麦可．摩尔(Michael Moore)是美国最具影响力的导演之一，这次他要「侵占」他国，在比美国福利优渥的领土上插旗示威，藉此展开一场奇特又讽刺的文化之旅。曾拍摄《罗杰与我》、《华氏911》，多次创下美国纪录片票房最高纪录的导演麦可．摩尔最新话题之作。 　　本纪录片已获芝加哥、汉普顿国际电影节观众票选奖，有望角逐第88届奥斯卡金像奖纪录片提名。

Inspired by Iranian cinema and the poetry of Forough Farrokhzad, a young female director from India journeys to Tehran to witness how resistance becomes a daily act of survival in Iranian society. Despite stringent censorship of the Islamic Regime the director collects a series of eloquent and candid interviews with filmmaker Jafar Panahi, activists and everyday women. Over six years, these conversations with the camera expertly capture the simmering anxieties, fears, hopes and dreams of a nation on the cusp of revolution. “In November 2022, a historic struggle for liberation has been shaking Iran to its very foundations for over 70 days [...] a struggle by Iranian women. Over the last six years, the camera witnessed the pent-up anxieties, fears, hopes, and dreams of a society on the verge of a revolution.” This is the card that opens a passionate declaration of love for the cinema and poetry of Iran, which also offers a frank view of the precarious situation for critics of the regime and shows the uncompromising daily struggle of Iranian women against their oppression. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1273/14978

Inspired by Iranian cinema and the poetry of Forough Farrokhzad, a young female director from India journeys to Tehran to witness how resistance becomes a daily act of survival in Iranian society. Despite stringent censorship of the Islamic Regime the director collects a series of eloquent and candid interviews with filmmaker Jafar Panahi, activists and everyday women. Over six years, these conversations with the camera expertly capture the simmering anxieties, fears, hopes and dreams of a nation on the cusp of revolution. “In November 2022, a historic struggle for liberation has been shaking Iran to its very foundations for over 70 days [...] a struggle by Iranian women. Over the last six years, the camera witnessed the pent-up anxieties, fears, hopes, and dreams of a society on the verge of a revolution.” This is the card that opens a passionate declaration of love for the cinema and poetry of Iran, which also offers a frank view of the precarious situation for critics of the regime and shows the uncompromising daily struggle of Iranian women against their oppression. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1273/14978

Six opinionated Brits experience refugee life up close in some of the world's most dangerous places. But will their eye-opening journey change hearts and minds?

故事以一个生活在海底的乌贼娘对于人类污染大海的行为无法忍受，而挺身出海决定要教训一下人类为展开的轻松事。虽然目的是征服人类，但却因为缺乏常识而被各种各样的新事物吓到，继而沦为了在一个不起眼的沙滩小店“海之家柠檬”打工的店员的事。

自古以来，人类与海洋的渊源就颇为深厚，人类之所以能够进步和发展，也和海洋有着不可否认的关系。然而，在海洋资源被大力开采的同时，严重的污染也随之而来，越来越频繁的海洋灾害让人类吃了不小的苦头。乌贼娘（金元寿子 配音）是海里的忠实居民，看着生存的家园被破坏，忍无可忍的她决定给人类一个小小的教训。 　　初涉陆地的乌贼娘还有些不太习惯，顶着一副可爱迷糊的萝莉外形，还未教训人类，自己就先失手打破了海之家的墙壁。无奈之下，乌贼娘只得留在海之家做打工妹来偿还墙壁修补的债务。在海之家，乌贼娘认识了个性好强的相泽荣子（藤村歩 配音），温柔可人的相泽千鹤（田中理惠 配音），活泼好动的相泽武（大谷美贵 配音）。对于乌贼娘来说，虽然惩戒人类的大计尚未成功，但是就这样和朋友们快乐的在一起，好像也是一种不错的选择。

一个男孩与自己的手机生活在一起，每周四手机会带他去一个地方，但不告诉他去哪儿。这个周四，他们去哪儿？

一个男孩与自己的手机生活在一起，每周四手机会带他去一个地方，但不告诉他去哪儿。这个周四，他们去哪儿？

张艳（李娜 饰）和志文结婚已经三年之久了，一直以来，家里的大小事务都由张艳一手操持，她可谓是一个非常合格的太太了。然而，这三年来，张艳的肚子一直都没有动静，这让一心想要抱孙子的婆婆感到非常的不满，三天两头的在夫妻两人身上找茬。 　　志文有一个弟弟志伟，一直在外打工的他近期回到了家中。为了抱孙子，志文的妈妈竟然鼓励儿子在外面找小三，与此同时，志伟深深的迷恋上了张艳，对她百般引诱，两人终于偷尝了禁果。志文的小三怀孕了，于是婆婆开始打起了让儿子和儿媳离婚的算盘，刚好在这个节骨眼上，志伟和张艳的地下情东窗事发。