Short documentary about 50 years of history of Czechoslovakia, with archive images.

中央新闻纪录电影制片厂摄制

Infidelity in a Slovak way. This is a cult film of director Juraj Jakubisko. It is situated in beautiful forest surroundings. Head characters are Domino Dominka, Zlatka Kopecná, Edison, plant female workers and flirtatious woodsmen with their wives. Plot makers are woodsmen and forester, who seeks what they cannot have - love, loving & young beautiful women. Thus boys are about to go out for love-making. A comedy about three flirtatious woodcutters realistically capturing Slovak village life and criticizing insincerity, hypocrisy and male pride. Surely they'd better think this twice, should they foretold what shall happen. Fortunatly, the situation goes so, we can spend a couple of minutes laughing on well made gags and paradox situations. Aside main characters, the film is decorated by some minor. Brigade-worker, female cooks, girls in Diamant bar and mailman with others shall keep you in a good cheer. Reprise playing of film will not lower the experience. As for the large-scale of action and count of actors and their individual knots (eg. Jasterciak became dumb after hiding in the bowling wall). The Infidelity in Slovak way consists of 3 parts - chapters Chapter I - Infidelity, tells story about female workers arrival to work in a woods. Men - woodsmen as well as forester scents a chance for a flirt. So is it, that main plot begins, with many of comic situations, parodies and good laugh...

The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system. The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate. Part 1 comments on: ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher ■"Konkurs" ("Audition," 1963) by Miloš Forman ■"Křik" ("The Cry," 1963) by Jaromil Jireš ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel Part 2 comments on: ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko ■"Stud" ("Shame," 1967) by Ladislav Helge ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček ■"322" ("322," 1969) by Dušan Hanák ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

暂无剧情简介

installation, virtual reality

At the 1968 Mexico City Olympics, the silent protest of Tommie Smith and John Carlos changed The Games forever, becoming one of the defining images of the 20th century.

这是一部反映当今社会的人们对广告的盲目信任度究竟有多严重的影片，片中的两个主人公以捷克斯洛伐克的市民为对象，进行对广告的真实和虚假的试验。

Zdena is living all by herself. Her mother will die soon and her only son lives in the New York City. Everything will change soon though.