Infidelity in a Slovak way. This is a cult film of director Juraj Jakubisko. It is situated in beautiful forest surroundings. Head characters are Domino Dominka, Zlatka Kopecná, Edison, plant female workers and flirtatious woodsmen with their wives. Plot makers are woodsmen and forester, who seeks what they cannot have - love, loving & young beautiful women. Thus boys are about to go out for love-making. A comedy about three flirtatious woodcutters realistically capturing Slovak village life and criticizing insincerity, hypocrisy and male pride. Surely they'd better think this twice, should they foretold what shall happen. Fortunatly, the situation goes so, we can spend a couple of minutes laughing on well made gags and paradox situations. Aside main characters, the film is decorated by some minor. Brigade-worker, female cooks, girls in Diamant bar and mailman with others shall keep you in a good cheer. Reprise playing of film will not lower the experience. As for the large-scale of action and count of actors and their individual knots (eg. Jasterciak became dumb after hiding in the bowling wall). The Infidelity in Slovak way consists of 3 parts - chapters Chapter I - Infidelity, tells story about female workers arrival to work in a woods. Men - woodsmen as well as forester scents a chance for a flirt. So is it, that main plot begins, with many of comic situations, parodies and good laugh...

Short documentary about 50 years of history of Czechoslovakia, with archive images.

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中央新闻纪录电影制片厂摄制

The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system. The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate. Part 1 comments on: ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher ■"Konkurs" ("Audition," 1963) by Miloš Forman ■"Křik" ("The Cry," 1963) by Jaromil Jireš ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel Part 2 comments on: ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko ■"Stud" ("Shame," 1967) by Ladislav Helge ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček ■"322" ("322," 1969) by Dušan Hanák ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

这部纪录片通过对受害者家属、目击者和犯罪心理专家进行罕见采访，揭示了乔兰·范德斯洛特长期的暴力模式和病态谎言是如何导致两名年轻女性死亡的新情况。很少有杀手在因一起杀人案出名后还会再次行凶，但在娜塔莉·霍洛威失踪五周年时，乔兰在秘鲁谋杀了 21 岁的斯蒂芬妮·弗洛雷斯。令人痛心的是，他前往秘鲁的费用竟是他从娜塔莉·霍洛威的母亲贝丝那里勒索来的钱，此前他曾虚假承诺有偿透露娜塔莉尸体的位置。2023 年，也就是娜塔莉失踪 18 年后，贝丝·霍洛威终于在法庭上与乔兰对质，乔兰首次承认自己谋杀了她的女儿。他的坦白让娜塔莉的家人获得了长久以来所寻求的些许慰藉，但鉴于乔兰过往欺骗和操纵的历史，一些人对他最新供词中的细节表示怀疑。

《谎言的谎言》是爱情悬疑片，一个女人因为被诬陷杀害其丈夫而入狱，出狱后为了寻找被领养走的女儿，她决心成为女儿的养父姜志敏的妻子，因为女儿而开始…

高槻湊是个有洁癖的朴素女大学生，因为厌恶没有血缘关系的弟弟高槻透对女生来者不拒的态度，所以一直与他保持着距离。一次巧合下，透偶遇了穿着JK制服、画着辣妹妆的湊，居然对她一见钟情......

故事描述在学生们不停决斗以决定阶级的学园岛上，男主角筱原绯吕斗于学园岛入学测验以历代最佳成绩脱颖而出，又于转学首日，击败去年的绝对王者「彩园寺更纱」。以学园岛史上最快的速度夺得了君临顶点的「7星」……这一切当然全是一场骗局。能将内心想法完全隐藏的筱原绯吕斗，为了在学园岛达成自身目的，不惜撒谎也得继续君临顶峰。无论是从旁辅佐的美少女女仆姬路的作弊手段，或是与假冒大小姐的彩园寺所建立的共犯关系，之后的校园生活都会用「谎言」在世间生存下去。