《#关于我转生变成史莱姆这档事#》衍生作品《#拯救菈米莉丝#》宣布动画化决定 。

《#关于我转生变成史莱姆这档事#》衍生作品《#拯救菈米莉丝#》宣布动画化决定 。

这是一个安徒生《美人鱼》般的故事、讲述一条怀着“渴望被人类爱上”禁忌愿望的美人鱼在去世后，她在200年后的现代日本的琵琶湖中重生，在那里学习如何适应人类世界的故事。琵琶湖的舞台设定在小出卓史监督的故乡——滋贺县。

Millie (Helen Twelvetrees) is a naive young woman who marries a wealthy man from New York, Jack Maitland (James Hall). Three years later, unhappy in her marriage due to her husband's continued infidelity, she asks for and receives a divorce. Because of her pride, she does not want his money, however, she also does not want to remove her daughter from a comfortable lifestyle. She allows Jack and his mother (Charlotte Walker), to retain custody of Millie's daughter, Connie (Anita Louise). Focusing on her career, she rises through the hierarchy of the hotel where she is employed, shunning the attention of the rich banker, Jimmy Damier (John Halliday), preferring the attentions of the reporter, Tommy Rock (Robert Ames), although, due to her prior sour relationship, refuses to marry. Eventually, Millie is promoted to the head of operations for the hotel. At the same time, Tommy is offered a lucrative position at the bank by Damier, as a favor to Millie. However, at the celebration party, Millie discovers that Tommy, just like Maitland, is cheating on her. 　　Betrayed a second time, Millie becomes very bitter. With her female cohorts, Helen and Angie (Lilyan Tashman and Joan Blondell, respectively), she becomes a woman who loves a good time, floating from man to man. This goes on for several years, until she hears that Damier has taken an interest in her teen-age daughter, Connie, who bears a striking resemblance to Millie. Millie warns Damier to leave her daughter alone, but, although he promises to stay away from Connie, he ignores Millie's warning, and takes Connie to a remote lodge to seduce her. Millie is tipped off, goes to the lodge with a gun, confronts Jimmy and kills him. 　　In the following murder trial, Millie tries to keep her daughter's name out of the press and claims not to remember why she shot Jimmy. She says that another woman ran out of the lodge after the shot but claims that she didn't see who the woman was and has no idea as to the other woman's identity. The prosecution thus claims that Millie's motive was jealousy of Jimmy's romantic relationship with this unknown other woman. Millie's friends, however, help to bring out the truth, and when the jury finds out that Millie's true motive was to protect her daughter from Jimmy's lascivious intentions, they acquit her. In the end, Millie is reunited with her daughter and her estranged husband's family.

Everyone bode her a rousing farewell on her way to New York – and yet, she remained in Wellington! With fantasy, charm and typical New Zealand humour, Millie finds it necessary to produce fake pictures of her supposedly wild life overseas and posts them for her friends on the World Wide Web. As a secret shadow to her own life, she learns a lot that she would rather not have known.

在哥伦比亚波哥大的一所女孩之家里，十名青少年相继坐下，闭上眼睛。导演请她们在脑海中创造一个幻想的朋友阿莉丝，并引导她们向镜头描绘这个朋友的故事。阿莉丝也曾露宿街头，也曾遭受过暴力，也谈过一场刻骨铭心的爱情。她成为了女孩们投射自己的过去与未来的载体，那里有难以磨灭的创伤，但也有对今后生活的无限向往与憧憬。阿莉丝是一个想象的集合体，同时也是一个可以保护青少年们可以不受任何伤害地抒发自己情绪与痛苦的自由天地。

享年仅仅37岁的巴西女歌手依莉丝·雷吉纳（Elis Regina），不但开创上世纪六零年代巴西流行乐MPB风潮，更是享誉国际的拉丁歌后。19岁便从PUB发迹的她，凭藉无懈可击的天籁嗓音掳获广大乐迷，热度更从驻唱舞台延烧到歌唱节目，一举成为众人爱戴的国民天后。除了歌唱技巧惊人，依莉丝在创作上更勇于提拔新秀，为乐坛注入鲜活魅力。辛辣敢冲的她，曾于欧洲巡演时抨击巴西军政府的猩猩式独裁，进而被要挟演出，遭世人谩骂排挤，事业跌至谷底。 　　为了力挽狂澜、获得更自由的歌唱环境，依莉丝倾尽资源筑梦，甚至不惜依赖药物，连婚姻也葬送下去，只求唱出不违心的旋律。然而越走入音乐，依莉丝眼中的光芒，却越渐迷茫……

“EMILY” tells the imagined life of one of the world’s most famous authors, Emily Brontë. The film stars Emma Mackey (“Sex Education”, “Death on the Nile”) as Emily, a rebel and misfit, as she finds her voice and writes the literary classic Wuthering Heights. “EMILY” explores the relationships that inspired her – her raw, passionate sisterhood with Charlotte (Alexandra Dowling – “The Musketeers”) and Anne (Amelia Gething – “The Spanish Princess”); her first aching, forbidden love for Weightman (Oliver Jackson-Cohen – “The Lost Daughter”, “The Haunting of Bly Manor”) and her care for her maverick brother (Fionn Whitehead – “The Duke”, “Dunkirk”) whom she idolises.

“EMILY” tells the imagined life of one of the world’s most famous authors, Emily Brontë. The film stars Emma Mackey (“Sex Education”, “Death on the Nile”) as Emily, a rebel and misfit, as she finds her voice and writes the literary classic Wuthering Heights. “EMILY” explores the relationships that inspired her – her raw, passionate sisterhood with Charlotte (Alexandra Dowling – “The Musketeers”) and Anne (Amelia Gething – “The Spanish Princess”); her first aching, forbidden love for Weightman (Oliver Jackson-Cohen – “The Lost Daughter”, “The Haunting of Bly Manor”) and her care for her maverick brother (Fionn Whitehead – “The Duke”, “Dunkirk”) whom she idolises.

Karen, a maths teacher, finds herself involved in a traffic accident for which she is not to blame. The accident causes the death of a girl on a scooter. Although innocent, the young woman is distraught, more so when she discovers that the dead girl – Miriam – is none other than the sister of her pupil, Lukas. The more everyone around her assures her that she is not to blame for the girl’s death, the guiltier Karen feels. To her, the accident is like an equation that just doesn’t add up. In an attempt to make up for her actions at least in part, she begins to give Lukas extra maths lessons. But, consumed by his pain, the boy wants much more from her. Driven by her desire to atone, Karen allows herself to be drawn into a self-destructive relationship. She shows Lukas no resistance – even when he begins to get rough with her. The more determinedly she plunges into her intensely physical encounters with Lukas, the more she distances herself from her boyfriend, Christian. He just wants to put everything behind him and is finding it increasingly hard to comprehend his partner. Their seething emotional problems go from bad to worse. Lonely and grief-stricken, Karen begins to feel that the only person who can understand her is Lukas. Before long the painful bond between these two begins to open up another possibility altogether.