Langgir confides in Abimanyu (Miller Khan), a handsome young man whom she is falling for, despite his indifference 　　The friends go for a vacation to secluded forest cabin in Karma Rinjani. However, Langgir becomes angry when Abhimanyu suddenly arrives at the invitation of Inggrid, who has already become his lover. Meanwhile, dark and sinister events begin to take over their lives…

Langgir confides in Abimanyu (Miller Khan), a handsome young man whom she is falling for, despite his indifference 　　The friends go for a vacation to secluded forest cabin in Karma Rinjani. However, Langgir becomes angry when Abhimanyu suddenly arrives at the invitation of Inggrid, who has already become his lover. Meanwhile, dark and sinister events begin to take over their lives…

2011年6月，缅甸政府军与克钦独立军爆发冲突，大批难民逃亡到拉咱市，这里是克钦独立军总部。七八年时间过去了，有的难民在这里成家生子，有的为抵抗政府军参军，有的在这里工作建房......2019年初，导演到拉咱市，纪录了三位难民的战争印象、逃亡经历、生存现状和信仰生活。聚焦他们的理想与现实、生存与信仰、认同与矛盾。

2011年6月，缅甸政府军与克钦独立军爆发冲突，大批难民逃亡到拉咱市，这里是克钦独立军总部。七八年时间过去了，有的难民在这里成家生子，有的为抵抗政府军参军，有的在这里工作建房......2019年初，导演到拉咱市，纪录了三位难民的战争印象、逃亡经历、生存现状和信仰生活。聚焦他们的理想与现实、生存与信仰、认同与矛盾。

乐队解散的主唱慎平（樱田通 饰）一心想要重组乐队，于是他找回乐队原来的队员黑yang（笠松将 饰），但黑yang已经不想再重拾音乐了，就叫慎平跟自己一起去“工作”…… 　　另一边，女友由加利（福田麻由子 饰）怀孕了，想要跟他结婚，他却说还没做好准备。 　　在黑yang的诱骗之下，慎平跟他一起去做这份不太好的“工作”……得知真相后深受打击的慎平在家闭门不出。 　　几个月后的某一天，由加利产期将至，然而……

毕业于哥伦比亚大学的高材生苏（Anna Levine 饰）美丽而高傲，她曾是一所著名律师所的职员，然而随着事务所的破产，她也失去了工作。日常生活中，苏不善与人交际，性格乖张，失业的遭遇令她的生活立刻陷入困境。她四处寻找工作，结果一无所获。赊面包、拖欠房租，最终被房东赶了出来；无家可归的她委身一间充满妓女和嫖客的小旅馆，忍受着来自各方的羞辱，爱情与友情都变得无比奢侈和遥远…… 　　本片荣获1998年柏林国际电影节费比西国际影评人奖和国际评审团奖

毕业于哥伦比亚大学的高材生苏（Anna Levine 饰）美丽而高傲，她曾是一所著名律师所的职员，然而随着事务所的破产，她也失去了工作。日常生活中，苏不善与人交际，性格乖张，失业的遭遇令她的生活立刻陷入困境。她四处寻找工作，结果一无所获。赊面包、拖欠房租，最终被房东赶了出来；无家可归的她委身一间充满妓女和嫖客的小旅馆，忍受着来自各方的羞辱，爱情与友情都变得无比奢侈和遥远…… 　　本片荣获1998年柏林国际电影节费比西国际影评人奖和国际评审团奖

Letters to a maternal ancestor reflect on identity connected to ethnic heritage, while also embracing a broader notion of family beyond bloodlines. Weaving images and sounds from the filmmaker’s personal ties to two cities—Detroit and Beirut—the film poses the central question: How do we belong to each other?

Letters to a maternal ancestor reflect on identity connected to ethnic heritage, while also embracing a broader notion of family beyond bloodlines. Weaving images and sounds from the filmmaker’s personal ties to two cities—Detroit and Beirut—the film poses the central question: How do we belong to each other?

Lila is a dreamy girl who can't resign to accept reality as flat as she perceives it, hence she uses her imagination and her skills to modify it.