Florinda Bolkan plays the daughter of a prominant English politician who keeps having recurring "nightmares" in which she makes love to a bisexual nympho who lives downstairs and conducts all-night LSD orgies. When the nocturnal wet dreams become murderous, the neighbor turns up dead, and Florinda is the main suspect. Did she actually commit the murder she dreamt about? Is she being framed by her philandering husband? Did Florinda actually make nightly visits downstairs aside from borrowing the occasional cup of sugar? How DID Florinda's letter opener end up stuck in the dead neighbor's chest anyway? The complex plot unfolds amidst red herrings, outlandish dream sequences, lesbian hanky panky, and ominous close-ups of Florinda Bolkan's guilt-ridden facial expressions every time someone mentions the murder. All this takes place in swinging late-1960's London.

网文作家赖晓光无意间进入了一个名为“上帝之手”的虚拟世界中。在这个奇幻的世界里，她变成了狼人大牛，并被卷入到了一起国宝失窃案中。为了调查真相，她不得不和羊王旺财一起踏上了旅程。

网文作家赖晓光无意间进入了一个名为“上帝之手”的虚拟世界中。在这个奇幻的世界里，她变成了狼人大牛，并被卷入到了一起国宝失窃案中。为了调查真相，她不得不和羊王旺财一起踏上了旅程。

天空万里无云，赵强在上学的路遇见了穿着黄色雨衣的小女孩雅丽。看到雅丽的瞬间赵强感觉仿佛有股电流涌上全身，巧的是他们俩竟然成为了同班同学。突然有…

雅丽（姜惠贞 饰）仅与一只蜥蜴为伴，她自称自己身上带有咒语。她一直孤立自己，直到她认识了新同桌赵强（曹承佑 饰）。这位新同学会相信她说的话，愿意陪在她的身边。不知为何，雅丽不见了。 　　再见面是高二的时候，赵强以学习的名义找到雅丽，这时雅丽已不再穿着黄色雨衣，出落成一个美丽大方的女孩。两人共度的时光非常快乐，但雅丽又再次消失，赵强再次伤心。 　　在雅丽消失的日子里，赵强当上了一名银行职员。他一直没有放弃寻找雅丽，但他雇佣了私家侦探也找不到雅丽的下落。某天，雅丽的突然出现使赵强兴奋不已，但雅丽是来道别的。

伊朗影史上最卖座最流行的电影之一！ 　　争议话题，该片打破伊朗票房纪录！ 　　在伊朗引起轩然大波，上映3周后影片被政府禁映！ 　　简介：《蜥蜴》这部影片讲述的是一个罪犯带起斗篷和头巾装神职人员越狱成功的故事，在伊朗引起轩然大波。 人们疯狂预定电影票, 该片打破伊朗票房纪录。 所有人, 从学生到老太太,都谈论这部影片。 所有人都想知道, 为何僧侣能从这个神权的政权接受庇护许可证。影片仅仅上映3 个星期以后被禁映了。

An 8-year-old girl with an ability to sense danger gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a Mega Church in Lagos.

An 8-year-old girl with an ability to sense danger gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a Mega Church in Lagos.

16岁的女孩生活窘迫,她不得不在高速公路上沿路乞讨,这样方便她去抢劫那些好心帮助她的撒玛利亚人.一天,有一个男人因为被误杀,死在了她跟前......

A woman, married to an artist, starts a relationship with one of her students, who has already has a mistress of his own. The two rivals meet and come to an understanding. Paul Verhoeven’s student film debut is viewed as a mixture of the styles of Alfred Hitchcock and Ingmar Bergman.