In medieval Germany, poor and witty Till Eulenspiegel fools and cheats citizens, churchmen, and landlords. Although in most cases he uses his wit for personal well-being, he often helps the poor and weak. Eventually, he gains an influential but also dangerous position as royal fool at the court of the emperor.

In medieval Germany, poor and witty Till Eulenspiegel fools and cheats citizens, churchmen, and landlords. Although in most cases he uses his wit for personal well-being, he often helps the poor and weak. Eventually, he gains an influential but also dangerous position as royal fool at the court of the emperor.

pretty　　亨利是一个调皮的捣蛋鬼，在学校他照例带领着“Purple Hand Gang”的一众小弟们搞各种破坏，恶作剧欺负老师。不交家庭作业也是家常便饭，可他万万没想到，这次会引发随后的一系列连锁事件。学校可能会因为竞争学校的一个邪恶校长而面临着关门大吉的危险。为了阻止校长的阴谋，他居然和他看不惯的邻居Moody Margaret还有他弟弟Peter结成了同盟，保卫那个他口口声声说非常讨厌的学校。

pretty　　亨利是一个调皮的捣蛋鬼，在学校他照例带领着“Purple Hand Gang”的一众小弟们搞各种破坏，恶作剧欺负老师。不交家庭作业也是家常便饭，可他万万没想到，这次会引发随后的一系列连锁事件。学校可能会因为竞争学校的一个邪恶校长而面临着关门大吉的危险。为了阻止校长的阴谋，他居然和他看不惯的邻居Moody Margaret还有他弟弟Peter结成了同盟，保卫那个他口口声声说非常讨厌的学校。

A young woman who's attempting to find her place in the world battles with her controlling mother and a womanizing husband finds comfort and confusion with the appearance of her childhood friend. It is a zappy movie that emphasizes self-actualization.

A young woman who's attempting to find her place in the world battles with her controlling mother and a womanizing husband finds comfort and confusion with the appearance of her childhood friend. It is a zappy movie that emphasizes self-actualization.

Produced during his studies at Le Fresnoy, an important French film school and artistic research lab, “A Guest + A Host = A Ghost” is based on an aphorism created by Marcel Duchamp in 1953 that Jorge Jácome develops with the use of human hands and of his incalculable capacity for expression and sensory perception. Throughout a series of frames, with a camera that moves hesitantly (like a ghost?), Jácome applies distortions as well as sound and visual manipulations that appeal to subjectivity and resignification through the senses. Living up to the Duchampian proposition, Jácome invites us (“guest”) to find in his film (“host”) the necessary elements to experience something in the spectrum of the immaterial.

Produced during his studies at Le Fresnoy, an important French film school and artistic research lab, “A Guest + A Host = A Ghost” is based on an aphorism created by Marcel Duchamp in 1953 that Jorge Jácome develops with the use of human hands and of his incalculable capacity for expression and sensory perception. Throughout a series of frames, with a camera that moves hesitantly (like a ghost?), Jácome applies distortions as well as sound and visual manipulations that appeal to subjectivity and resignification through the senses. Living up to the Duchampian proposition, Jácome invites us (“guest”) to find in his film (“host”) the necessary elements to experience something in the spectrum of the immaterial.