Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park. 　　For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection. 　　He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.

安妮•莱柏维兹（Annie Leibovitz），1949年出生于美国康涅狄格州。这个一身朴素的长发女子却是群星闪耀的名人圈里最为璀璨的一颗明珠。她先后供职《时尚》、《滚石》和《名利场》等杂志，曾与约翰•列侬、大野洋子、滚石乐队、黛咪•摩尔、乔治•克鲁尼、朱丽娅•罗伯茨、克莉斯汀•邓丝特等名人有过近距离接触。她的作品带有浓厚的个人印记，既承载了历史，又引起广泛的热议。关于这个风格多变摄影师的争论似乎从未停止，但她作品中所折射出来的魅力却无人可以否认。 　　2009年，安妮了获得了纽约摄影中心无限奖（ICP Infinity Awards）终身成就奖。

美妍不惜一切代价改变男友俊河的想法，有一天，美妍把俊河、她的朋友素珍和素珍的男朋友道俊叫到她家，她开始在他们面前脱下衣服....

《大师的背影》由著名导演米家山执导，历时五载，采访近百人，录制近300小时素材得以铸就的诚意之作。纪录片以建国后继任“荣宝斋”经理的侯恺老先生（采访时92岁，已故）的回忆为引线，围绕新中国成立后荣宝斋的开拓、进取、发展和中国传统 国画艺术步入历史辉煌的背景，借助大量国画大师们生前的珍贵口述影像资料及齐白石、徐悲鸿、李苦禅、李可染、黄胄、张 仃、董寿平、蒋兆和、李斛、许麟庐等数十位老一代国画大师们的遗孀、后人和弟子生动真实的讲述，勾画出中国一代传统国 画大师们作品背后那些鲜为人知的、与作品等高的人品、艺德、学养以及他们的人生冷暖、交情世故、逸闻趣事，把创作天价作品、高居艺术殿堂之巅的大师们还原成一个个生动鲜活的普通人。

在一个宁静的夜晚，女主人和男主人正端坐在客厅读书看报。狡猾的汤姆趁主人未留意，偷偷钻进厨房，打开冰箱门端出烤鸡大快朵颐。就在此时，那主人突然起身来到厨房，当他打开冰箱门后发现被啃过的烤鸡大为震惊。他怀疑不是猫就是狗干了这等勾当。生怕遭到处罚的汤姆想出妙计，用面包蘸上墨水伪装成狗爪子印按在房间各个角落，并将吃剩下的烤鸡塞到正睡觉的史派克的怀中。他太专心干这样的事，却没发现他的行径早被杰瑞用相机拍了下来。 　　不久，恼怒的主人将史派克扔出门外。而杰瑞也将照片洗了出来，洋洋得意的汤姆终于迎来手忙脚乱的时刻……

CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.

纪念摄影师布罗克·布伦纳哈塞特以其在维多利亚时代的爱尔兰为已故者拍摄照片的技巧而闻名。 　　当一系列谋杀威胁玷污布洛克的声誉时，一名侦探把他拖进了对都柏林犯罪集团的调查。

吉泽美树（光宗薰 饰）、坂井彩（熊谷弥香 饰）、冈田瞳（高山都 饰）和村滨春佳（园ゆきよ 饰）是某大学摄影小组的成员，她们时常聚到美树的父亲荣治（隆大介 饰）和母亲在吉祥寺经营的咖啡店Tid-pool聚会，对其他三名女孩来说，这里就如同是家一样温暖安逸的所在。离毕业仅有一个月了，女孩们讨论开展毕业旅行。可就在此时，美树突然接到岗前教育培训的通知，而春佳则意外丢失了三人的旅行资金。每每想到还有一个月就要和朋友们分道扬镳，美树心中充满了失落与空虚感。当她看到Tid-pool墙上贴着的那张摄影小组照片时，心中若有所悟……