《拉普兰德联合》是一部讲诉两位世界著名的音乐人：萨米音乐家和瑞典作曲家共同创作一首歌曲的纪录片。在这里，一部此生绝无仅有的特别的歌曲创作跨越了音乐、文化和语言的界限。两位音乐家刚刚从卖座的环球巡演和紧张的演出行程中抽出时间，旅行了数百公里，在Vássejávri火车站外第一次见面。这是一个位于瑞典最北端的废弃萨米村庄，群山环绕，万籁俱寂，两位艺术家们开始了改变她们一生的创作。从开始有些尴尬的沉默，到音乐家的自我怀疑，失缺灵感，情感的过山车营造魔幻时刻，泪水和欢笑，一首新歌终于诞生。

田上是一位英俊潇洒、风流倜傥的成功创业者，有一天他突然发现自己那“男人的尊严”不见了！更要命的是，他必须在6天内找回来，否则就将永远变“太监”，于是他急切地踏上了“寻根”之旅。曾以《摄影机不要停》创下日本电影界以小搏大票房奇迹的鬼才导演上田慎一郎在这部新作中再次大开脑洞、剑走偏锋，为观众带来一部无厘头风格的鬼马狂想曲。看似荒诞无稽的“寻根”之旅，实际亦是找回初心的成长过程，让观众在捧腹爆笑之余，更能感受到那一丝泪目温情。

Two teenagers from the suburbs of Belo Horizonte in Brazil meet each other while doing community service. Through their shared experiences of repression at the hands of the state authorities, they slowly draw closer together.

一个女人拉着情人，情人的妻子和自己的丈夫坐在沙发上讨论她的身体哪几天归他或他…… 　　 　　是根据安兰德的小情人纳撒尼尔·布兰登的前妻，即后来和兰德丈夫好上的巴巴拉·布兰登所写。

一个女人拉着情人，情人的妻子和自己的丈夫坐在沙发上讨论她的身体哪几天归他或他…… 　　 　　是根据安兰德的小情人纳撒尼尔·布兰登的前妻，即后来和兰德丈夫好上的巴巴拉·布兰登所写。

On a small Kalahari farm things look bleak. It hasn't rained for ages and the well has run dry and the residents are just about hanging on with what little they have. As the farmers' daughter prepares to gamble on the final few seeds they have left something appears on the horizon which could be the salvation they have been praying for.

Enzo returns to Genoa after a lengthy absence. He crosses the city in search of places he remembers from before but they have been inexorably changed by passing time. He finds Mary waiting for him at the small house in the ghetto of the old city. His life-long companion, she has been waiting for Enzo to return from the prison where he was serving time. 　　“I didn’t know Genoa well before making the film. My only memories of the city were stories that my father used to tell me. He was a sailor from southern Italy and he would make port calls there. Throughout his entire youth Genoa was his ideal city. He would always tell me how beautiful it was, about the places where he would eat tripe and about the sky. I saw a different Genoa that is full of blind alleys, where – like most of the cities in the North – the social fabric is disappearing and memory is impressed in the stones of Sottoripa. I tried to show the present situation around me, while the nostalgia for the twentieth century is represented by archive footage, clips from amateur and professional movies, made by the people of Genoa a long time ago.”