在波斯尼亚东部的偏远山区，影片展现了两位妇女简单田园生活的静谧与沉思。通过简单且精确的构图，对光线和质地的关注，她们生活中的平凡细节呈现出油画般的丰富触感。她们的一举一动、一言一行都充满了关于宗教仪式、非物质文化遗产的色彩。影片富有亲密感与史诗感，审视了自然与人类的互动关系。

二战期间，一个连环杀手如鬼影般笼罩着德国汉堡，虽然罪行累累，警方却两年来拿他束手无策。一位警探决心重新调查这桩棘手的案件，SS起初还支持他的工作，不日就把这个案子又压了下来，而随后，他企图阻止一起明显不公的审判，拒绝执行命令并因此受到上级处罚，被送往前线。

二战期间，一个连环杀手如鬼影般笼罩着德国汉堡，虽然罪行累累，警方却两年来拿他束手无策。一位警探决心重新调查这桩棘手的案件，SS起初还支持他的工作，不日就把这个案子又压了下来，而随后，他企图阻止一起明显不公的审判，拒绝执行命令并因此受到上级处罚，被送往前线。

麦可．摩尔(Michael Moore)是美国最具影响力的导演之一，这次他要「侵占」他国，在比美国福利优渥的领土上插旗示威，藉此展开一场奇特又讽刺的文化之旅。曾拍摄《罗杰与我》、《华氏911》，多次创下美国纪录片票房最高纪录的导演麦可．摩尔最新话题之作。 　　本纪录片已获芝加哥、汉普顿国际电影节观众票选奖，有望角逐第88届奥斯卡金像奖纪录片提名。

麦可．摩尔(Michael Moore)是美国最具影响力的导演之一，这次他要「侵占」他国，在比美国福利优渥的领土上插旗示威，藉此展开一场奇特又讽刺的文化之旅。曾拍摄《罗杰与我》、《华氏911》，多次创下美国纪录片票房最高纪录的导演麦可．摩尔最新话题之作。 　　本纪录片已获芝加哥、汉普顿国际电影节观众票选奖，有望角逐第88届奥斯卡金像奖纪录片提名。

Inspired by Iranian cinema and the poetry of Forough Farrokhzad, a young female director from India journeys to Tehran to witness how resistance becomes a daily act of survival in Iranian society. Despite stringent censorship of the Islamic Regime the director collects a series of eloquent and candid interviews with filmmaker Jafar Panahi, activists and everyday women. Over six years, these conversations with the camera expertly capture the simmering anxieties, fears, hopes and dreams of a nation on the cusp of revolution. “In November 2022, a historic struggle for liberation has been shaking Iran to its very foundations for over 70 days [...] a struggle by Iranian women. Over the last six years, the camera witnessed the pent-up anxieties, fears, hopes, and dreams of a society on the verge of a revolution.” This is the card that opens a passionate declaration of love for the cinema and poetry of Iran, which also offers a frank view of the precarious situation for critics of the regime and shows the uncompromising daily struggle of Iranian women against their oppression. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1273/14978

Inspired by Iranian cinema and the poetry of Forough Farrokhzad, a young female director from India journeys to Tehran to witness how resistance becomes a daily act of survival in Iranian society. Despite stringent censorship of the Islamic Regime the director collects a series of eloquent and candid interviews with filmmaker Jafar Panahi, activists and everyday women. Over six years, these conversations with the camera expertly capture the simmering anxieties, fears, hopes and dreams of a nation on the cusp of revolution. “In November 2022, a historic struggle for liberation has been shaking Iran to its very foundations for over 70 days [...] a struggle by Iranian women. Over the last six years, the camera witnessed the pent-up anxieties, fears, hopes, and dreams of a society on the verge of a revolution.” This is the card that opens a passionate declaration of love for the cinema and poetry of Iran, which also offers a frank view of the precarious situation for critics of the regime and shows the uncompromising daily struggle of Iranian women against their oppression. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1273/14978