《摄·太帅》（英语：I Am A Photographer）是香港电视娱乐制作的真人秀节目，2017年7月10日至7月28日逢星期一至五22:00－22:30在ViuTV播出，主持是刘翁、黄美棋。节目找了10位不同背景的人用淘汰形式玩摄影比赛。节目名称是来自华人传统习俗摄太岁。

A bisexual female pornographer searches for sexual and economic independence in a male-dominated industry. But most of all, the girl just wants to have fun.

Baltimore native Matthew VanDyke’s lifelong dream was to make an adventure film. So in 2007, he embarks on a “crash course in manhood,” a solo journey across North Africa and the Middle East with only his video camera and a motorbike. But travelling through the Libyan Desert puts an unexpected twist on his plans, as he joins forces with the rebels to oust Moammar Gadhafi. He’s soon captured and placed in solitary confinement for six months—not an easy situation for a young, middle-class man who’s struggled all his life with obsessive-compulsive disorder. Oscar-nominated director Marshall Curry finds a gripping entry into VanDyke’s perspective. Not afraid to ask hard questions, Curry uncovers a compelling and intriguing story of a boy who went searching to become a man and ended up a freedom fighter. Kathleen Mullen

Baltimore native Matthew VanDyke’s lifelong dream was to make an adventure film. So in 2007, he embarks on a “crash course in manhood,” a solo journey across North Africa and the Middle East with only his video camera and a motorbike. But travelling through the Libyan Desert puts an unexpected twist on his plans, as he joins forces with the rebels to oust Moammar Gadhafi. He’s soon captured and placed in solitary confinement for six months—not an easy situation for a young, middle-class man who’s struggled all his life with obsessive-compulsive disorder. Oscar-nominated director Marshall Curry finds a gripping entry into VanDyke’s perspective. Not afraid to ask hard questions, Curry uncovers a compelling and intriguing story of a boy who went searching to become a man and ended up a freedom fighter. Kathleen Mullen

Using film as a material for building a model means necessarily foregoing the copying function, and as it were playing with the possibilities within a specific framework, contents and conditions of film itself.

Using film as a material for building a model means necessarily foregoing the copying function, and as it were playing with the possibilities within a specific framework, contents and conditions of film itself.

讲述澳门放映业与世界电影同步发展百年沧桑故事的同时，让观者了解澳门的人文历史。

讲述澳门放映业与世界电影同步发展百年沧桑故事的同时，让观者了解澳门的人文历史。

Unable to make progress with her ex-lesbian conversion path, a neurotic "All American" Jill tracks down her butch ex-girlfriend Jamie to prove to herself that she is no longer attracted to her. Strung along by guilt and desire, Jamie agrees to the preposterous plan of "dating" Jill so that Jill can close this chapter of her life and move forward with men. Meanwhile, David and Lola compete for the affections of José , a sexually ambiguous and seductive man from Brazil, and they compare notes on their differing opinions of his sexuality. As complications arise with Jill and Jamie's relationship, Jill starts to see José as her ticket out. However, when the love triangles shift and realign, Jamie has her own identity crisis that she is ill-equipped to handle. A mix of over-the-top comedy, sharp wit, and pathos, "Heterosexual Jill" rides the edge of laughter and pain, desire and repression, and explores the complicated attachment to one's sense of self in the face of love.