《捣蛋的数字方块》是一档以色彩鲜艳、造型可爱的数字方块为核心角色，构建了一个充满童趣的方块世界。节目围绕方块们的日常展开，记录它们一起玩耍、偶尔小捣蛋的欢乐瞬间，没有复杂剧情，只有纯粹的童真与趣味。方块们性格各异、调皮可爱，捣蛋行为无恶意，满是孩童的好奇与灵动，既贴合小朋友天性，也能让孩子在欢乐中感受伙伴间的温暖。节目画风明快、语言直白，传递团结包容的小道理。

Two art thieves have stolen the famous "Black Square" of Russian painter Kasimir Malevich. They plan to meet their clients on a cruise ship to hand over the looted art. However, things are not going quite as planned..

Las Vegas is what you make of it. Hollywood makes it into a place of speedy, jacked-up risk. Nina Menkes is an American Filmmaker with no interest in that Vegas. Hers is a place of great expanses of dry earth, smudged blue sky, flat lakes, lonely people and incongruously garish or claustrophobic interiors. Queen of Diamonds is about moods, the Old Testament, death, marriage, hazard and how we watch images on a screen; it is only tangentially about a black jack dealer whose husband is missing. 　　Menkes, who once photographed Bedouin people in the Sinai, has an eye for compositional drama and a sense of pace that couldn't be more opposed to Hollywood time, which assumes viewer impatience. (...) Maintaining the integrity of a radical experimentalist with the resources of fine-grain 35mm film technology, Menkes may be on a course to making an unprecedented kind of cinema. Queen of Diamonds is a step in that course.

Las Vegas is what you make of it. Hollywood makes it into a place of speedy, jacked-up risk. Nina Menkes is an American Filmmaker with no interest in that Vegas. Hers is a place of great expanses of dry earth, smudged blue sky, flat lakes, lonely people and incongruously garish or claustrophobic interiors. Queen of Diamonds is about moods, the Old Testament, death, marriage, hazard and how we watch images on a screen; it is only tangentially about a black jack dealer whose husband is missing. 　　Menkes, who once photographed Bedouin people in the Sinai, has an eye for compositional drama and a sense of pace that couldn't be more opposed to Hollywood time, which assumes viewer impatience. (...) Maintaining the integrity of a radical experimentalist with the resources of fine-grain 35mm film technology, Menkes may be on a course to making an unprecedented kind of cinema. Queen of Diamonds is a step in that course.

The first episodes were shot in 1922 and found an end in 1944. Totally there are 221 single episodes. A complete catalog of all episodes you will find at "All movies of Our Gang / The Little Rascals at a glance". A small picture gallery you can find under "Gallery". 　　The little Rascals were called into live through the legendary producer Hal Roach (Roach also spotted the comedians Laurel & Hardy). The trigger for the combination of a child troupe was the exceptional big success of rascal Ernie "Sunshine Sammy" Morrison in comedies of Harold Lloyd and Snub Pollard. 　　The composition of the troupe was checkered and represented typical children in the neighborhood. The original cast were Mary Kornman (the beautiful girl), Allen "Farina" Hoskins" (the naive negro), Mickey Daniels (the freckled whipper-snapper), Joe Cobb (the pleasant fat person), Jackie Condon (the rich fellow), Ernie Morrison (the rascal) and last but not least Pete the pet with a painted circle around his right eye. 　　The success of the rascals was based on the imitation of the world of the adult but at the same time they played a trick or shew a behavior which the adults wouldn't dare to do themselves. It is also astonishing that the children acted extremely natural in contrast to the child stars in the 30's with their pseudo adultness. 　　The stories were made from simple pattern but affectionate. At this time didn't exist real scripts but rather there was a short outline of the main theme, gags and other ideas were developed only during the shot. The success of the serial wasn't due to a single person but was the result of a exemplary teamwork. 　　Each episode offered new adventures for the children. There is a trip to New York where happened the coincidence that the children are able to nabbing a bus, to play deadhead or to hover over the city with a piece of fabric as parachute replacement. 　　In spite of their unusual behavior, the rascals never had to expect serious consequences because they tricked the adults with wit and phantasie. Perhaps the children took a sound thrashing after a successful adventure, but after that they show to the audience with a roguish expression that the preceded adventure was worth for this and that nothing could take away their go by experiences. 　　When Hal Roach sold the serial to M-G-M in 1938, it rang in the decline of the serial. M-G-M wasn't able to maintaining the magic which the serial radiated before and was shut down in 1944. 　　Since then the serial experienced a resurrection time and again through broadcastings on TV. With this they erected a lasting monument to the little rascals.

The first episodes were shot in 1922 and found an end in 1944. Totally there are 221 single episodes. A complete catalog of all episodes you will find at "All movies of Our Gang / The Little Rascals at a glance". A small picture gallery you can find under "Gallery". 　　The little Rascals were called into live through the legendary producer Hal Roach (Roach also spotted the comedians Laurel & Hardy). The trigger for the combination of a child troupe was the exceptional big success of rascal Ernie "Sunshine Sammy" Morrison in comedies of Harold Lloyd and Snub Pollard. 　　The composition of the troupe was checkered and represented typical children in the neighborhood. The original cast were Mary Kornman (the beautiful girl), Allen "Farina" Hoskins" (the naive negro), Mickey Daniels (the freckled whipper-snapper), Joe Cobb (the pleasant fat person), Jackie Condon (the rich fellow), Ernie Morrison (the rascal) and last but not least Pete the pet with a painted circle around his right eye. 　　The success of the rascals was based on the imitation of the world of the adult but at the same time they played a trick or shew a behavior which the adults wouldn't dare to do themselves. It is also astonishing that the children acted extremely natural in contrast to the child stars in the 30's with their pseudo adultness. 　　The stories were made from simple pattern but affectionate. At this time didn't exist real scripts but rather there was a short outline of the main theme, gags and other ideas were developed only during the shot. The success of the serial wasn't due to a single person but was the result of a exemplary teamwork. 　　Each episode offered new adventures for the children. There is a trip to New York where happened the coincidence that the children are able to nabbing a bus, to play deadhead or to hover over the city with a piece of fabric as parachute replacement. 　　In spite of their unusual behavior, the rascals never had to expect serious consequences because they tricked the adults with wit and phantasie. Perhaps the children took a sound thrashing after a successful adventure, but after that they show to the audience with a roguish expression that the preceded adventure was worth for this and that nothing could take away their go by experiences. 　　When Hal Roach sold the serial to M-G-M in 1938, it rang in the decline of the serial. M-G-M wasn't able to maintaining the magic which the serial radiated before and was shut down in 1944. 　　Since then the serial experienced a resurrection time and again through broadcastings on TV. With this they erected a lasting monument to the little rascals.

3和4中间还有整数吗？一个心理医生正在被他的病人，一个痴迷的数学家，所困扰。

3和4中间还有整数吗？一个心理医生正在被他的病人，一个痴迷的数学家，所困扰。