母亲张翠红因重男轻女的旧观念，导致小女儿刘招娣少年时离家出走。十年后，张翠红年老体衰，却在小年夜被两个儿子赶出家门，在她绝望之际，已是集团总裁的小女儿刘昭昭（原名刘招娣）归来。面对母亲的愧疚和兄长的冷漠，刘昭昭用行动化解家庭矛盾，最终一家人和解团圆，诠释了亲情的包容与救赎。

美女老师邀请家长讨论性教育，才发现大人们的性行为才该好好检讨，先有爱还是先要有性呢？美女教师变成情妇，肉摊店夫妻性生活状况百出，大黄瓜、小丝瓜，或许能靠润滑剂解决性福？当身材超辣的妙女郎搬来同一屋檐下，停机一年的肉摊店老板真的快冻未条了！花心美男子深爱着妻子，但却风流成性，尬上空姐又爱上E奶女秘书，当怀孕的妻子发威时，他还敢放胆去玩？长夜漫漫，香汗淋漓，欲罢不能，会有怎样令人意想不到的结局呢？捧腹大笑之余也同时感受男女间，彼此的深刻情感和旺盛生命力。

著名企业家武蜀勤之子李波罗拒绝走子承母业的人生，多次出格反叛，母子关系几近冰点。李波罗送好兄弟潘东君报考村官之际，邂逅心仪的女孩秋云，在爱情的冲动下李波罗走上村官之路，跟主管村官招考工作的秋云打赌要做出一番事业。因其母内定的未来媳妇儿、青梅竹马的张倩倩从中作梗，李波罗和秋云的情感误会迭出，秋云死在地震中，李波罗也自此消沉。干练且个性十足的女孩赵默出现，在公推直选中脱颖而出，李波罗也在赵默睿智巧妙的连番激将下再次振作起来，和潘东君及其他村官一起，终于做出一番令其母刮目相看的事业，同时李波罗也收获了他跟赵默的爱情。

简介： 　　陈虾（曹国辉饰演）见到南洋谋生的陈六使（郑各评饰演）衣锦还乡，便决定带着被父亲逼婚的红豆（许美珍饰演）一同南下。无奈碰到军队抓壮丁，红豆落得孤身上路。 　　红豆在船上认识了嫁给南洋米商当姨太太的海燕（林湘萍饰演）和长工保田（淳于珊珊饰演）。海燕遭大太太毁容残害，幸得红豆相助才摆脱魔掌。红豆为了谋生扮成男装去拉煤，结识了帮会头目刘妹（郑斌辉饰演）。刘妹被红豆的特殊性格深深吸引。 　　被抓去当兵的陈虾在军队认识了纨绔子弟家富（谢韶光饰演）。家富家产被人骗光，妻子阿菊（李锦梅饰演）始终不离不弃。阿菊被人强占后，家富却误会她贪慕虚荣。 　　陈虾终于和红豆相见，无奈红豆爱上已变成瘫痪的刘妹…

简介： 　　陈虾（曹国辉饰演）见到南洋谋生的陈六使（郑各评饰演）衣锦还乡，便决定带着被父亲逼婚的红豆（许美珍饰演）一同南下。无奈碰到军队抓壮丁，红豆落得孤身上路。 　　红豆在船上认识了嫁给南洋米商当姨太太的海燕（林湘萍饰演）和长工保田（淳于珊珊饰演）。海燕遭大太太毁容残害，幸得红豆相助才摆脱魔掌。红豆为了谋生扮成男装去拉煤，结识了帮会头目刘妹（郑斌辉饰演）。刘妹被红豆的特殊性格深深吸引。 　　被抓去当兵的陈虾在军队认识了纨绔子弟家富（谢韶光饰演）。家富家产被人骗光，妻子阿菊（李锦梅饰演）始终不离不弃。阿菊被人强占后，家富却误会她贪慕虚荣。 　　陈虾终于和红豆相见，无奈红豆爱上已变成瘫痪的刘妹…

"War always finds a way (Brecht). If there is a relationship between production and destruction, between the development of productive and destructive forces, then the atom bomb is the ultimate weapon of the post-industrial age. Greatest tonnage, highest mortality, maximum devastation. But what comes next, what are the weapons of the post-industrial age ? Post-industrial products are characterised by a declining proportion of material components, meaning that they depreciate more slowly. In order to prevent them clogging the market they have to be artificially aged, or as Marx put it, morally depreciated. The same is true for monopolists : only through constant innovation can products age and lose value ; competition is no longer needed. Until now it was competition that gave rise to enmity. Now, the competition is internal and an external enemy is no longer to be found. The enemy is amongst us and within us. Weapons are needed that can hit one person amongst a thousand. The economics demand wars with maximum precision targeting. Such as : wars fought on humanitarian grounds." (Harun Farocki)

A young man deals with the loss of his abusive father by taking advice from a charming, dangerous stranger who teaches him about life, sex, and fighting back.

《出路》作为中国第一部真实反映逃犯逃亡途中生活环境对逃犯心理路程的转变，真实的再现了逃犯从实施犯罪、逃避法律、选择逃亡、投案自首的整个心理路程。

该剧主要讲述90年代初期，复原军人回归工厂的故事。展现了当代工人阶级艰苦奋斗、爱岗敬业的优良品质。

A young man deals with the loss of his abusive father by taking advice from a charming, dangerous stranger who teaches him about life, sex, and fighting back.