『ニワトリはハダシだ』の森崎●東監督がピンク映画の撮影現場を舞台に描く痛快喜劇。西田敏行主演でピンク映画に人生を賭けた男の恋と友情、夢を描き出す。美保純、柄本明、大楠道代ら豪華キャストが共演。“あの頃映画 松竹DVDコレクション”。

『ニワトリはハダシだ』の森崎●東監督がピンク映画の撮影現場を舞台に描く痛快喜劇。西田敏行主演でピンク映画に人生を賭けた男の恋と友情、夢を描き出す。美保純、柄本明、大楠道代ら豪華キャストが共演。“あの頃映画 松竹DVDコレクション”。

美食类韩国新综《秘诀》，出演嘉宾康男、尹钟信、金俊贤、金风等。

美食类韩国新综《秘诀》，出演嘉宾康男、尹钟信、金俊贤、金风等。

改编自丹尼尔·苏加利诺夫的小说《 Bricks 2.0》。离婚的银行职员卡纳特和他饱受阿兹海默病困扰的母亲一起，过着单调而乏味的生活。 当他重遇大学老友丹尼尔时，他的世界逐渐陷入了声色犬马的夜晚与道德的败坏。这是一则关于好人如何堕落的警世故事。

改编自丹尼尔·苏加利诺夫的小说《 Bricks 2.0》。离婚的银行职员卡纳特和他饱受阿兹海默病困扰的母亲一起，过着单调而乏味的生活。 当他重遇大学老友丹尼尔时，他的世界逐渐陷入了声色犬马的夜晚与道德的败坏。这是一则关于好人如何堕落的警世故事。

Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park. 　　For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection. 　　He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.

Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park. 　　For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection. 　　He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.