讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。

弗兰克（加里·勒斯培 Jalil Lespert 饰）是一位毕业于巴黎名牌大学的高才生，他回到故乡后进入了自己父亲工作的工厂进行实习。由于他的卓越才能和努力，弗兰克很快赢得了老板的赏识，被赋予了更多的责任和机会。他勇敢地面对了来自亲人和朋友的压力，专注地完成了老板交给他的一项重要调查任务。 　　然而，不久后，工厂却宣布了解雇十二名工人的通知，其中包括弗兰克的父亲。这个消息震惊了弗兰克和其他工人，他们对工厂的不公平行为感到极为愤怒和失望。弗兰克决定站出来，为自己的父亲和其他被解雇的工人争取公正。弗兰克联合了其他工人和工会，发起了一场声势浩大的罢工运动。他们组织起来，举行抗议活动，要求工厂撤销解雇通知，给予工人们应有的权益和尊严。弗兰克带领工人们以和平合理的方式表达诉求，同时也经历了许多困难和挑战。

影片深入探讨了生命的抉择与人性的复杂：故事的主角Fren，一位在职场上洞悉人6心的人力资源专业人士，却在自己的人生中面临最煎熬的考验。在她发现自己怀孕一个月时，Fren由一开始对腹中胎儿有着最真挚的爱，到慢慢思考将一个新生命带到这个纷繁复杂、充满挑战的世界，究竟是爱还是害？ 　　泰国堕胎合法的三个月期限，成了她内心挣扎的倒数计时！更令人动容的是，Fren在日复一日的面试中，接触到无数年轻人对未来的憧憬与不安。这些关于梦想、现实与挣扎的例子，不仅是她工作的一部分，更像一面面镜子，映照着她自己的困境与选择。 　　她从别人的故事中，窥见了生命的重量与无限可能，而这一切，都将引导她走向人生的关键路口。

吴昊昊采访自己电影学院各个系的同学，对自己的电影学院进行批判。 　　Haohao Wu interviewed some of the classmates in the film academy and criticized the film academy.

美国之所以富饶而强大，其渊源可追溯至数十亿年前。地球远古的力量如何造就美国今天的模样？

57 岁的失业男子亚兰·德兰波受到一个诱人职缺吸引，但当他发现自己竟是残酷企业游戏中的一颗棋子，事态开始急转直下。