打工人贺清清和总裁严景淮一起被江水欢打死。贺清清意外得到重生机会和碰谁谁穷的强大能力，为了摆脱这该死的穷命，她必须嫁给一个富二代破除能力，直到她再次遇见了严景淮。实际上严景淮也是重生的，能力是读心术，严景淮看着贺清清在自己面前装小白兔，但心里疯狂吐槽自己。两个人相爱相杀，并逐渐勾起过往的记忆，原来两个人很早以前就认识。

改编自真人真事：一名丈夫于2011年将妻子的古怪行为在网络投稿咨询，“每天回家都会看到老婆在装死，怎么回事呢？”引发网络热潮。

刚升上高中一年级的佐藤一郎，某天在晚上潜入学校拿东西时，遇见了身穿蓝色斗篷，拿着金属杖的美少女。自从遇到她之后，佐藤期望的平稳学生生活渐渐的离他而去。

超能力少女マリアの戦いを描いたオリジナルビデオ・シリーズ第二弾。高校二年生になったマリアは自分の能力がコントロールできるようになり、同じ力を持つ仲間たちと平穏に暮らしていた。だがヤーマが復活して……。

主要讲述了流浪汉查理和小狗斯凯普相依为命的故事。

兰基韦尔德是一位有着传奇经历的DJ，有一天，他发现自己的听觉突然消失了，以前的经济人、妻子、朋友等纷纷离他而去，残酷的现实让这位DJ迅速陷入绝望的深渊。但在低潮期过后，这位沉沦的DJ摆脱了毒品，集中精力恢复自己的健康和情绪，慢慢地发现自己的创作灵感甚至比以前还要丰富……

兰基韦尔德是一位有着传奇经历的DJ，有一天，他发现自己的听觉突然消失了，以前的经济人、妻子、朋友等纷纷离他而去，残酷的现实让这位DJ迅速陷入绝望的深渊。但在低潮期过后，这位沉沦的DJ摆脱了毒品，集中精力恢复自己的健康和情绪，慢慢地发现自己的创作灵感甚至比以前还要丰富……

维多利亚是一名单身母亲，和女儿阿丽娜过着相依为命的生活。维多利亚买下了一套苏联时期的高层公寓，这间公寓地段好房型好装修好价格还低，为了得到这套公寓，维多利亚不惜向老板借了一笔巨款，发誓以后天天做牛做马来还债。 　　实际上，在这间公寓里，住着一个家养小精灵（彼得·纳塔罗夫 Pyotr Natarov 饰），房产经纪人利用小精灵的存在来赶走买下公寓的人，再用低价将公寓专卖出去，如此往复，牟取暴利。维多利亚母女两入住没多久，小精灵就开始了他的捣乱，但是善良的阿丽娜并没有将小精灵视为邪恶的化身，而是始终以童真的单纯的眼光看待他，久而久之，小精灵被阿丽娜感化了。

Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows : 　　The merchant Yquem buys his dear wife a beautiful jewel with matching earnings in a place where the city's underworld trades in fake and stolen jewelry. By chance, Yquem spots a man with whom his wife had an affair in the past. Yquem follows him to a hotel where he will write him a letter imitating his wife's hand writing. The letter invites the man to a public place where Yquem can spy on them and try to discover whether there is still something between them. 　　This early Fritz Lang film, "Vier Um Die Frau" (Four Around a Woman) was found by chance some years ago at the "Cinemateca De Sâo Paulo", a great present for the German aristocracy and even for the longhaired moviegoers, because it prefigures much of "Dr. Mabuse", (corruption in the upper class-a very habitual practice-unscrupulous upstarts, blackmail, low class criminals, social tension.) and in the opinion of this German aristocrat, provides one of the most outstanding titles of Lang's first period. This film has excellent editing that gives vigour, speed and emotion to a story of an underworld rife with treachery and betrayal as well as a complex tale of unrequited love. The film builds to a crescendo of narrative strength that reminds one of episodes of "Die Spinnen" made by Herr Lang a year before. 　　The acting is exceptional and the performers resist the temptation to overacting that might be expected in such melodrama. As the heroine, Carola Toelle is especially good and admirably conveys the doubts, secret desires and frustration that her character suffers. An excellent counterpoint is provided the character of her friend and confidant, a perfect vamp, who provides bad advice and is without scruples, quick to use flirting to build up her social position... Rudolf Klein-Rogge has to be mentioned, as his performance makes one recall the exceptional character Dr Mabuse, that he will immortalise two years later. The excellent main actors are given equally good support in the minor roles. 　　It is worth mentioning as well the great photography of Otto Kanturek and the film production by Ernst Meiwers and Hans Jacoby. The importance of "Decla-Bioscop"'can be seen in the first rate production values that are so abundant in the film (great manors, hotel lobbies, the stock exchange, etc) and on the other hand the realistic depiction of less auspicious surroundings: ragged and wretched slums streets filled with the kind of characters you might expect in such places. A minor point but also a real curiosity is the inclusion of a poster for another "Decla Bioscop" production that can be glimpsed in a theater lobby.