This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html

This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html

A film by Aria Covamonas.

A film by Aria Covamonas.

Rosa is a prostitute who inherited her profession from Antonia, her mother, who thinks she is Sara Montiel and who has turned her daily life into hell. Rosa does not know how to be happy. She finds it simply impossible. But the unexpected arrival of a new member to her odd family will give her a unique opportunity to achieve happiness. 　　It Is a film about family. Women leaving “La puerta abierta” are very different, have come from different countries or living here for years. They love and fight in equal parts, but all form a vital and hilarious group almost like a real family.

Rosa is a prostitute who inherited her profession from Antonia, her mother, who thinks she is Sara Montiel and who has turned her daily life into hell. Rosa does not know how to be happy. She finds it simply impossible. But the unexpected arrival of a new member to her odd family will give her a unique opportunity to achieve happiness. 　　It Is a film about family. Women leaving “La puerta abierta” are very different, have come from different countries or living here for years. They love and fight in equal parts, but all form a vital and hilarious group almost like a real family.

爷爷睡着了，他的花园里发生了许多古怪的事，来了很多稀奇的人，他们纷纷走进花园深处的那扇门后。爷爷也随着进入了那扇门，门后，原来是他最思念却永远也见不到了的孙子——小宝。

After coming to Seoul a woman is seduced by an old pimp to become a prostitute. But soon she leaves the place and saves money by working hard in a public bathhouse as a masseuse. Though she has a dream to open a small beauty salon, the dream is crushed when she loses all her money by a swindler. But she never gets frustrated.

爷爷睡着了，他的花园里发生了许多古怪的事，来了很多稀奇的人，他们纷纷走进花园深处的那扇门后。爷爷也随着进入了那扇门，门后，原来是他最思念却永远也见不到了的孙子——小宝。

蒋中天（陈坤 饰）正在经历人生的低潮。面对上司兼同窗好友洪源（黄觉 饰），他显得极度不自信，对对方也不信任。总是认为他跟自己青梅竹马的女友文馨（杨幂 饰）有染。突然冒出的中学同学李作文更让他昏了头，李作文不学无术，混到今天成了个出租车司机，还总是在中天面前出现，中天一直记得李作文当年企图强奸文馨未遂，心里一直有着阴影。 他对自己的不信任映照到文馨身上，开始疑神疑鬼，终于文馨忍受不了，留下一通信息后出走。蒋中天埋头粉刷墙壁，日日装修。在幻觉之下，他杀了洪源，但洪源的魂魄依旧纠缠着他。他开始怀疑警方派人来监视他，每一个邻居每一个上门的过客，他都认为是有目的的。 他一边追寻着文馨的下落，一边接近事实的真相，然而当真相的门打开时，他发现一切早已是不能挽回的大错。