深城两个最具竞争力的房地产公司世嘉和年华两大集团一直在明争暗斗。程功和青梅竹马的恋人任媛媛分别效力于两家公司，程功因为看不惯主管的作风离开了年华。任媛媛与年华集团董事长李泽成的前妻容貌相似。李泽成用计迫使任媛媛离开世嘉集团转投年华，并让任媛媛平步青云。此时的程功感到前所未有的压力，他加入了世嘉集团，两人分手并成为事业上的对手。程功选择了和媛媛闺蜜郭睿在一起，却伤害了自己的哥们林峰。昔日好友反目，却各自立志做好自己的事业。商场中的一番激战让他们迷失却也让他们重新认识自我。媛媛让李成泽走出多年的情感羁绊，和爱慕他的宁静结婚；程功认清他爱的不是郭睿，两人分手,郭睿却因此收获了林峰的感情；任媛媛和程功历尽误会曲折和磨难，终于选择彼此情感的原点，两人重归于好。

深城两个最具竞争力的房地产公司世嘉和年华两大集团一直在明争暗斗。程功和青梅竹马的恋人任媛媛分别效力于两家公司，程功因为看不惯主管的作风离开了年华。任媛媛与年华集团董事长李泽成的前妻容貌相似。李泽成用计迫使任媛媛离开世嘉集团转投年华，并让任媛媛平步青云。此时的程功感到前所未有的压力，他加入了世嘉集团，两人分手并成为事业上的对手。程功选择了和媛媛闺蜜郭睿在一起，却伤害了自己的哥们林峰。昔日好友反目，却各自立志做好自己的事业。商场中的一番激战让他们迷失却也让他们重新认识自我。媛媛让李成泽走出多年的情感羁绊，和爱慕他的宁静结婚；程功认清他爱的不是郭睿，两人分手,郭睿却因此收获了林峰的感情；任媛媛和程功历尽误会曲折和磨难，终于选择彼此情感的原点，两人重归于好。

纱织（尻泽英龙华 饰）曾是一名在舞台上挥洒着光芒和希望的偶像，但昔日的荣光早已经褪去，如今的她在一家超市里作着收银员的工作，毫无干劲和对未来生活的希望，整个人如同沉入了泥潭中一般毫无生气。 　　纱织唯一能够展露内心的对象，是家中养的一只俄罗斯短毛猫良男，每一天夜深人静之时，纱织都会和良男聊天。随着时间的推移，良男渐渐开始产生了幻觉，以为自己是人类，而且还是纱织的男朋友。一次偶然中，纱织结识了一位名不见经传的小画家，画家的存在渐渐改变了纱织对待生活的消极态度，两人之间的距离越来越近，良男将这一切看在眼里。

纱织（尻泽英龙华 饰）曾是一名在舞台上挥洒着光芒和希望的偶像，但昔日的荣光早已经褪去，如今的她在一家超市里作着收银员的工作，毫无干劲和对未来生活的希望，整个人如同沉入了泥潭中一般毫无生气。 　　纱织唯一能够展露内心的对象，是家中养的一只俄罗斯短毛猫良男，每一天夜深人静之时，纱织都会和良男聊天。随着时间的推移，良男渐渐开始产生了幻觉，以为自己是人类，而且还是纱织的男朋友。一次偶然中，纱织结识了一位名不见经传的小画家，画家的存在渐渐改变了纱织对待生活的消极态度，两人之间的距离越来越近，良男将这一切看在眼里。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

「跳脱框框」这句话，对于本身就生活在框框里的扁头族而言，根本毫无意义。他们的生活虽然无聊，却也没什么想改变的意愿。直到一名截然不同、对世界充满好奇与疑问的婴儿降生在框框里，顿时为框框里平稳的生活，带来翻天覆地的改变。

Teenager Hatzín travels from Mexico City to collect the remains of his father, found in a communal grave in Northern Mexico. But a casual encounter with a man who he shares a physical resemblance with introduces both doubt and hope around the truth.