by Stanislav Barabas, Dama (The Dame), a narrative creative interpretation by Ivan Balada based on the literary work of Svantner, Hornak’s adaptation of Vincent Sikula’s S Rozarkou (‘With Rozarka’), Peter Solan’s Slavny pes (‘The Famous Dog’) based on the short story by Jan Weiss, and Tapak’s Zivy bic (‘The Living Scourge’) based on the novel by Milo Urban and others. Several of these films won prizes at international television festivals. Despite the official closure of Television Film Works in 1971, the dramaturgical and creative potential unleashed there later became the foundation for the development of dramatic television work and its creative culminations in the 1970s and 1980s. (<Slovak film New Wave>) 　　http://www.kviff.com/en/history-years/2006/program/?s=219

In WWII, Czechoslovakia split into the Slovak State and the Protectorate of Bohemia and Moravia. Former pilot Viktor Lesa works for the Slovak Railway Mail and often comes to the border town of Ludendorf, the former Czech town of Breclav. In order to impress a young female colleague, he redirects an important package. The Gestapo shows up in the town and Lesa together with a Jewish clerk, Tichacek, have to run for their lives. They ride a cargo train to Slovakia and they decide to escape to Hungary by crossing the Danube.